Annette Lemieux

ANNETTE LEMIEUX Artist Bio

ANNETTE LEMIEUX


1957 Born in Norfolk, VA
1980 Receives B.F.A. from Hartford Art School, University of Hartford, CT
1983 Receives National Endowment for the Arts Drawing Grant
1986 Receives Pollock / Krasner Foundation Grant
1987 Receives New York Fellowship for Painting
Receives National Endowment for the Arts Grant
1991 Receives National Endowment for the Arts Painting Grant
1992 Receives Mies van der Rohe Stipendium, Kaiser Wilhelm Museum, Krefeld, Germany
1994 Receives Moonhole Artist's Residency, Charles Engelhard Foundation
1995 Receives Howard Foundation Fellowship
1996 Receives The Koopman Chair, Hartford Art School, University of Hartford
2004 Recieves Clark/Cooke Fund, Harvard University
2006 Recieves Clark/Cooke Fund, Harvard University
2009 Receives Honorary Doctor in Fine Arts, Montserratt College of Art, Beverly MA


SOLO EXHIBITIONS


1980 Joseloff Gallery, Hartford Art School, University of Hartford
1984 3 Artists Select 3 Artists, Artists Space, NY
Cash/Newhouse, NY
1986 Cash/Newhouse, NY
1987 Josh Baer Gallery, NY
Cash/Newhouse, NY
Daniel Weinberg Gallery, Los Angeles, CA
1988 Lisson Gallery, London, England
* Matrix Gallery, Wadsworth Atheneum, Hartford
Rhona Hoffman Gallery, Chicago, IL
* Mario Diacono Gallery, Boston
1989 * Josh Baer Gallery, NY
* The John and Mable Ringling Museum, Sarasota, FL
Center for the Fine Arts, Miami, FL
The New Museum of Contemporary, NY
1990 * Galerie Monika Sprüth, Cologne, Germany
Rhona Hoffman Gallery, Chicago, IL
La Maquina Espanola, Seville, Spain
* Mario Diacono Gallery, Boston
1991 Josh Baer Gallery, NY
* Galerie Montenay, Paris, France
* Stichting De Appel, Amsterdam, Holland
1992 * Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli, Italy

1993 Work In Editions, Brooke Alexander Editions, NY
Josh Baer Gallery, NY
1994 * The Matter of History: Selected Work by Annette Lemieux, Davis Museum and Cultural Center, Wellesley College, Wellesley, MA: traveled to Duke University Museum of Art,
Durham, NC; Washington University Art Gallery, St. Louis, MO
* catalogue
* Kaiser Wilhelm Museum, Haus Esters, Krefeld, Germany
* Time to Go, Galleria d'Arte, Emilio Mazzoli, Modena, Italy
1995 McKee Gallery, New York
1996 * Untitled 1988 / 1996 Great Expectations, Mario Diacono Gallery, Boston
1997 Mostly Blue, Anders Tornberg Gallery, Lund, Sweden
1998 McKee Gallery, New York
* Museo de Arte Carrillo Gil, Mexico City, Mexico
1999 Arena, Elias Fine Art, Allston, MA
Cambridge River Festival, Charles River Project, MA
2000 * Crossing the Rubicon, Mario Diacono Gallery, Boston, MA
* Two Vistas, Wall at WAM, Worcester Museum, Worcester, MA
2001 'Scapes, McKee Gallery, New York
'Scapes Continued, Barbara Krakow Gallery, Boston, MA
Sphere, Baldwin Gallery, Aspen, CO
2002 * Double Obstacle, Mario Diacono Gallery, Boston, MA
2004 Vehicles for Elevation, McKee Gallery, New York
2006 Flowers and Song, Annette Lemieux, Baldwin Gallery, Aspen, Colorado
2008 COME JOIN IN, Paul Kasmin Gallery, NYC, at The Armory Show, NYC
Taking Stock, Annette Lemieux, Barbara Krakow Gallery, Boston, MA
2010 Paul Kasmin Gallery, NYC, NY
* The Strange Life of Objects: 1983 - present, a traveling midcareer survey exhibtion hosted by the Krannert Art Museum, Champaine, Illinois. Curated by Judy Hoos Fox and Lelia Almafitano. Traveling to Worcester Art Museum, Worcester MA.



GROUP EXHIBITIONS


1979 Hartford Arts Festival, jurried exhibition, Hartford, CT
1980 Beth El Temple Annual Exhibition, Beth El Temple, West Hartford, CT
1982 Contemporary Shields Show, Gallery des Refuse, NY
* The Monument Redefined, Gowanus Annual II, Brooklyn, NY
1983 Connecticut 7+7+7, Wadsworth Atheneum, Hartford, CT
Image Letante, Alain Bilhaud Gallery, NY
* Turn It Over, sponsored by White Columns, NY
1984 Artist Call, Metro Pictures, NY
Symbols Cliche, A & M Gallery, NY


1985 Situations, curated by the Museum of Modern Art Lending Service, Dancer
Fitzgerald Sample, Inc., NY
57 Street between A & D, Holly Solomon Gallery, NY
Past and Future Perfect, Hallwalls, Buffalo, NY
Benefit Show, White Columns, NY
Summer Selection, Castelli Graphics, NY
303 Gallery, NY Thought Objects, curated by Barbara Ess and Glenn Branca, Cash/Newhouse, NY
Jennifer Bolande, Annette Lemieux, Michael Bennett Gallery, NY
* A Brave New World, A New Generation, curated by Tom Solomon, Charlottenborg
Exhibition Hall, Copenhagen, Denmark and Lundmuselim, Lund, Sweden
1986 Cash/Newhouse, NY
Bard College, curated by Arthur Solway, Annandale-On-Hudson, NY
303 Gallery, NY
1986 New New York, Cleveland Center for Contemporary Art, curated by Bill Olander, Cleveland, OH
Metro Pictures, NY
Currents, Institute of Contemporary Art, Boston, MA
Time After Time, curated by Collins and Milazzo, Diane Brown Gallery, NY
Altered States, Bard College, curated by Vikky Alexander, Annandale-On-Hudson, NY
* Spiritual America, curated by Collins and Milazzo, CEPA, Buffalo, NY
Vikky Alexander/Annette Lemieux/Allan McCollum/James Welling, Cash/Newhouse, NY
Luhring, Augustine & Hodes Gallery, NY
Rhona Hoffman Gallery, Chicago, IL
Brooke Alexander, NY
Cash/Newhouse, NY
The Moral Essays, Castelli Graphics, NY
* Ultrasurd, curated by Collins and Milazzo, S.L. Simpson, Toronto, Canada
* Modern Sleep, curated by Collins and Milazzo, American Fine Arts, NY
1987 Annina Nosei Gallery, NY
* The Antique Future, curated by Collins and Milazzo, Massimo Audiello Gallery, NY
* 1987 Biennial Exhibition, Whitney Museum of American Art, NY
* Extreme Order, curated by Collins and Milazzo, Lia Ruma Galerie, Naples, Italy
* Fake, The New Museum of Contemporary Art, NY
* Jennifer Bolande, Moira Dryer and Annette Lemieux, Lawrence Oliver Gallery,
Philadelphia, PA
Beyond the Image, curated by James R. Schmidt, First Street Forum, St. Louis, MO



Real Pictures, Wolff Gallery, NY (an exhibition to benefit AMFAR)
Romance, curated by Ronald Jones, Knight Gallery, Charlotte, NC
Subtext, Kent Fine Art, NY
(of Ever-Ever Land i speak), curated by Christian Leigh, Stux Gallery, NY
International With Monument, NY
Pat Hearn Gallery, NY
* Coleccion Sonnabend, Centro d'Arte Reina Sofia, Madrid, Spain
Tom Cugliani Gallery, NY
* Currents 12: Simulations, New American Conceptualism, Milwaukee Art Museum,
Milwaukee, WI
* Recent Tendencies in Black and White, curated by Jerry Saltz, Sidney Janis Gallery, NY
* The Beauty of Circumstance, curated by Ronald Jones, Josh Baer Gallery, NY
* The New Poverty, curated by Collins and Milazzo, John Gibson Gallery, NY
1988 * Cultural Geometry, organized by the Deste Foundation for Contemporary Art, DEKA
Foundation, House of Cyprus, Athens, Greece
* Media Post Media, curated by Collins and Milazzo, Scott Hanson Gallery, NY
The Return of the Hero, curated by Karen Marta Burden Gallery, Aperture Foundation, NY
The Multiple Object, organized by Fine Arts Planning Group, Bank of Boston Gallery, Boston
* Photography on the Edge, Patrick and Beatrice Haggerty Museum of Art, Marquette
University, Milwaukee, WI
* Artschwager, His Peers and Persuasion, 1963-1988, Daniel Weinberg Gallery, Los
Angeles, CA and Leo Castelli Gallery, NY
Altered States, curated by Rosetta Brooks, Kent Fine Art, NY
* Reprises de Vues, curated by Corrine Diserens and Renate Cornu, Halle Sud/Geneve,
Geneva, Switzerland
Sculpture, Brooke Alexander, NY
Objects, Lorence Monk, NY
* Art at the End of the Social, curated by Collins and Milazzo Rooseum, Malmo, Sweden
New Work, Josh Baer Gallery, NY
* The Bi-national, The Institute of Contemporary Art, Museum of Fine Arts, Boston, MA and
Stadtische Kunsthalle, Kunstsammlun Nordrhein-Westfalen, Kunstverein fur die Rheinlande und Westfalen, Dusseldorf, Germany
* Hybrid Neutral: Modes of Abstraction and the Social, curated by Collins and Milazzo: traveled to The University of North Texas Art Gallery, Denton, TX;


The J.B. Speed Art Museum, Louisville, KY; Alberta College Gallery of Art, Calgary, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, St. Lawrence University, Canton, NY; Santa Fe Community College Art Gallery, Gainesville; Fuller Gross Gallery, San Francisco, CA
1989 * Pre-Pop, Post-Appropriation, curated by Collins and Milazzo, in cooperation with Leo Castelli Gallery, NY and Stux Gallery, NY
Revamp, Review, curated by Corinne Diserens, International Center for Photography at Woodstock, Woodstock, NY
* Prospect '89, Schirnkunsthalle, Frankfurt, West Germany
* INFAS: 7 Artists, curated by Diego Cortez, The Space, Hanae Mori Foundation, Tokyo, Japan
Drawing to a Close, Daniel Weinberg Gallery, Los Angeles, CA
Painting/Object/Photograph, Barbara Krakow Gallery, Boston, MA
* The Silent Baroque, curated by Christian Leigh, presented by Galerie Thaddeus Ropac at
the Villa Arenberg, Salzburg, Austria
* The Photography of Invention-American Pictures of the 1980's, National Museum of American Art, Smithsonian Institute, Washington, D.C.
10+10: Contemporary Soviet and American Painters, curated by Maria Price, Graham Beal and Pavel Khoroshilov: traveled to Modern Art Museum of Fort Worth, TX; San Francisco Museum of Modern Art, San Francisco, CA; Albright Knox Museum, Buffalo, NY; Corcoran Gallery, Washington D.C.; The New Trectyakov Gallery, Moscow, USSR; Tbilisi andLeningrad, USSR
* Contemporary Perspectives 1: Abstraction in Question, The John and Mable Ringling
Museum of Art, Sarasota, FL: traveled to Center for the Fine Arts, Miami, FL
Les États Généraux, Galerie Montenay, Paris, France
* Psychological Abstraction, curated by DESTE Foundation, House of Cyprus, Athens, Greece
* 3x5 Projects: The Appearance of Sound, Center for the Fine Arts, Miami, FL
* Image World: Art and Media Culture, Whitney Museum of American Art, NY
*Departures: Photography 1924-1989, Hirschl & Adler Modern, NY
1990 This Land Is Our Land, Zoe Gallery, Boston, MA
Selected Works from the Avant Garde, Kent Fine Art, NY
* OBJECTives: The New Sculpture, Newport Harbor Art Museum, Newport Beach, CA
On The Edge: Between Sculpture and Photography, Cleveland Center for Contemporary Art, Cleveland, OH
* All Quiet on the Western Front?, in collaboration with Collins and Milazzo, Galerie Antoine Candau, Paris
* A Vint Minuts De Paris, Galeria Joan Prats, Barcelona, Spain
Aperto '90, The Venice Biennial, Arsenale Corderie, Venice, Italy
* Woman Artists of the Day, IMPO, Osaka, Japan


The Children's AIDS Project: A Benefit Exhibition, Daniel Weinberg Gallery, Santa Monica, CA
* Word As Image: American Art 1960-1990: traveled to Milwaukee Art Museum, Milwaukee, WI; Oklahoma City Art Museum, OK; Contemporary Arts Museum, Houston, TX
The Last Decade: American Artists of the 80's, curated by Collins and Milazzo, Tony Shafrazi Gallery, NY
* Culture in Pieces: Other Social Objects, Beaver College Art Gallery, Glenside, PA
* Mind over Matter: Concept and Object, Whitney Museum of American Art, NY
* Life-Size: A Sense of the Real in Recent Art, The Israel Museum, Jerusalem, Israel
Trois Americains, Galerie Antoine Candau, Paris, France
Vertigo, organized by Christian Leigh, Galerie Thaddaeus Ropac, Paris, France
ICA Art Auction, Institute for Contemporary Art, Boston, MA
1991 Josh Baer Gallery, NYC, NY
* The Sibylline Eye, Munich Kunsthalle, Munich, Germany
Word as Image: American Art 1960-1990, Contemporary Arts Museum, Houston, TX
The Fetish of Knowledge, organized by Jim Hyde, Real Art Ways, Hartford, CT
* Word & #s, Museum of Contemporary Art, Wright State University, Dayton, OH
* Who Framed Modern Art or The Quantitative Life of Roger Rabbit, curated by Collins and Milazzo, Sidney Janis Gallery, NY
The Lick of the Eye, organized by David Pagel, Shoshana Wayne Gallery, Santa Monica, CA
Sophie Calle, Annette Lemieux, Lorna Simpson, Carrie Mae Weems, National Gallery,
Pittsburgh Center for the Arts, Pittsburgh, PA
* Vertigo II, organized by Christian Leigh, Galerie Thaddaeus Ropac, Salzburg, Austria
Inscapes, Foundation De Appel, Amsterdam, Holland
* Cruciformed: Images of the Cross Since 1980, curated by Davis S. Rubin, Cleveland
Center for Contemporary Art, Cleveland, OH: traveled to Western Washington University, Bellingham, WA
Constructed Images: Synapse Between Photography and Sculpture, curated by Ingrid
Schaffner, Lieberman & Saul Gallery, NY: traveled to Tampa Museum of Art, Tampa, FL;
Center for Creative Photography, Tucson, AZ; San Jose Museum of Art, San Jose, CA
* Object Lessons, Portland Art Museum, Oregon Art Institute, Portland, OR
American Artists of the 80's, Castelli di Rivoli, Museo d'Arte Contemporanea, Rivoli, Italy
* The Art of the 1980s: Selections from the collection of the Eli Broad Family Foundation,
Duke University Museum of Art, Durham, NC

1992 New Jersey Collects: Photography, New Jersey Center for Visual Arts, NJ
Drawings, Brooke Alexander, NY
Annette Lemieux and Annette Messager, Josh Baer Gallery, NY
Beyond Glory: Re-Presenting Terrorism, Maryland Institute, College of Art, Baltimore, MD
Gifts of Compassion, Miller/Block Fine Art, Boston
Blast Art Benefit, 568-578 Broadway, New York
* Theoretically Yours, curated by Collins and Milazzo, Regione Autonoma Della Valle D'Aosta, Aosta, Italy
Material Matters, Fisher Landau Center, Long Island City, NY
15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago, IL
More Than One Photography,The Museum of Modern Art, NY
Group Show, Brooke Alexander, NY
* Post Human, curated by Jeffrey Deitch, at Castello di Rivoli, Museo d'Arte Contemporanea,Rivoli, Italy: traveled to Deste Foundation for Contemporary Art, Athens, Greece; Deichtorhallen Hamburg, Hamburg,Germany; The Israel Museum, Jerusalem, Israel
The Exuberant Eighties,The Forum for Contemporary Art, St. Louis, MO
Josh Baer Gallery, NY
Three Choices: Annette Lemieux, Ellen Rothenberg, Lisa Young, Barbara Krakow Gallery, Boston
* Who's Afraid of Duchamp, Minimalism and Passport Photography?, curated by Collins and Milazzo, Annina Nosei Gallery, NY
Miracles III, Benefit Auction and Exhibition, University of Hartford, CT
* Les Iconodules, La Question de L'image, Museé des Beaux-Arts, Le Havre, France
Functional Objects by Artists and Architects, Rhona Hoffman Gallery, Chicago, IL
* The Boundary Rider, The Ninth Biennial of Sydney, North Sydney, Australia
Multiplicity, curated by Susan Inglett, Thea Westreich, NY: traveled to Christopher Middendorf, Washington, D.C.; Van Straaten Gallery, Chicago, IL; Center of Contemporary
Art, St. Louis, MI; Davis / McClain, Houston, TX; Richard Green, Santa Monica, CA; Ellen Miller / Katie Block, Boston
Concurrencies, curated by Lucio Pozzi and William Chambers, Grace Borgenicht Gallery, NYC, NY
The Directed View, Academy of Fine Arts, Vienna, Austria
1993 * American Art Today: Clothing As Metaphor, The Art Museum, Florida; International University, Miami, FL: traveled to Tavelli Gallery, Aspen, CO; Washington University Gallery of Art, St. Louis, MI
Sculpture & Multiples, Brooke Alexander Editions, NY
I Am The Enunciator, curated by Christian Leigh, Thread Waxing Space, NY
Contacts / Proofs, collaboration with Mark Innerst, Jersey City Museum, Jersey City, NJ


* Fall From Fashion, The Aldrich Museum of Contemporary Art, Ridgefield, CT
Concurrencies II, Ben Shahn Galleries, William Paterson College, Wayne, NJ
Druksache (Prints & Issues), curated by Kim Levin, Kunst-Werke, Berlin, German
* Photoplay: Works from the Chase Manhattan Collection, organized by Lisa Phillips: traveled to Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico; Centro Cultural Consolidado, Caracas, Venezuela; Museu de Arte de Sao Paulo, Sao Paula, Brazil; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile
* Vivid: Intense Images by American Photographers, organized by Victoria Espy Burns,
Raab Galerie, Berlin, Germany
* Drawing the Line Against Aids, curated by John Cheim, Diego Cortez, Carmen Gimenez & Klaus Kertess, The Peggy Guggenheim Collection, Venice, Italy; Solomon R.
Guggenheim Museum, NY
Art is Life, Museo dell'Automobile, Torino, Italy
Yavneh Art Workshop, Yavneh, Israel
* Living With Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morristown, NJ
The Return of the Cadavre Exquis,The Drawing Center, NY, (traveling exhibition)
* Still Images / Moving Pictures, David Winton Bell Gallery, Brown University, List Art Center, Providence, RI
* Uber-Leben, Bonner Kunstverein, Bonn, Germany
Benefit Exhibition for Foundation for Contemporary Performance Arts, Leo Castelli Gallery, NY
Giftland II: Extra-ordinary, Printed Matter Bookstore at Dia, NY
Women at War, LedisFlam Gallery, NY
* Mettlesome, Meddlesome: Selections from the Collection of Robert J. Shiffler, The Contemporary Arts Center, Cincinnati, OH
Studio Guenzani, Milano, Italy
Moving, De Appel, Amsterdam, The Netherlands
1994 Milena Dopitova In Context, The Institute of Contemporary Art, Boston, MA
The Ossuary, organized by Diego Cortez and Arto Lindsay, Luhring Augustine Gallery,NYC, NY
* Old Glory: The American Flag in Contemporary Art, Cleveland Center for Contemporary Art, Cleveland, OH
Painting, Rhona Hoffman Gallery, Chicago, IL
* The Artist's Camera: Photographs by Contemporary Artists, curated by Junji Ito and Richard Marshall, Art Against Aids, Japan, Tokyo, Japan; Threadwaxing Space, NY
Blast Art Benefit, NY
Visiting Artistry, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA
Where is Home?, Kent Fine Art, NY
* Burnt Whole, Contemporary Artists Reflect on the Holocaust, curated by Karen Holtzman,
Washington Projects for the Arts; Washington, D.C.: traveled to Institute of Contemporary Art, Boston, MA
* La Collezione, The Castello de Rivoli, Turin, Italy
* Mapping, curated by Robert Storr, The Museum of Modern Art, NY
Press On, Editions from Four Young Publishers, I. C. Editions, NY
The Music Box Project, curated by Claudia Gould, The Equitable Gallery, NY: traveled to The Long Beach Museum of Art, Long Beach, CA; Center for the Fine Arts, Miami, FL; Columbus Museum of Art, Columbus, Ohio; Spiral Art Center, Tokyo and Kirin Plaza, Japan
* The Century of the Multiple; From Duchamp to the Present, The Deichtorhallen,Hamburg, Germany
The Lewitt Collection, curated by Walter McConnell, Atrium Gallery, University of Connecticut at Storrs, CT
Depart, curated by Daniel Elias, Bernard Toale Gallery, Boston
1995 * Critiques of Pure Abstraction, curated by Mark Rosenthal, organized by ICI, NY: traveled to Sarah Campbell Blaffer Gallery, University of Houston, Houston, TX; Illingworth Kerr
Gallery, Alberta College of Art, Calgary, Alberta, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; UCLA at the Armand Hammer Museum of Art and
Cultural Center, Los Angeles, CA; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; The Lowe Art Museum, Coral Gables, FL; Frederick R.
Weisman Museum, University of Minnesota, Minneapolis, MN (exhibited through 1997)
Americana, Tricia Collins / Grand Salon, NY
Spiritual Impulses, Gallery 28, New England School of Art and Design, Boston
Matrix 20th Anniversary, Wadsworth Atheneum, Hartford, CT
Articulations: Forms of Language in Contemporary American Art, Fisher Landau Center, NY
* Fuoriuso '95, Pescara, Italy
Art With Conscience, The Newark Museum, NJ
Prints - to Benefit the Foundation for Contemporary Arts, Brooke Alexander, NY
Annual Massachusetts College of Art Benefit Auction, Boston
1996 Five Women, Five Rooms, Nielsen Gallery, Boston
* Everything that's Interesting is New, Athens School of Fine Arts, Athens, Greece
Bringing It All Back Home, Gracie Mansion, NY
* Landscape Reclaimed: New Approaches to an Artistic Tradition, Aldrich Museum of Contemporary Art, Ridgefield, CT
The Baseball Show, Curt Marcus Gallery, NY
Etching and Etchers since 1850, The Fogg Museum, Harvard University, Cambridge, MA
Art at Home - Ideal Standard Life, Spiral Garden, Tokyo, Japan, curated by Takayo Iida


Box, Fotouhi Cramer Gallery, NY
Blind Spot Photography: The First Four Years, Paolo Baldacci Gallery, New York, NY
Consensus and Conflict: The Flag in American Art, The Whitney Museum of American Art at Champion, Stamford, CT
* Collection in Context: Selected Contemporary Photographs if HANDS from the collection of Henry Buhl, Thread Waxing Space, NY
* Maps Elsewhere, Institute of International Visual Arts, Beaconsfield, London
Valentine's Day Love Fest, Creative Time Benefit, NY
* The Mediated Object: Selections from the Eli Broad Collections, The Fogg Museum, Harvard University, Cambridge, MA
* Thinking Print: Books to Billboards, 1980 - 1995, The Museum of Modern Art, NY
Persistence of Pop, The Rose Museum, Brandeis University, NY
Faces and Figures in Contemporary Art, Museum of Fine Arts, Boston
Making Pictures: Women and Photography, 1975 - Now, Nicole Klagsbrun, NYC, NY.
1997 * The Mediated Object: Selections from the Eli Broad Collections, Forum for Contemporary Art, St. Louis, MI
* Critical Intervention, Joseloff Gallery, University of Hartford, CT
Footplay, McKee Gallery, New York
* The Dual Muse, The Writer As Artist - The Artist As Writer, Washington University Gallery of Art, St. Louis
* From Junk to Art, Museo di Arte Moderna e Contemporanea di Trentoe Rovereto, Itlay
1998 Great Buys: Recent Acquisitions from the Permanent Collection, DeCordova Museum
and Sculpture Park, Lincoln, MA
* PhotoImage: Printmaking 60s to 90s, The Museum of Fine Arts, Boston
* Maschile Femminile, Palazzo Abatelus, Palermo, Italy
The New 'Evergreen Review' Auction and Exhibition, Evergreen Review, NY, curated by Richard Milazzo
(Multiples + Editions), I.C. Editions, New York
* Victoria and Albert Museum, London
1999 * Head to Toe: Impressing the Body, University of Massachusetts, Amherst, MA
* Forget About the Ball, Let's Get on With the Game, Kunsthalle Nurnberg, Germany
* Collectors Collect Contemporary: 1990-99, The Institute of Contemporary Art, Boston
* Artist / Author: Contemporary Artists' Books, University Gallery, Fine Arts Center, University of Massachusetts, Amherst
Hartford Art School Alumni Show, Joseloff Gallery, University of Hartford, CT
Paper Prayers, Barbara Krakow (benefit)
Illuminations, Gallery 57, Cambridge Arts Council, Cambridge, MA (benefit)


2000 * Collaborative Print Shop, Washington University, St. Louis, MO
* S.O.S.: Scenes of Sounds, The Inaugural Exhibition of The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York
Visual Memoirs, Rose Museum, Brandeis University, MA
Whitney Biennial, Whitney Museum of American Art, New York
Of the Moment: Contemporary Art from the Permanent Collection, San Francisco
Museum of Modern Art, San Francisco
* Open Ends: Counter Monuments and Memory, Museum of Modern Art, New York
Inside / Out, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA
Prints from the Collection of the Brooklyn Museum, Brooklyn Museum, New York
NEW works, McKee Gallery, New York
Look Back / Look Forward, Dan Elias Fine Art, Allston, MA
Out & About, Allston Skirt Gallery, Allston, MA
Out of the Box, Rose Art Museum, Brandeis University, Waltham, MA (benefit)
Day Without Art, Barbara Krakow Gallery, Boston, MA (benefit)
Drawings and Photographs, Benefit Exhibition for Foundation for Contemporary Performance Art, Inc., Matthew Marks Gallery, New York
2001 Affecting Invention, The Manipulated Photograph, Carrie Secrist Gallery, Chicago, IL
as far as the eye could see, Stark Gallery, New York, NY
Letter, Signs & Symbols, Brooke Alexander Editions, New York, NY
2002 Belles of Amherst: Contemporary Women Artists in the Collections of the Mead Art Museum and University Gallery, Fairchild Gallery, Amherst College, Amherst, MA
* Photographs from the Whitney Museum of American Art, 1940-2001, The Whitney Museum of American Art, NY
Destination: The World, The Fuller Museum, Brockton, MA, traveled, (awarded "Best Show in an alternative Gallery," the International Association of Art Critics)
* Four Artistæ, Emilio Mazzoli Galleria D'Arte Contemporanea, Modena, Italy
Ves@Work, Carpenter Center for the Visual Arts, Harvard, Cambridge, MA
* Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA
2003 The Auroral Light: Photographs by Women, from Grolier Club Member Collections,
Grolier Club, New York, NY
Summer Exhibition, McKee Gallery, New York
Free Arts Annual Art Auction Benefit, Chelsea Art Museum, New York, NY







Museum of Fine Arts, Boston, exhibition from permanent collection
Bright Lights, Big City, David Zwirner Gallery, New York, NY
The Annual AIDS Benefit Exhibition, Barabara Krakow Gallery, Boston, MA
The Power of Wings: A SAVy Curated Exhibition, Duke University Museum of Art, Durham, NC
2004 * Yesterday Begins Tomorrow, Deste Foundation Center for Contemporary Art, Athens, Greece
Homeland, Whitney Museum of American Art, Independent Study Program Exhibition at the Art
Gallery of the Graduate Center, The City University of New York, NY
McKee Gallery, NYC, NY
Baldwin Gallery, Aspen, CO
* Speaking with Hands: Photographs from the Buhl Collection, Guggenheim Museum, NY
Mostly Photography: Art since 1980 from the Collection, Williams College Museum of Art, Williamstown, MA
Plater Project, Mills Gallery, Boston Center for the Arts Benefit Boston, MA
Lower Manhattan Cultural Council Annual art auction, to benefit The Agnes Martin Artist Fellowship Fund, NYC, NY
2005 Provocations, Judy Ann Goldman Fine Art, Boston, MA.
Art From The 80's, Princeton University Art Gallery, Princeton, NJ
Katrina Benefit, hosted by InterReview Magazine, October 2006, Los Angeles, CA
Great Buys: Museum Purchases, Dewey Gallery, DeCordova Museum and Sculpture Park ,
Lincoln, MA
2006 Skin As A Lannguage, curated by Carter Foster and Apsara DiQuinzio,Whitney Museum American Art, NYC NY
Group Show, Mckee Gallery, NYC, NY
Group Show, Baldwin Gallery, Aspen, CO
Recent Aquisitions Part 1, Scottsdale Museum of Contemporary Art, May – Sept 2006
Barbara Krakow Gallery, Boston, MA, June, 2006
* 21st Century American Artists, Art in Embassies Program, Truman Hall, Brussels, Belgium.
Hartford Art School Alumni Exhibition, Joseloff Gallery, Hartford Art School,University of Hartford, W Hartford, CT
Aldrich Undercover, Benefit Exhibition, The Aldrich Contemporary Art Museum, Ridgefield, CT
Posters, Benefit Exhibition for the Foundation for the Community of Artists, NYC, NY
* Responding to Kahn: A Sculptural Conversation, Yale University Art Gallery, New Haven CT
2007 Uncontained, Whitney Museum of Art, NYC, NY
Group Exhibition, Baldwin Gallery, Aspen, CO


Group Exhibition, McKee Gallery, NYC, NY
Commemorating 30 years, Rhona Hoffman Gallery, Chicago IL
Making and Finding, The Foundation To-Life, Inc. Exhibition Space, Mount Kisco, NY
Summer of Love, '07, Susan Inglett Galllery, NYC, NY
Collezionemaramotti, Reggio Emilia, Italy
Chicago Art Fair, Paul Kasmin Gallery, Chicago IL
Frieze Art Fair, Paul Kasmin Gallery, London, England
Miami/Basel, Paul Kasmin Gallery, Miami, FA
American Dream Sequence, Jerry Riggs, Freie Internationale Takestelle, Miami, FA
2008 * Jedermann Collection,Fotomuseum, Winterhur, Switzerland
Fisher Landau Center, Long Island City, NY
Currier Museum, Manchester, New Hampshire
The 80's, Paul Kasmin Gallery, NYC, NY
Frieze Art Fair, Paul Kasmin Gallery, London, England
Miami/Basel, Paul Kasmin Gallery, Miami, FA



TEACHING POSTITIONS



Department of Visual and Environmental Studies, Harvard University, Cambridge MA
Professor of the Practice in Studio Arts, 2002 to present
Visiting Lecturer, 1996-2002
Harvard University Summer School, Cambridge, MA
Professor of the Practice in Studio Arts, 2002, 2003, 2004, 2006, 2007
Visiting Lecturer, 1996-2001
Maine College of Art, Portland, ME
Studio Instructor, Graduate Program, 2007-2008
Studio Instructor, Graduate Program, 2003-2005
Studio Instructor, Graduate Program, 1999-2001
Studio Instructor, Graduate Program, 2007-2008
School of the Museum of Fine Arts, Boston, MA
Visiting Faculty Member, 1992; 1993; 1999
Department of Visual Art, Brown University, Providence, RI
Visiting Assistant Professor of Art, 1993 – 1995; Fall 1996 – 1997
Howard Foundation Fellowship, 1995
Adjunct Lecturer in Art, 1992 – 1993
Hartford Art School, University of Hartford, West Hartford, CT
Koopman Chair, Spring 1997
Rhode Island School of Design, Providence, RI
Visiting Lecturer, Graduate Sculpture Program, 1994 – 1996
Advisor for Graduate Sculpture Program, 1995 – 1996
Graduate School of Design, Harvard University, Cambridge, MA
Lecturer in Design, 1993





VISITING ARTIST AND LECTURES


1983 Wadsworth Atheneum, Hartford, CT
1984 Hartford Art School, University of Hartford, West Hartford, CT
1986 Drew College, Madison, NJ
1987 School of Visual Art, New York, NY
Rhode Island School of Design, Providence, RI
Seminars with Artists, Whitney Museum of American Art, New York, NY
New York University, Graduate Program, New York, NY
1988 Alliance of Independent Colleges of Art, New York, NY
State University of New York at Albany, Lecture held at Lemieux Studio, New York, NY
Museum of Fine Arts, Boston, Lecture with Annette Lemieux and Robert Gober, Boston, MA
Museum of Modern Art, Contemporary Art in Context: Artists Talk in the Galleries, New York, NY
1989 "7 Artists: NFAS," Artists Symposium, Hanae Mori Foundation, The Space, Tokyo, Japan
The John and Mable Ringling Museum of Art, Sarasota, FL
International Center for Photography, New York, NY
1990 Worcester Art Museum, Worcester, MA
Yale University, New Haven, CT
1991 School of Visual Art, New York, NY
Massachusetts College of Art, Boston, MA
1992 School of the Museum of Fine Arts, Boston, MA
1993 Rhode Island School of Design, Providence, RI
Carnegie Mellon University College of Fine Arts, Pittsburgh, PA
School of the Museum of Fine Arts, Boston, MA
Harvard University, Department of Fine Arts, Sackler Museum, Cambridge, MA
Harvard University, Graduate School of Design, Cambridge, MA
Yale University, New Haven, CT
Fairfield University, Fairfield, CT
Worcester Art Museum, Worcester, MA
1994 Harvard University, Carpenter center for the Visual Arts, Cambridge, MA
1995 Washington University School of Art, Collaborative Print Shop, St. Louis, MO
1996 Hartford Art School, University of Hartford, Lecture held at Lemieux Studio, Allston, MA
Massachusetts College of Art, Boston, MA
1997 Brandeis University, Waltham, MA
Joseloff Gallery, University of Hartford, West Hartford, CT
Museum of Fine Arts, Boston, MA
1998 Brandeis University, Waltham, MA
Weber State University, Ogden, UT
1999 Brown University, Department of Visual Art, Honors Program, Lecture held at Lemieux Studio, Allston, MA
Saide Bronfman Centre, Montreal, Canada, Lecture held at Lemieux Studio, Allston, MA
2000 Monserrat College of Art, Beverly, MA
Massachusetts College of Art, Graduate Program, Boston MA
School of the Museum of Arts, Graduate Program, Boston MA
Worcester Art Museum, Summer Art School, Worcester, MA
Fine Art Works Center, Provincetown, MA
2001 Maine College of Art, Summer MFA Program, Portland, ME
Watson Gallery, The von Liebeg Art Center, Naples Art Association, Naples, FL
Museum of Fine Arts, Boston, MA, Lecture held at Lemieux Studio, Allston, MA
Tang Teaching Museum and Art Gallery, Saratoga Springs, NY
Skidmore College, Textile Department, Saratoga Springs, NY
2002 School of the Museum of Fine Arts, Boston
2004 Maine College of Art Portland, ME
2005 Panelist for Southern Graphics Printmaking Conference, Washington, DC
NorthEastern University, Boston, MA
Yale University, Graduate Sculpture Program New Haven, CT
Maryland College of Art, Graduate Sculpture Program, Baltimore, MD
Panelist for "Compelling Alliances," Maryland College of Art, Baltimore, MD
2006 Museum of Fine Arts Boston
Savanah College of Art and Design, Savanah, Georgia
Boston College, Boston MA
2007 Hayden Visiting Artist, Yale Univerisity Art Gallery, New Haven, CT
Convergence: A panel on the Interface Between Printmaking, Photo, and Digital Media,
Boston University Art Gallery, Boston MA
Art Table, Lecture held at Lemieux studio, Allston, MA
Boston College, Boston MA
2009 Oakland Museum Art Guild, Lecture at Lemieux studio, Allston, MA


OTHER POSITIONS HELD

1990-1992 Overseer, Institute of Contemporary Art, Boston, MA
1992-1997 Trustee,Institute of Contemporary Art, Boston, M
2002- 2007 Board of Corporators, Hartford Art School, University of Hartford, CT
2002-2005 Advisory Council, Experimental Modern Arts Collective, Brooklyn, NY
2003-2007 Council Member, Office of the Arts at Harvard University
2007-2008 Advisor for InterReview Magazine, Los Angeles, CA






PERFORMANCES AND SPECIAL PROJECTS



1981 Fresh Blood-A-Dream Morphology, performed with Carolee Schneeman, International Freudian Sex and Language Convention, Plaza Hotel, NY; Feminist Art Institute, NY, and Real Art Ways, Hartford, CT
1982 Performed Eisensteins in a documentary film entitled, Lives of the Artist, by Fred Barney, Taylor and Kimberly Safford, viewed at Millenium, NY
1988 ROMAN VLAD, TEMURA, su parole di Annette Lemieux, edizioni Costa & Nolan, Genova/Rizzoli Internazional Publications Inc., New York / Adam Biro, Paris
1990 National Endowment for the Arts Panelist


1992 National Endowment for the Arts Panelist
1998 Curated, Chaos, Control. Chaos, Control. Your Like? You Like?, Elias Fine Art, Allston, MA
1999 Two by Two for AIDS and Art, auction for the benefit of the American Foundation for AIDS
Research (amfAR) and the Dallas Museum of Art
Temporary Public Art, Cambridge River Festival, Installation on the Charles River in conjunction with the 22nd Cambridge River Festival, MA
2000 Two Vistas, WAM temporary 6 month contemporary wall project at Worcester Art Museum
2002 Symposium: The persistence of Painting in Boston, Dewey Family Gallery, MA
Annette Lemieux: Conceptual mixed media artist talks with Robert Birnbaum,
Copyright 2002 by Robert Birnbaum, posted: September 18, 2002;
http://www.identitytheory.com/people/birnbaum62.html
Curated, South Enders, Mills Gallery, Boston Center for the Arts, MA; accompanied by,
"Choosing the Unexpected: Annette Lemieux Curates the Work of South End Artists," a documentary film by Ross McElwee, for Greater Boston Arts,WGBH monthly series on the arts, Wednesday, October 23, 2002.
Seasonal Card Design, COMME des GARCONS.
Washington University Gallery of Art/School of Art's Collaborative Print Workshop
Website (Island Press).
ARTcetera contemporary art auction for the benefit of the AIDS Auction Committee.
Panelist for the School of the Museum of Fine Arts Traveling Scholarship.
2003 Free Arts for Abused Children of NYC, Annual Polaroid Photography Benefit.
Juror for VORTEX: A juried Art Exhibition, sponsored by the Blue Man Group, Charles Playhouse, Boston, October 6, 2003.
2004 Panelist for Bunting Fellowships, Bunting Institute, Harvard University, Cambridge, MA.
2005 National Public Radio, An interview with Caitlin Shetterly, with artist Art Spiegelman and NYC New
Museum Curator, Dan Cameron
2006 Annette Lemieux, Untitled, Installation at Mario Russo Salon, Boston, MA
Special Editioned Print to Benefit InterReview Magazine, Los Angeles, CA
2008 Artthevote.com, Bill board to get out the vote.
2008 Cover Art for Profiling Shakespeare, Marjorie Garber, Routledge, NY, NY
Serpentine/PUMA Benefit Publication, Produced by PUMA to benefit the Serpentine Gallery
Education Fund, Curated by John Armleder, London, England.

PUBLIC COLLECTIONS


The Aldrich Museum of Contemporary Art, CT - Outdoor installation
Baltimore Museum, Baltimore, MD
Berlin Embassy Collection, Berlin Germany
Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli, Italy
Cedar Rapids Museum of Art, Iowa


Centro de Arte Contemporaneo de Malaga, Spain
Chase Manhattan Bank, NY
Colby Museum of Art, Waterville, Maine
Collezionemaramotti, Reggio Emilia, Italy
Currier Museum of Art, Manchester, New Hampshire
Dannheisser Foundation, NY
Davidson Art Center, Wesleyan University, CT
Davis Museum and Cultural Center, Wellesley, MA
DeCordova Museum, Lincoln, MA
DESTE Foundation for Contemporary Art, Athens, Greece
Fisher Landau Center, Long Island City, NY
The Fogg Museum, Harvard University, Cambridge, MA
FotoMuseum, Winterthur, Switzerland
The Foundation To-Life, Inc., Kisco, NY
Friends of Art and Preservation in Embassies, Washington, D.C.
Solomon R. Guggenheim Museum, NY
Henry Art Gallery, Faye G. Allen Center for the Visual Arts, University of Washington, Seattle, WA
Israel Museum, Jerusalem, Israel
Krannert Art Museum, Champaign, Illinois
The Metropolitan Museum of Art, NY
Millennium Partners Collection of Contemporary Art at the Ritz-Carlton, Boston Common, MA
Milwaukee Art Museum, Milwaukee, WI
Museum of Contemporary Art, Chicago IL
The Art institute of Chicago, Chicago, IL
Museum of Fine Arts, Boston, MA
Museum of Fine Arts, Houston, TX
Museum of Modern Art, NY
Newark Museum, NJ
New School for Social Research, NY
New York Public Library, NY
Oklahoma Art Museum, Oklahoma City, OK
Olin Arts Center, Bates College, ME
Princeton University Art Museum
Queensland Art Gallery, Australia
Rooseum, Malmo, Sweden
Rose Museum, Brandeis University, MA
Scottsdale Museum of Contemporary Art, Scottsdale, AZ
San Francisco Museum of Modern Art, CA
Victoria & Albert Museum, London
Wadsworth Atheneum, Hartford, CT
Walker Art Center, Minneapolis, MN
Washington University Art Gallery, St. Louis, MO
The Whitney Museum of American Art, NY
Yale University Art Gallery, New Haven, CT


BOOKS AND MONOGRAPHS

The History of Art, Janson, H.W., 4th and 5th editions, Anthony F. Janson, New York, Harry N. Abrams, Inc.



Interpreting Contemporary Art, Icon Editions (An Imprint of Harper Collins Publishers), "Salle / Lemieux:
Elements of a Narrative," Paul Smith, pages 139-161, illustrated.
The Matter of History, C. Homburg, Gallery of Art, Washington University, St. Louis, Missouri, illustrated.
Pensées sur la liberté, Andre Comte-Sponville, carnets de philosophie, illustrated page 46.
Unexpressionism: Art Beyond the Contemporary, Celant, Germano, Rizzoli Editions.
SuperArt, Achille Bonito Oliva, Giancarlo Politi Editore, 1988, illustrated pages 42, 48, 116-118.
Annette Lemieux, Memoirs of a Survivor, ZG Publications, Brooke Alexander, Inc., 1989.
Annette Lemieux, Josh Baer Gallery, New York, 1989.
Annette Lemieux, Published by Kyoto Shoin, Art Random, 1990.
Annette Lemieux, Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli, Italy, 1992.
A Century of Artists Books, The Museum of Modern Art, New York, 1994, page 60.
Columns and Catalogues, Peter Schjeldahl, "Annette Lemieux," The Figures, Great Barrington, MA, 1994.
Annette Lemieux: Time To Go, David Moos, Emilio Mazzoli, Modena, Italy, 1994-1995.
Art Today, Edward Lucie-Smith, Phaidon Press Limited, 1995, illustrated page 323.
Crisis and Desire; Post Media, Gianni Romana, Milan, Italy, 1995.
Abstraction In the Twentieth Century: Total Risk, Mark Rosenthal, The Solomon R. Guggenheim Museum, 1996, illustrated page 233.
The Art of Sisyphus, Mario Diacono, Boston, MA, 1996.
Contemporary Artist 500, Pascale Le Thorel, Bordas, France, 1996.
Contemporary Photographers, St. James Press, Detroit, Michigan, 1996.
Disidentico Maschile femminile e oltre, centro internazionale mostre Roma, 1998, illustrated.
Everything that's Interesting is...New, Dr. Cantz'sche Druckerei, Ostfildern-Ruit, Germany, DAP, Distributed Art Publishers, 1996, illustrated.
Landscape Reclaimed: New Approaches to an Artistic Tradition, Nancy Princenthal and Harry Philbrick, The Aldrich Museum of Contemporary Art, Ridgefield, CT, 1996, illustrated page 54.
Modern Art in the Common Culture, Thomas Crow, Yale University Press, New Haven, 1996, pages 182,194-7, 210, illustrated plate 71.
Art on the Cutting Edge: A Guide to Contemporary Movements, Lea Vergino, Skira, Milan, Italy, 1996, page 270.
Wet: On Painting, Feminism, and Art Culture, Mira Schor, Duke University Press, Durham NC, 1997, pages 104, 105, 150.
The Dual Muse, The Writer As Artist - The Artist As Writer, Jane E. Neidhardt and Lorin Cuoco, Washington University Gallery of Art, St. Louis, 1997, illustrated.
From Junk to Art, Lea Vergine, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Gingko Press Inc, California 1997, illustrated.



The Lois Beurman Torf Collection for the University of Massachusetts, University Gallery, University of Massachusetts, Amherst, Mansir / Holden Printing, Holyoke, MA, 1997, illustrated page 22, Plate XVI.
Photography: An Independent Art, (Photographs from the Victoria & Albert Museum 1939-1996), Mark Haworth-Booth, V & A Publications, 1997, page 196, illustrated.
History of Modern Art, Marla Prather, Harry N. Abrams, Inc., New York, 1996 and 1998.
500 Artists Return to Artists Space: 25 Years, Claudia Gould and Valerie Smith, Artist Space, 1998, pages 157-158, 336, illustrated page 158.
Conceptual Art, Tony Godfrey, Phaidon Press Limited, 1998, pages 15, 350, 401, illustrated plates 7, 236.
The brand you 50, Tom Peters, Borzoi Book, published by Alfred A. Knopf, Inc., 1999, illustrated.
Collectors Collect Contemporary: 1990-99, The Institute of Contemporary Art, Boston, 1999.
Contemporary Women Artists, Laurie Collier Hillstrom and Kevin Hillstrom, eds., St. James Press, Detroit, MI, 1999, pages 389-392, illustrated page 391.
Das Bild des Kindes in der zeitgendesishechen Kunst, (The Image of the Child in Contemporary Art), Mareike Ahlborn, Oktagon, Cologne Germany, for the Kunsthalle Nurnberg, 1999.
High Art Lite, Julian Stallabrass, Verso, London, 1999, page 239.
Gift To The Nation: Friends of art and preservation in the Embassies,
Ein Ort der denkt, Julian Heynen, Krefelder Kunstmuseen, Stuttgart, 2000.
A Creative Legacy: A History of the National Endowment for the Arts Visual Artists' Fellowships Program, 1966 – 1995, Harry N. Abrams, Inc., Publishers in association with National Endowment for the Arts, 2001, pps 148, 183.
Painting in Boston:1950-2000, Edited by Rachel Rosenfield Lafo, Nicholas Capasso, and Jennifer Uhrhane, DeCordova Museum and Sculpture Park, Lincoln, MA, Distributed by University of Massachusetts Press, Amherst and Lincoln, 2002. 264 pages, hardcover, pages 111, 170, 198-200, 217, 230, 244.
Gift To The Nation, Friends of Art and Preservation in Embassies, Washington, DC, 2001, reproduction, page 64.
L'Arte Oltre Il Duemila, Giulio Carlo Argan & Achille Bonito Oliva, Sansoni, Italy, pps 330, 331.
Four Artistæ, Achille Bonito Oliva, (translation, Steve Piccolo, Manuela Bruschini), Galleria D'Arte Contemporanea, Modena, Italy, Emilio Mazzoli, NuovaLitoEffe snc, 2002.
Visions From America, Photographs from the Whitney Museum of American Art, 1940 – 2001, Prestel Books, NYC, NY, 2002, page 156.
Atlas of Emotion: Journeys in Art, Architecture, and Film, Giuliana Bruno, Verso, NYC, NY, 2002, pps 413-415.
In the Spirit of Martin: The Living Legacy of Dr. Martin Luther King, Jr., ed. Gretchen Sullivan Sorin and Helen M. Shannon, Tinwood Books, 2002. illustrated page 197.
Eternidad Fugitiva, Fundacion Televisa, 2003, illustrated page 52.
Yellow Pages, Edited by Team 404 and John Armleder, Ecart Publications, Switzerland, 2004 No. 1, First Works by 362 Artists, Edited by Francesca Richer and Matthew Rosenzweig, DAP, NY, page
214, reproduction.
Shining Spirit: Westheimer Family Collection, Oklahoma City Museum of Art, 2007, reproduction, page 69.
Water,Heartstone, Environmental Leadership Center, Warren Wilson College,Volume 7, Number 1, 2008
Speaking with Hands, From the Henry Buhl Collection, Guggenheim Museum, NYC, NY
Responding to Kahn: A Sculptural Conversation, Yale University, 2007
The Armory Show, 10th Edition, 2008
Berlin, Germany Art Collection United States Embassy, Foundation for Art and Preservation In Embassies, Washington, DC 2008,
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Endowment for the Arts, Washington, DC, 2008, page 86, reproduction.
The Castle The Collection, Castello Di Rivoli Museo D'Arte Contemporanea, Skira Editore, Milan, Italy, Pages 328 – 329, reproduction.
Mario Diacono, Edited by the Maramotti Collection, 2009, reproductions.




REVIEWS AND ARTICLES




Doris Whitbeck, "Artists Judge Peers," The Hartford Courant, January 14, 1983.
Muriel Fleischmann, "A Welcome 'Breath of Fresh Air'," West Hartford News, January 20, 1983.
Patricia Parsons, "Torrington Artist is Included in Multiple Show in Hartford," The Hartford Register, January 20, 1983.
"Connecticut Painters," Connecticut Magazine, February 1983.
Roger Baldwin, "Connecticut Painter 7+7+7," Art New England, Vol. 4, No. 4, March 1983.
Walter Robinson, "Odd Lots," East Village Eye, December 1984.
Kate Linker, "Eluding Definition," ARTFORUM, December 1984.
Ron Warren, "57 Between A & D," ARTS Magazine, April 1985.
Beth Biegler, "Deconstructing," East Village Eye, an interview with Tricia Collins and Richard Milazzo, July 1985.
Collins and Milazzo, "Neutral Trends," East Village Eye, October 1985.
Gary Indiana, "Talking Back," The Village Voice, February 11, 1986.
Robert Mohoney, "Time After Time," ARTS Magazine, March 1986.
Gary Indiana, "Formal Wares," The Village Voice, March 25, 1986.
Collins and Milazzo, "Tropical Codes," Kunstforum, April - May 1986.
Dan Cameron, "Report from the Front," ARTS Magazine, Summer 1986.
Diane Brown, Review Magazine, Summer 1986.
Ellen McLaughlin, "Review," East Villager, June 1986.
William Robinson, "New New Work," New Art Examiner, June 1986.
Alan G. Artner, "What is New in Art," Chicago Tribune, June 29, 1986.
Kunstforum, June - August 1986.
Gary Indiana, "Annette Lemieux at Cash/Newhouse," Art In America, July 1986.
Kim Levin, "Art Picks," The Village Voice, September 1986.
Dan Cameron, "Ten to Watch," ARTS Magazine, September 1986.
Ellen Handy, "Group Show," ARTS Magazine, September 1986.
Vivien Raynor, The New York Times, September 12, 1986.
Collins and Milazzo, "Neutral Trends," East Village Eye, October 1986.


Ronald Jones, "Group Show at Brooke Alexander," Artscribe, November - December 1986.
Rosetta Brooks, "Remembrance of Objects Past," ARTFORUM, December 1986.
Rosetta Brooks, "Space Fictions," Flash Art, December 1986.
Gary Indiana, "Enclosed by System," The Village Voice, December 9, 1986.
Hans Werner, "Coming Soon: Surrealism," Canadian Art, Winter 1986.
Bruce Grenville, "Ultrasurd," Parachute, December 1986 - February 1987.
BOMB, Winter 1987.
Marie Dyan, "Vertical Dreams," C Magazine, 1987.
Robert Everett-Green, "Ultrasurd," C Magazine, No. 12.
Jeanne Siegel, "It's A Wonderful Life, or is it?," ARTS Magazine, January 1987.
Eleanor Heartney, "Simulationism, The Hot New Cool Art," ARTnews, Vol. 86, No. 1, January 1987.
Dan Cameron, "Post-Feminism," Flash Art, No. 132, February - March 1987.
Gary Indiana, "Future Perfect," The Village Voice, March 10, 1987.
Kim Levin, "Art: The Antique Future," The Village Voice, March 10, 1987.
Manhattan Inc., April 1987.
Douglas McGill, "The Whitney Biennial Seeks A Softer Tone," The New York Times, April 5, 1987.
Roberta Smith, "Art: Annette Lemieux in Two Mixed Media Shows," The New York Times, April 17, 1987.
Gary Indiana, "Another Review of the Whitney," The Village Voice, April 28, 1987
Baird Jones, "New York Scene," Fad Magazine, Juliet, No. 31, April - May 1987.
Baird Jones, "Downtown-Photojournalists," Downtown, May 1987.
Jed Perl, "Artburn: The State of the Art World in the 80's," VOGUE, May 1987.
Kim Levin, "Art: Annette Lemieux," The Village Voice, May 5, 1987.
Angelo Trimarco, "Nella Tardo-Moderno," Il Mattino, May 12, 1987.
Massimo Audiello, "Guerra D'Artista," Vanity Magazine, No. 25, May - June 1987.
Daniela Salvioni, "What You Get is Not What You See," Flash Art, No. 135, Summer 1987.
Daniela Salvioni, "Spotlight," Flash Art, No.135, Summer 1987.
Pat McCoy, "The Antique Future," Artscribe, Summer 1987.
Mark Woodruf, "The Antique Future: Articulating the Void," New Art Examiner, Vol. 14, No. 10, June 1987.
Arcangelo Izzo, "Sculpture al Supermercato," Il Giornale di Napoli, June 4, 1987.
Kim Levin, "Art: Fake," The Village Voice, June 30, 1987.
Frederick T. Castle, "Occurrences / New York," Art Monthly, July - August 1987.
Matthew Collings, "Posthumous Meaning," Artscribe, September - October 1987.
Ronald Jones, "Annette Lemieux," Artscribe, September - October 1987.
Collins and Milazzo, "Radical Consumption and the New Poverty," New Observations, Issue 51, October 1987.
Dan Rubey, "The Antique Future," ARTnews, October 1987.
Roberta Smith, "Sculpture, The Works of Five Women," New York Times October 2, 1987.
Deborah Gimelson, "Ammann For All Seasons," Art and Auction, Vol. X, No. 4, November 1987.
Monika Spruth, "Annette Lemieux," Eau De Cologne, November 1987.
Kim Levin, "Modern Sleep," The Village Voice, November 11, 1987.
Frank Lewis, "Simulations, The Naked Truth," Let's Go Milwaukee Sentinel, November 13, 1987.
James Auer, "Art Museum Show Accents Ideas," Milwaukee Journal, November 15, 1987.

Christopher Knight, "A Deathly State of Ennui," Los Angeles Herald Examiner, November 27, 1987.
Baird Jones, "New Season Off to a Fast Start," New Common Good.
"Flash Art News I, The Galleries Talk," Flash Art, November - December 1987.
John Miller, "Subtext," Artscribe, November - December 1987.
Leslie Bellavance, "The Tragedy of Misconception," Art Muscle, November 1987 - January 1988.
Dan Cameron, "Opening Salvos Part I," ARTS Magazine, December 1987.
"Neo/Geo," Bijintsu Techno, Japan, December 1987.
Roger Angell, "Greetings Friends," The New Yorker, December 28, 1987.
Collins and Milazzo, "Tropical Codes," Kunstforum, December 1987 - January 1988.
Roberta Smith, "Art: 'Media Post Media', A Show of 19 Women," The New York Times, January 15, 1988.
Achille Bonito Oliva, "Neo America," Flash Art, January - February 1988.
Pat McCoy, "(of Ever-Ever Land i speak)," Artscribe, January - February 1988.
Nancy Spector, "Group Exhibition, Pat Hearn," Artscribe, January - February 1988.
Collins and Milazzo, "Time After Time," Halle Sud, 1er Trimestre 1988.
Andy Grundberg, The New York Times, February 21, 1988.
Sarah Kent, "New Reviews," Time Out, March 1988.
Vince Aletti, "The Return of the Hero," The Village Voice, March 1, 1988.
James Auer, "Photography Has Arrived: Ambitious and Diverse Marquette Exhibition," The Milwaukee
Journal, March 20, 1988.
Robert Nickas, "Inside New York: P+D, S+M and Das Problem der 'Shaped Canvas'," Skyline, 1988.
Lee Edwards, "The Labor of Psyche," Aperture, Spring 1988.
"Annette Lemieux-Alumni Feature," Hartford Art School News, Vol. 1, Spring 1988.
"Openings-Charting the Course," Art & Antiques, 1988.
"W.W.," Los Angeles Times, April 1, 1988.
Ronald Jones, "Every Future Has A Price," ZG Magazine, 1988.
Matt Damsker, "A Local Heroine for the Art World," The Hartford Courant, April 22, 1988.
John Miller, "Media Post Media," Artscribe, May 1988.
"On Easel Street," Vanity Fair, May 1988.
Alan G Artner, "Lemieux Chooses Styles to Fit Concepts," The Chicago Tribune, May 27, 1988.
Brigitte Kehrer, "Detournement d'images," Tribune De Geneve, June 11, 1988.
Jutta Koether, "What's on the Run Stays," Parkett, #16, 1988.
Roberta Smith, "Objects," The New York Times, July 22, 1988.
Christian Leigh, ARTFORUM, September 1988.
"Downtown Style," Vogue, September 1988.
Robert Pincus-Witten, "Entries: Annette Lemieux, An Obsession With Stylistics: Painter's Guilt," ARTS Magazine, September 1988.
Jude Schwendenwein, Art New England, September 1988.
Janet Kutner, "Abstractions that Get Downright Specific," The Dallas Morning News, September 1988.
Nancy Stapen, "Shock Value: Is Proper Boston Ready for 'The Binational Exhibit?'," The Boston Herald, September 23, 1988.


David Bonetti, "Where's Boston? No Local Heroes at MFA/ICA Binational," The Boston Phoenix, September 23, 1988.
Robert Taylor, "The Binational Running on Empty," The Boston Globe, September 25, 1988.
Roberta Smith, "80's Art With a Passport to West Germany," The New York Times, October 2, 1988.
Sania Papa, "Collections: Dakis Joannou," Galleries, October - November 1988.
Nancy Stapen, "The Binational," ARTnews, December 1988.
Edith Newhall, "'Blow Ups' Photo Album," New York Magazine, December 12, 1988.
Christian Leigh, "Art on the Verge of a Nervous Breakdown," Contemporanea, January 1989.
Peter Plagens, "Under Western Eyes," Art in America, January 1989.
Robert Pincus-Witten, "Entries: Concentrated Juice and Kitschy Koons," ARTS Magazine, February 1989.
Max Alexander, "Now on View, New Work by Freelance Curators," The New York Times, February 19, 1989.
Nancy Jones, "Poetry in Paint," New York Woman, March 1989.
Norbert Messler, "And Meager Magnetism," ARTFORUM, March 1989, (reproduced page 67).
Christine Temin, "Women Still Fight for Acceptance," The Boston Globe, March 5, 1989.
Michael Brenson, "Annette Lemieux," The New York Times, March 31, 1989.
Christian Leigh, "Book Review: Unexpressionism," Contemporanea, March - April, 1989.
Jude Schwendenwein, "Conceptual Chameleon," ELLE, April 1989, (reproduced page 192).
Christian Leigh, "Home is Where the Heart is," Flash Art, April 1989.
"Notes," House and Garden, April 1989.
Edward Ball, "New This Week," 7 Days, April 5, 1989.
Kim Levin, "Annette Lemieux," The Village Voice, April 11, 1989.
Roberta Smith, "Galleries Paint a Brighter Picture for Women," The New York Times, April 14, 1989.
David Rimanelli, "Pre-Pop / Post-Appropriation," ARTFORUM, May 1989.
Christian Leigh, "Into the Blue," Art & Auction, May 1989.
"10 + 10," American Way Magazine, May 1, 1989.
Joan Altabe, "Picturing Sound," Sarasota Herald Tribune, May 2, 1989.
Michael Kimmelman, "Touring Show of Soviet and American Artists," The New York Times, May 16, 1989.
Joan Altabe, "Images Become Symbols for Sound," Sarasota Herald Tribune, May 23, 1989.
Jan Avgikos, "Pre-Pop, Post-Appropriation," Artscribe, Summer 1989.
Jack Bankowsky, "Annette Lemieux at Josh Baer Gallery," ARTFORUM, Summer 1989.
Joshua Decter, "Annette Lemieux Solo Review," ARTS Magazine, Summer 1989.
Jude Schwendenwein, "Pre-Pop/Post-Appropriation," Tema Celeste, Summer, 1989.
Laura Cottingham, "The Feminine De-Mystique," Flash Art, Summer 1989.
Lois Tarlow, "Profile: Annette Lemieux," Art New England, June 1989.
Richard Woodward, "Art," Vogue, July 1989.


Helen L Kohen, "Artists with Social Agenda are Back at the Forefront," Miami Herald, July 23, 1989.
Harriet Shapiro, "10 x 10: Contemporary Soviet and American Painters," People, August 7, 1989.
Paul Richard, "Artists Reject the Corcoran," The Washington Post, August 30, 1989.
"Artists Reject the Corcoran," NY Newsday, August 30, 1989.
Barbara Gamarekian, "Angry Artists Cancel Shows at Corcoran," The New York Times, August 30, 1989.
"Morning Report: First Off. . .," LA Times, August 31, 1989.
Richard Woodward, "Annette Lemieux," ARTnews, September 1989.
C. Roger Denson, "Annette Lemieux at Josh Baer," Artscribe, September 1989.
Amei Wallach, "The Funding Fight," NY Newsday, September 5, 1989.
Barbara Gamarekian, "Tragedy of Errors Engulfs the Corcoran," The New York Times, September 17, 1989.
Barbara Gamarekian, "The Corcoran to Apologize for Canceling Show," The New York Times, September 19, 1989.
Barbara Gamarekian, "Artists Divided Over Corcoran Apology," The New York Times, September 20, 1989.
"What's a Museum Without an Exhibit?," Revolutionary Worker, September 23, 1989.
Eleanor Heartney, "Homeward Unbound," Sculpture Magazine, September - October, 1989.
Jude Schwendenwein, "The Silent Baroque," Contemporanea, October 1989.
Helmut Draxler, "The Silent Baroque," Flash Art, October 1989.
Sarah Morris, "Interview: Christian Leigh," Flash Art, October 1989.
Cathleen McGuigan, "Corcoran Showdown," Newsweek, October 9, 1989.
Gary Indiana, "Art Showdown," Mirabella, November 1989.
Innesa Lekova-Lamm, "10 + 10," Contemporanea, November 1989.
Michael Kimmelman, "At the Whitney, 100 Works From the Last 30 Years," The New York Times, November 10,1989.
"Artist's Book Beat: Memoirs of a Survivor," Print Collector's Newsletter, November - December 1989.
"Artists Respond to Corcoran's Actions," Flash Art, November - December 1989.
Roberta Smith, "Visual Installations Derived From Sound and Poetry," The New York Times, December 15, 1989.
Christian Leigh, "Book Review: Memoirs of a Survivor," Contemporanea, January 1990.
Kim Levin, "Lumiere et Son," The Village Voice, January 9, 1990.
Nancy Stapen, "'Our Land': Artists with Social Consciences," The Boston Herald, January 10, 1990.
A.D. Coleman, "An Artist Evokes 'The Appearance of Sound'," The New York Observer, January 15, 1990.
Robert Mahoney, "Review: The Appearance of Sound," ARTS Magazine, March 1990.
"Disputed Art Show to Go to Corcoran," The New York Times, March 13, 1990.
Kirby Gookin, "Annette Lemieux," ARTFORUM, April 1990.
Christian Leigh, "Annette Lemieux," Contemporanea, April 1990.
"Found Experience Annette Lemieux," a conversation with Tricia Collins & Richard Milazzo, Tema.
William Wilson, "A Sculpture Show That Runs on Empty," L.A. Times, April 10, 1990.
Gene Harbrecht, "'New Sculpture' Show Fuels Debate," The Orange Country Register, April 10, 1990.
Helen Cullinan, "A Wedding of Forms: Inventive Photography in the Fore," The Cleveland Plain Dealer,
April 28, 1990.
Celeste, April - June 1990.
Elizabeth Hess, "Is the Corcoran Boycott Over?," The Village Voice, May 8, 1990.
Robert L. Pincus, "Objectives: The New Sculpture," The San Diego Union, May 13, 1990.
Jose Lebrero Stals, "Annette Lemieux: Monika Spruth," Flash Art, May - June 1990.
"Aperto, L'Autre Biennial," Beaux Arts, June 1990.
Teresa Blanch, "Barcelona, A Vint Minuts de Paris," New Art International, June - July 1990.
Robert C. Morgan, "Annette Lemieux (Aperto '90 U.S.A.)," New Art International.
Buzz Spector, "Aesthetic Souvenirs: Uses of Nostalgia in Contemporary Art," Visions, Summer 1990.
D.C. Denison, "The Interview: Annette Lemieux," The Boston Globe, August 26, 1990.
Elizabeth Sussman, "An Interview with Annette Lemieux," Noema, September 1990.
Todd Allan Yasui, "At Ruggieri's, A Matter of Fax," The Washington Post, September 24, 1990.
Peter Frank, "From Anti-Form to the New Objecthood," Artspace, September - October, 1990.
Rebecca Nemser, "Sense and Sensibility," The Boston Phoenix, October 5, 1990.
Nancy Stapen, "A Mix of Media and Messages," The Boston Globe, October 11, 1990.
Trevor Fairbrother, "Pacing: A Painting by Annette Lemieux," Journal of the Museum of Fine Arts,
(Boston) Volume #2, 1990.
Daniel Grant, "Lemieux's Work Brushes Up Against Tradition," The Boston Herald, October 19, 1990.
Craig Adcock, "Annette Lemieux, Rhona Hoffman Gallery," Tema Celeste, November - December 1990.
"Trois Americains," L'Express, December 6, 1990.
Paul Smith, "Salle/Lemieux: Elements of a Narrative," Interpreting Contemporary Art, Icon Editions, 1991.
"Mind Over Matter," Atelier, January 1991.
Francoise-Claire Prodhon, "Vertigo," Galeries Magazine, January 1991.
Eleanor Heartney, "Seductive Memories: Nostalgia in Recent Sculpture," Sculpture, January - February 1991.
Roger C. Denson, "Mind Over Matter: Concept and Object," Tema Celeste, January - February 1991.
Brian D'Amato, "Mind Over Matter," Flash Art, February 1991.
"The Sibylline Eye: North American Woman Photographers," Flash Art, 1991.
Craig Adcock, "Pop Into Agit-Pop," Tema Celeste, March - April 1991.
"Annette Lemieux," Review at Josh Baer Gallery, The New Yorker, April 1, 1991.
Peter Schjeldahl, "Creative Economy," Review at Josh Baer Gallery, The Village Voice, April 2, 1991.


Donald Miller, "PCA Phot Show Sharp," Pittsburgh Post Gazette, April 27, 1991.
Patricia Lowry, "Words Go Beyond Images In Masters' Exhibit," Pittsburgh Press, May 2, 1991.
Richard B. Woodward, "Annette Lemieux," Review at Josh Baer Gallery, ARTnews, Summer 1991.
"New York in Review," Juliet Magazine, Summer 1991.
"Annette Lemieux, Stolen Faces," The Print Collector's Newsletter, September 1991.
Steven Litt, "Using Or Abusing A Powerful Symbol," The Plain Dealer, September 8, 1991.
Eleanor Heartney, "The Treacherous Library: Recent Book Art," Sculpture Magazine, September - October 1991.
A.D. Coleman, "When Photos And Sculpture Get Married," The New York Observer, November 11, 1991.
Douglas Utter, "Cruciformed: Images of the Cross Since 1980," Dialogue in the Midwest, November - December 1991.
Ami Barak, "Annette Lemieux, Galerie Montenay," Art Press, December 1991.
"The New Faces of Poverty," Redbook.
Gary Schwan, "NY Exhibition Inventive," The Palm Beach Post, January 31, 1992.
Renee Steenbergen, "Annette Lemieux at De Appel," NRC Handelsblad, (Dutch) February 1992.
Now Developing, Floriade: 21st Century Prints, March - April 1992.
David Deitcher, "The Story That Won't Go Away," ARTFORUM, April 1992.
Nancy Stapen, "Art that Lays Bare the Pain of Loss," The Boston Globe, April 10, 1992.
Joanne Silver, "'Compassion' Captures Women in Mourning," The Boston Herald, April 24, 1992.
Holland Cotter, "Annette Lemieux and Annette Messager," The New York Times, April 24, 1992.
Kim Levin, "Annette Lemieux / Annette Messager," The Village Voice, May 5, 1992.
Kay Larson, "Unloading the Canon," New York Magazine, June 8, 1992.
Octavio Zaya, "Towards a Reconsideration of the Artistic Practice? (Art and Politics in the United States),"
Balcon, Vol. 8-9, 1992.
Evan Tawil, "Annette Lemieux," ARTnews, September 1992.
Dan Cameron, "Before and After," Frieze, September - October 1992.
Nancy Stapen, "Galleries show their Finest for Fall," The Boston Globe, October 15, 1992.
Ivana Mulatero, Review, Tezoocchio, December 1992.
Trevor Fairbrother, "Annette Lemieux at Castello di Rivoli," Terza Pagina, December 1992.
"Immagini di Guerra al Castello di Rivoli," Corriere di Chieri e dintorni, December 1992.
"Mostra di Annette Lemieux," Il Nord, December 3, 1992.
Casali di Silva, "Cucci, Kounellis, Lemieux," Luna Nuova, December 11, 1992.
Carla Demichelis, "Le Immagini del Disastro," Terzapagina, December 17, 1992.
Eugenio Gazzola, "La Fine dell'inizio," Corriere Padano, December 30, 1992.
Roberto Pinto, "Arte Americana Degli Anni Ottanto," Italian Flash Art, 1993.
Gianni Romano, "Privacy," Documentario 2, January 1993.
Aldo Spinardi, "Una Giovane Artista Americana con un Fiorellino di Speranza," Spazio Ovest, January 1993.
Nostra Servizio, "Arte Nuova Fra Ricerca e Protesta," Il Giornale, January 1993.
"l'Arte," La Repubblica, January 1993.
Mario Padovan, "Arte, Dove e Quando," L'Umanita, January 1993.
Luigi Serravalli, "Le Poco Amabili Immagini del Nostra Disagio," Alto Adige, January 1993.
Wade Saunders, "Making Art Making Artists," Art in America, January 1993.
Helen Kohen, "In This Exhibit, Clothes Make the Art," The Miami Herald, January 10, 1993.
Francesca Pasini, "Annette l'Americana installa a Rivoli i suoi Mega-Collage sulle Guerre d'Oggi,"Il Secolo, January 23, 1993.
Guido Curto, "Review: Annette Lemieux at Castello di Rivoli," Italian Flash Art, February 1993.
Fay Brauer, "The Postcolonial Boundary Rider," Contemporary Art Magazine, March 1993.
David Hansen, "Territorial Pissings," Art Monthly Australia, March 1993.
Elizabeth Hess, "Covert Action," The Village Voice, March 9, 1993.
Holland Cotter, "Annette Lemieux," The

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