Mark Ryden: Anima Animals

July 3 – August 29, 2020
  • Kasmin and Perrotin are delighted to announce a jointly organized exhibition of new works by American painter Mark Ryden (b. 1963, United States). Featuring approximately forty works from the artist’s latest series, Anima Animals, the exhibition will be on view at Perrotin’s Shanghai gallery from July 3, 2020. This also marks the artist’s first solo show in China.
  • Anima Animals presents a portrait gallery of enchanted characters that embody the artist’s meticulously-realized, signature blend of archetype, kitsch, and narrative mysticism. Resplendent with pinkcheeked, wide-eyed divine beings, the works are encased in ornate, handcarved wooden frames of the artist’s design that function as part of the artwork, extending the traditional limits of the picture plane. The characters’ otherworldly demeanors found within are inspired by the idiosyncratic and playfully proportioned faces of 1950s vintage plush animal toys. Whilst many of these creatures present a benevolent smile framed by soft tendrils of candy-colored fur, saccharine curls, roses, and silk bows, a darker tension lies just under the surface, hinting at the haunting resonance of the subconscious. 
  • Mark Ryden God Yak (#138), 2019 oil on canvas and hand-carved wood frame 40 x 36 inches 101.6 x 91.4...

    Mark Ryden

    God Yak (#138), 2019

    oil on canvas and hand-carved wood frame
    40 x 36 inches
    101.6 x 91.4 cm
    54 x 50 x 2 5/8 inches, framed
    137.2 x 127 x 6.7 cm
  • Ryden’s modern mythologies inseparably interweave twin senses of comfort and menace. “Most of my work engages with the relationship between the physical world and the spiritual world," he has said. His are scenes that exist in the ambiguous space between these two realms, in which nostalgia—and by extension memory, even death—are everpresent.
  • Mark Ryden Pink Yak (#136), 2018 oil on canvas and hand-carved wood frame 40 x 30 inches 101.6 x 76.2...

    Mark Ryden

    Pink Yak (#136), 2018

    oil on canvas and hand-carved wood frame
    40 x 30 inches
    101.6 x 76.2 cm
    54 5/8 x 44 1/2 x 3 inches, framed
    138.7 x 113 x 7.6 cm
  • Takashi Murakami has said: “Mark Ryden, Yoshitomo Nara, and I, among others, belong to a generation of artists who have been facing in the same general direction. What I mean by the ‘same direction’ is that as children, we were baptized in subculture and that experience remains intensely imprinted on each of our beings. When we subsequently began painting in our adolescent years, we also started to study art history while simultaneously developing our painting technique. Once we had full command of both of these, we succeeded in combining historical painting methods with subculture. That, in a nutshell, is our generation.”
  • Mark Ryden Bee (#144), 2019 oil on panel and hand-carved wood frame 20 x 20 inches 50.8 x 50.8 cm...

    Mark Ryden

    Bee (#144), 2019

    oil on panel and hand-carved wood frame
    20 x 20 inches
    50.8 x 50.8 cm
    36 x 34 x 2 1/2 inches, framed
    91.4 x 86.4 x 6.3 cm
  • Ryden’s time-honored, ar tistic craftsmanship elevates heavily sentimentalized elements of American tradition and antiquity, collected as though for a cabinet of wonders. His labor-intensive canvases deftly rework centuries of art history, combining the grandeur of Spanish and Italian religious painting with the decorative richness of Old Master compositions and the lush textures of French Neoclassicism.
  • Works
    • Mark Ryden, The Stoat (#149), 2019
      Mark Ryden, The Stoat (#149), 2019
    • Mark Ryden, Shag (#150), 2019
      Mark Ryden, Shag (#150), 2019
    • Mark Ryden, Salvator Mundi (#137), 2018
      Mark Ryden, Salvator Mundi (#137), 2018
    • Mark Ryden, Bee (#144), 2019
      Mark Ryden, Bee (#144), 2019
    • Mark Ryden, Pink Yak (#136), 2018
      Mark Ryden, Pink Yak (#136), 2018
  • About the Artist

    Mark Ryden
    Portrait by Christopher French.

    Mark Ryden

    Blending themes of pop culture with techniques reminiscent of the old masters, Mark Ryden has devised a singular style that blurs traditional boundaries. His work first garnered attention in the 1990s as he ushered in a new genre of painting, “Pop Surrealism,” which developed the scope and spirit of the 20th century surrealism by embellishing its vocabulary with contemporary cultural references.

    Ryden’s work exquisitely renders a universe replete with fantastical characters amid enchanted landscapes that embody the artist’s meticulously realized signature blend of archetype, kitsch, and narrative mysticism. Ryden’s modern mythologies inseparably interweave twin senses of comfort and menace. “Most of my work engages with the relationship between the physical world and the spiritual world,” he has said. His are scenes that exist in the ambiguous space between these two realms, in which nostalgia—and by extension memory, even death—are ever-present.

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