BARRY FLANAGAN
Artist Bio
Born: Prestatyn, North Wales, 11 January 1941
Lives in Dublin, Ireland
SOLO EXHIBITIONS
1966
Rowan Gallery, London
1968
Galleria Dell'Ariete, Milan
Galerie Ricke, Kassel, Germany
Galleria Christian Stein, Turin
Rowan Gallery, London
1969
Barry Flanagan: Object Sculptures, Museum Haus Lange, Krefeld, Germany
Fischbach Gallery, New York
1970
Rowan Gallery, London
1971
Galleria del Leone, Venice
Rowan Gallery, London
1972
Rowan Gallery, London
1973
Rowan Gallery, London
1974
Museum of Modern Art, New York
Bluecoat Gallery, Liverpool
Galleria Dell'Ariete, Milan
Museum of Modern Art, Oxford
Rowan Gallery, London
1975
Hogarth Galleries, Sydney
Art and Project, Amsterdam
1976
Hester van Royen Gallery, London
Centro de Arte y Communicacion, Buenos Aires
1977
Art and Project, Amsterdam
Apeldoorn Museum, Holland
Hester van Royen Gallery, London
1977-79
Barry Flanagan: Sculpture 1966-1976, Van Abbemuseum, Eindhoven, The Netherlands; touring to Arnolfini Gallery, Bristol; Serpentine Gallery, London
1979
Art and Project, Amsterdam
1980
Galerie Durand-Dessert, Paris
Barry Flanagan: Sculptures in stone 1973-1979, Waddington Galleries, London
New 57 Gallery, Edinburgh
1981
Waddington Galleries, London
1981-82
Mostyn Art Gallery, Llandudno, Wales; touring to Southampton City Art Gallery; Institute of Contemporary Arts, London (prints and drawings)
1982
Galerie Durand-Dessert, Paris
1982-83
XL Biennale di Venezia, British Pavilion; touring to Museum Haus Esters, Krefeld, Germany; Whitechapel Art Gallery, London
1983
Centre Georges Pompidou, Paris
Waddington Galleries, London
The Pace Gallery, New York
Centro d'Arte Contemporanea, Syracuse, Italy; touring to Certosa di San Giacomo, Capri (prints and drawings)
1984
Galerie Karsten Greve, Cologne
Waddington Graphics, London
1985
Richard Gray Gallery, Chicago
Waddington Galleries, London
Fuji Television Gallery, Tokyo
1986
Barry Flanagan: prints 1970-1983, The Tate Gallery, London
1987-88
Laing Art Gallery, Newcastle-upon-Tyne; touring to Museum of Contemporary Art, Belgrade; City Gallery, Zagreb; Museum of Modern Art, Ljubljana, Slovenia
1988
Galerie Durand-Dessert, Paris
1990
Waddington Galleries and The Economist Plaza, London
The Pace Gallery, New York
1991
Fuji Television Gallery, Tokyo
1992
Galerie Durand-Dessert, Paris
The Names of the Hare: Large bronzes by Barry Flanagan: 1983-1990, Yorkshire Sculpture Park, Wakefield
Galerie Eric van de Weghe, Brussels
Landau Fine Art, Montreal
1993-94
Fundación 'la Caixa', Madrid; touring to Musée des Beaux-Arts, Nantes (retrospective)
1994
The Pace Gallery, New York
Galerie Hans Mayer, Dusseldorf
Waddington Galleries, London
Richard Gray Gallery, Chicago
1995
Royal Hibernian Academy, Gallagher Gallery, Dublin
Galerie Thaddaeus Ropac, Salzburg
University of Iowa Museum of Art, Iowa City
1995-96
Barry Flanagan on Park Avenue, 54th to 59th Street, New York; organised by The Avenue Association and The British Council in cooperation with Waddington Galleries, London
1996
Barry Flanagan: Sculpture in Grant Park, Chicago; organised by Richard Gray Gallery, Chicago in cooperation with the City of Chicago Department of Cultural Affairs and the Chicago Park District
Galerie Durand-Dessert, Paris
Galleria Karsten Greve, Milan
1997
Centre Cultural Tecla Sala, Barcelona
Galerie Hans Mayer, Dusseldorf
Barry Flanagan: Bronzes, Dibuixos i Gravats, Edicions T Galeria D'Art, Barcelona
1998
Richard Gray Gallery, Chicago
Galerie Thaddaeus Ropac, Salzburg
Galerie von Bartha, Basel
Barry Flanagan, Art et 'Pataphysique', Crestet Centre d'Art, Valréas, France
Waddington Galleries and The Economist Plaza, London
1999
Galerie Xavier Hufkens, Brussels
2000
Tate Gallery, Liverpool
2001
Waddington Galleries, London
2002
Galerie Thaddaeus Ropac, Salzburg
Kunstausstellung der Ruhrfestspiele Recklinghausen, Germany; touring to Musée d'Art Moderne et d'Art Contemporain, Nice
2002-2003
Musée d'Art Moderne et d'Art Contemporain, Nice
2004
Galerie Lelong, Paris
Waddington Galleries, London
Paul Kasmin Gallery, New York
2005
Stedelijk Museum voor Actuele Kunst, Gent
2006
Irish Museum of Modern Art, Dublin in collaboration with Dublin City Gallery The Hugh Lane
Installation of ten large scale sculptures on O'Connell Street and Parnell Square, Dublin organized by Dublin City Gallery The Hugh Lane in collaboration with the Irish Museum of Modern Art
2007
Paul Kasmin Gallery, New York
Bjorn Wetterling Gallery, Stockholm
SELECTED GROUP EXHIBITIONS
1965
London Group, R.B.A .Galleries, London
Between Poetry and Painting, Institute of Contemporary Arts, London
Three Painters and Two Sculptors, R.B.S.A. Gallery, Birmingham
1966
Bangor Art Gallery (with John Lathan)
Young Contemporaries, RBA Galleries, London
An exhibition of concrete/spatial poetry, Midland Group Gallery, Nottingham
Arlington: An International Exhibition of Concrete Poetry, Arlington Mill, Bibury, Gloucestershire
New Dimensions, Camden Arts Centre, London
Group H, Drian Gallery, London
Winter Exhibition, Rowan Gallery, London
1967
5e Biennale des Jeunes, Paris
Tokyo Biennale, Tokyo Metropolitan Art Gallery; touring
Ventures, Arts Council Gallery, Cambridge; touring to Art Gallery, Oldham; New Metropole Arts Centre, Folkestone; Museum of Modern Art, Oxford; City Art Gallery, Birmingham; Round Tower, Portsmouth
British Drawing Today, Brighton Arts Festival
29 Artists pay homage to Robert Fraser, Robert Fraser Gallery, London
Premiere Inventaire Internationale de la Poesie Elementaire, Galerie Denis Davy, Paris
Sculpture in a Civic Setting, Camden Arts Centre, London
19:45-21:55, September 9th 1967, Galerie Dorothea Loehr, Frankfurt-am-Main
1967-69
British Drawings: The New Generation, organised by the Museum of Modern Art, New York; State University College, Oswego, New York; Wells College, Aurora, New York; Phillips Collection, Washington D.C.; Municipal University of Omaha, Nebraska; Moorhead State College, Minnesota; State University of New York, Albany; University of Manitoba, Winnipeg; Saint Cloud State College, Minnesota; Edinboro State College, Pennsylvania; Kresge Art Center, Michigan State University, East Lansing; University of Georgia Museum of Art, Athens; State University College, Brockport, New York
1968
Summer Exhibition, Rowan Gallery, London
Kunstmarkt, Galerie Ricke, Cologne
1968-69
British Artists: Six Painters, Six Sculptors, organized by the Museum of Modern Art, New York; State University of New York, Albany; Munson-Williams Proctor Institute, Utica; Herron Museum of Art, Indianapolis; University of Texas Art Museum, Austin; Colorado Springs Fine Arts Center; High Museum of Art, Atlanta; University of South Florida, Tampa; Krannert Art Museum, University of Illinois, Champaign; Hopkins Center, Dartmouth College, Hanover; Rose Art Museum, Brandeis University, Waltham, Massachusetts
1969
Nine Young Artists: Theodoron Awards, Solomon R. Guggenheim Museum, New York
Land Art, Fernsehagaleriem, Berlin
Six At The Hayward, Hayward Gallery, London
Art in Process IV, Finch College Museum of Art, New York
John Moores Liverpool Exhibition 7, Walker Art Gallery, Liverpool
Op losse Schroeven, Stedelijk Museum, Amsterdam
When Attitudes Become Form, Kunsthalle, Bern; touring to Kaiser Wilhelm Museum, Krefeld, Germany; Institute of Contemporary Arts, London
One Month, Seth Siegelaub, New York
Camden Arts Centre
1970
British Sculpture out of the Sixties, Institute of Contemporary Arts, London
Contemporary British Art, Museum of Modern Art, Tokyo
Drawings and Projects of 16 British Sculptors, organized by CAYC, Bonino Gallery, Buenos Aires
British Art, Museum of Modern Art, New York; touring
Christo, Barry Flanagan, Centro de Arte y Communicacion, Buenos Aires
Tenth International Art Exhibition of Japan - Between Man and Matter (Tokyo Biennale), Tokyo Metropolitan Art Gallery; touring
Some Recent Art in Britain, Leeds City Art Gallery
Rope and String, Sidney Janis Gallery, New York
New Materials, Trinity College, Austin, Texas
1971
British Avant-Garde, New York Cultural Center, New York
Wall Show, Lisson Gallery, London
Art Spectrum London, Alexandra Palace, London
INNO 70, A.P.G. Show, Hayward Gallery, London
XI Sao Paulo Bienal. Road Show: Nova Enquete Inglese, Sao Paulo, Brazil
1971-72
Eight Individuals: Sculpture and drawings chosen by Bryan Robertson for the Arts Council Collection, Derby Museum and Art Gallery; touring to Southampton; Folkestone; Billingham; Sheffield
1972
Burleighfield Printing House at the New Arts Centre, New Arts Centre, London
The New Art, Hayward Gallery, London
Drawing, Museum of Modern Art, Oxford
Contemporary Prints, Ulster Museum, Belfast
British Festival of Art, British Council exhibition, Henie-Onstad Foundation, Hovikodden, Norway
Arte de Sistemas, organised by CAYC, Buenos Aires as part of III Bienal de Art Coltejer, Medellin, Colombia
1973
Graphics, Rowan Gallery, London
Gallery Artists, Rowan Gallery, London
Henry Moore to Gilbert & George - Modern Art from The Tate Gallery, Palais des Beaux-Arts, Brussels
11 englische Zeichner, British Council exhibition, Staatliche Kunsthalle, Baden-Baden; touring to Kunsthalle Bremen
1974
Tables, Garage Art Ltd., London
Within the Decade, Solomon R. Guggenheim Museum, New York
Critic's Choice, selected by Marina Vaizey, Arthur Tooth & Sons, London
Graveurs Anglais Contemporains, Musée d'Art et d'Histoire, Cabinet des Estampes, Geneva
British Sculptors - Attitudes to Drawing, Ceolfrith Gallery, Sunderland Arts Centre
Graphics, Rowan Gallery, London
Christmas Show, Compass Gallery, Glasgow
Bob Cobbing and Writers Forum Retrospective Exhibition, Ceolfrith Gallery, Sunderland Arts Centre
Sculpture Now: Dissolution or Redefinition?, Royal College of Art, London
1974-77
Developments, Arts Council exhibition; touring
1975
CAS Art Fair, Mall Galleries, London
British Sculpture and Objects, Kinsman-Morrison Gallery, London
Britanniasta 75, Helsingin Taidehalli, Helsinki; touring to Alvar Aalto-Museo, Jyvaskyla; Tampereen Taidemuseo, Tampere
British Exhibition, Art 6 '75 Basel, Schweizer Mustermesse, Basel
Gallery Artists, Rowan Gallery, London
XII Bienal de Sao Paulo: Contemporary British drawings, Parque Ibirapuera, Sao Paulo, Brazil
Sculpture, Robert Self Gallery, Newcastle-upon-Tyne; touring to Billingham Art Gallery
1975-76
9e Biennale des Jeunes, Paris and Nice
1976
Arte Inglese Oggi, Palazzo Reale, Milan
Graphics '76 Britian, University of Kentucky Art Gallery, Lexington; touring USA
1977
Hayward Annual, Hayward Gallery, London
Silver Jubilee Contemporary British Sculpture Exhibition, Battersea Park, London
Tolly Cobbold/Eastern Arts First National Exhibition, Fitzwilliam Museum, Cambridge
Reflected Images, Kettle's Yard, Cambridge
1978
Made by Sculptors, Stedelijk Museum, Amsterdam
Critic's Choice, selected by John McEwen, Institute of Contemporary Arts, London
1979
J.P.2 Art Actuel en Belgique et en Grande-Bretagne, Palais des Beaux-Arts, Brussels
Contemporary Sculpture: Selections from the Collection of the Museum of Modern Art, Museum of Modern Art, New York
Sculptors' Drawings, The Minories, Colchester
Said with Feeling, Castle Museum, Nottingham
The Native Land, Mostyn Art Gallery, Llandudno
1980
Pier and Ocean, Hayward Gallery, London; touring to Kröller-Müller Museum, Otterlo, The Netherlands
ROSC '80, University College, Dublin
Kunst na '68...In Europa, Museum van Hedendaagse Kunst, Ghent, Belgium
Europe '80, E.L.A.C., Lyon
Après le Classicism, Musée d'Art et d'Industrie, St. Etienne, France
Occasional Pieces, Kettle's Yard, Cambridge
1981
Groups IV, Waddington Galleries, London
Tolly Cobbold/Eastern Arts Third National Exhibition, Fitzwilliam Museum, Cambridge; touring to Christchurch Mansions, Ipswich; Castle Museum, Norwich; Institute of Contemporary Arts, London; Mappin Art Gallery, Sheffield
Royal Academy Summer Exhibition, Royal Academy of Arts, London
Art and Sea, Institute of Contemporary Arts, London; touring to Arnolfini Gallery, Bristol
Poets' Choice, Kettle's Yard, Cambridge
Sculpture for the Blind, Tate Gallery, London
A Mansion of Many Chambers: Beauty and other works, Arts Council exhibition; touring to Cartwright Hall, Bradford; Oldham Art Gallery; Gardner Centre Gallery, Brighton; The Minories, Colchester; Mappin Art Gallery, Sheffield; City Art Gallery, Worcester
British Sculpture in the Twentieth Century, Part II: Symbol and Imagination 1951-80, Whitechapel Art Gallery, London
1982
Aspects of British Art Today, Metropolitan Museum of Art, Tokyo; touring to Tochigi Prefectural Museum of Fine Arts, Utsunomiya; National Museum of Art, Osaka; Fukuoka Art Museum; Hokkaido Museum of Modern Art, Sapporo
British Drawings and Watercolours, China Art Gallery, Peking; touring to Shenyang; Hong Kong
Documenta 7, Kassel, Germany
Hayward Annual, Hayward Gallery, London
Zeitgeist, Martin-Gropius-Bau, Berlin
Arte Povera, Antiform, Musée d'Art Contemporain, Bordeaux
The Sculpture Walk, Great Linford Annual 1982
British Drawing, Hayward Gallery, London
Sculpture, Waddington Galleries, London
1982-83
Inner Worlds, selected by Paul Overy, E.M. Flint Gallery, Walsall; touring to Worcester City Art Gallery; Poole Art Centre; Mansfield Museum and Art Gallery; Harris Museum and Art Gallery, Preston; Wolverhampton Art Gallery; Quay Art Centre, Newport, Isle of Wight; Gardner Centre, Brighton; Derby Art Gallery
1983
53-83: Three Decades of Artists from Inner London Art Schools, Royal Academy of Arts, London
Constellazione, Galleria Giorgio Persano, Turin
New Art, Tate Gallery, London
ARS '83, Helsinki, Finland
Groups VI, Waddington Galleries, London
Wave Hill 1983: Bronze, Wave Hill, Bronx, New York
1983-84
Peter Moores Liverpool Project 7: As of Now, Walker Art Gallery, Liverpool
FRAC Rhône-Alpes, Acquisitions 1983, Maison des Expositions, Genas; touring to Nouveau Musée, Villeurbanne; Centre d'Arts Plastiques, Villefranche-sur-Saône, France
Drawing in Air: an exhibition of sculptors' drawings 1882-1982, Ceolfrith Gallery, Sunderland Arts Centre; touring to Glynn Vivian Art Gallery and Museum, Swansea; City Art Gallery and Henry Moore Study Centre, Leeds
1984
Liverpool International Garden Festival, Liverpool
An International Survey of Recent Painting and Sculpture, Museum of Modern Art, New York
1965-1972 - when attitudes became form, Kettle's Yard, Cambridge; touring to Fruitmarket Gallery, Edinburgh
Qu'est ce qu'un FRAC? 100 oeuvres de 75 artistes, Fondation Nationale des Arts Graphiques et Plastiques, Paris
Deux Regions en France: l'art international d'aujourd'hui, Palais des Beaux-Arts, Charleroi, Belgium
1984-85
The British Art Show: Old Allegiances and New Directions 1979-1984, City of Birmingham Museum and Art Gallery; touring to Royal Scottish Academy, Edinburgh; Mappin Art Gallery, Sheffield; Southampton Art Gallery
1985
Horses, Nicola Jacobs Gallery, London
Dialogue, Moderna Museet, Stockholm
Carnegie International, Carnegie Institute, Pittsburgh
Questions about Sculpture, Bolton Art Gallery
Three Decades of Contemporary Art: The Sixties, Annely Juda Fine Art/Juda Rowan Gallery, London
Beyond Appearances: Sculpture for the visually handicapped and sighted to share, Castle Museum, Nottingham; touring to Milton Keynes Exhibition Gallery; Wolverhampton Art Gallery; Camarthen Museum; Oriel Theatre, Clwyd; Cooper Gallery, Barnsley
Sculptural Alternatives, Tate Gallery, London
Theme Music, Pietrasanta Fine Arts, New York
1985-86
The British Show, Art Gallery of Western Australia, Perth; touring to Art Gallery of New South Wales, Sydney; Queensland Art Gallery, Brisbane; Royal Exhibition Hall, Melbourne; National Art Gallery, Wellington, New Zealand
20 Oeuvres de la collection Rhône-Alpes, Centre d'Art Contemporain, Geneva
Sculptures du FRAC Rhône-Alpes, Musée Sainte-Croix, Poitiers; touring to Centre Culturel Theo Argence, Saint Priest; Musée Joseph Dechelette, Roanne
Royal Academy Summer Exhibition, Royal Academy of Arts, London
One City a Patron, Collins Gallery, Strathclyde University, Glasgow; touring to Dundee Art Gallery; Perth Museum and Art Gallery; Maclaurin Art Gallery, Ayr; City of Edinburgh Art Centre
Carnegie International, Carnegie Institute, Pittsburgh
Sculpture, Fondation Cartier Musée, Jouy-en-Josas, France
1986
Between Object and Image: Contemporary British Sculpture, Palacio de Velázquez, Madrid; touring to Fundacio Caixa de Pensions, Barcelona; Museo de Bellos Artes, Bilbao
Naivety in Art, Setagaya Art Museum, Tokyo; touring to Tochigi Prefectural Museum of Fine Art
Royal Academy Summer Exhibition, Royal Academy of Arts, London
Falls the Shadow: Recent British and European Art - Hayward Annual 1986, Hayward Gallery, London
Robin Campbell: 1912-1985, Commemorative Exhibition, Smith's Galleries, London
Sonsbeek 86: International Sculpture Exhibition, Arnhem, The Netherlands
Some Famous Sons and Daughters, Rhyl Library Museum and Arts Centre, Rhyl, Clwyd, Wales
Europe/Amerika, Museum Ludwig, Cologne
Little and Large, Waddington Galleries, London
Sculpture and Works in Relief, John Berggruen Gallery, San Francisco
Du Petit, Bibliothèque Municipale, Givors, France
Uno Sguardo, un regard de Bruno Cora sur les oeuvres du FRAC Rhône-Alpes, CNAC, Grenoble, France
1986-87
11 European Sculptors, Europalia 1986, Ospedale degli Innocenti, Florence
Contrariwise: Surrealism and Britain 1930-1986, Glynn Vivian Art Gallery, Swansea; touring to Victoria Art Gallery, Bath; Polytechnic Gallery, Newcastle-upon-Tyne; Mostyn Art Gallery, Llandudno, Wales
1987
British Art in the Twentieth Century: The Modern Movement, Royal Academy of Arts, London; touring to Staatsgalerie, Stuttgart
Current Affairs: British Painting and Sculpture in the 1980s, Museum of Modern Art, Oxford; touring to Mucsarnok, Budapest; Narodni Galerie, Prague; Zacheta, Warsaw
Revelation for the Hands, Leeds City Art Gallery; touring to Mead Gallery, University of Warwick Arts Centre, Coventry
A Century of Modern Sculpture, Dallas Museum of Art
L'époque, la mode, la morale, la passion: Aspects d'art d'aujourd'hui 1977-1987, Centre Georges Pompidou, Paris
The Call of the Wild: Animal Themes in Contemporary Art, Museum of Art, Rhode Island School of Design, Providence, Rhode Island
Royal Academy Summer Exhibition, Royal Academy of Arts, London
Sculture di Passaggio '87, Villa Schiff-Giorgini, Montignoso, Italy
Century 87: Today's Art Face to Face with Amsterdam's Past, Beghijnhof Square, Amsterdam
The Vessel, Serpentine Gallery, London
Scultura 2e Edizione, Salone delle Terme, Acqui Terme, Italy
2D/3D - Art and Craft Designed for the Twentieth Century, Laing Art Gallery, Newcastle-upon-Tyne; touring to Northern Centre for Contemporary Art, Sunderland
1987-88
The Quiet Revolution: British Sculpture Since 1965, Museum of Contemporary Art, Chicago; touring to San Francisco Museum of Modern Art; Newport Harbor Art Museum, Newport Beach, California; Hirshhorn Museum and Sculpture Garden, Washington DC; Albright-Knox Art Gallery, Buffalo, New York
'The Self-Portrait: A Modern View', Artsite Gallery, Bath; touring to Durham Museum and Art Gallery; Ferens Art Gallery, Hull; Stoke-on-Trent City Museum and Art Gallery; Collins Gallery, Glasgow; Hatton Gallery, Newcastle-upon-Tyne; Glynn Vivian Art Gallery, Swansea; Graves Art Gallery, Sheffield; Fischer Fine Art, London; Mostyn Art Gallery, Llandudno, Wales
Fifty Years of Collecting, Solomon R. Guggenheim Museum, New York
Biennale de Gravure, Musée d'Art Moderne, Liège, Belgium
Standing Sculpture, Castello di Rivoli, Museo d'Arte Contemporanea, Turin
A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection, Dallas Museum of Art; touring to National Gallery of Art, Washington DC
1988
Royal Academy Summer Exhibition, Royal Academy of Arts, London
Starlit Waters: British Sculpture, An International Art 1968-1988, Tate Gallery, Liverpool
Sculpture in the Close, Jesus College, Cambridge
Out of Clay, City Art Gallery, Manchester
Scultura - Carving from Carrara, Massa and Pietrasanta, Yorkshire Sculpture Park, Wakefield
1988, The World of Art Today, Milwaukee Art Museum, Wisconsin
Sculpture, Waddington Galleries, London
Britannica: Trente Ans de Sculpture, Musée des Beaux-Arts, Le Havre; touring to Musée de l'Evêché, Evreux; Ecole d'Architecture de Normandie, Rouen; Museum Van Hedendaagse Kunst, Antwerp (here re-titled 'British Sculpture 1960-1988'); Centre Régional d'Art Contemporain, Toulouse
1988-89
Natures Mortes, Galerie Durand-Dessert, Paris
Les Chants de Maldoror (Lautreamont), Galerie Durand-Dessert, Paris
Art Kites, Miyagi Museum of Art, Japan; touring to Mie Prefectural Art Museum; Museum of Modern Art, Shiga; Himeji Museum of Art; Museum of Modern Art, Gunma; Shizuoka Prefectural Museum of Art; Museum of Modern Art, Nagoya; Hiroshima Museum of Modern Art
1989
Public Art Works, Goldsmith's Gallery, London
Mote i Nord, Kunstnernes Hus, Oslo
Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Frejus, Southern France
Twentieth Century Works, Waddington Galleries, London
Royal Academy Summer Exhibition, Royal Academy of Arts, London
Sun, Moon & Stars, Trelissick Gallery, Cornwall
Sculpteurs Anglais du XXe Siècle, Artcurial, Paris
1989-91
Art Kites, Haus der Kunst, Munich; Grande Halle de la Villette, Paris; Kunstsammlung Nordrheinwestfalen, Dusseldorf; Central Art Museum, Moscow; Deichtorhalle Hamburg; Gulbenkian Foundation, Lisbon; Musée des Beaux-Arts, Brussels; Nationalgalerie, Berlin
1990
Glasgow's Great British Art Exhibition, McLellan Galleries, Glasgow
Royal Academy Summer Exhibition, Royal Academy of Arts, London
Art Conceptuel Formes Conceptuelles, Galerie de Poche & Galerie 1900/2000, Paris
1990-91
For a Wider World: Sixty Works in the British Council Collection, British Council exhibition, Ukrainian National Museum, Kiev
1991
British Art from 1930, Waddington Galleries, London
Royal Academy Summer Exhibition, Royal Academy of Arts, London
The Pace Gallery, New York
Sculpture by the Spire/Salisbury Festival, Salisbury Cathedral Close and Courcoux & Courcoux Gallery, Salisbury
IIIème Biennale de Sculpture Montecarlo, in collaboration with Marisa del Re Gallery, Monaco
The 2nd Green Contemporary Art Sale, Smith's Galleries, London
The Discerning Eye, Mall Galleries, London
1991-92
From Art to Archaeology, South Bank Centre exhibition; touring to Towner Art Gallery, Eastbourne; Victoria Art Gallery, Bath; Tullie House, Carlisle; Mead Gallery, University of Warwick Arts Centre, Coventry
1992
Art '92 Waddington Galleries stand and outside the Business Design Centre, Islington, London
Roche Court Sculpture Garden, Wiltshire
Sculpture, Waddington Galleries, London
Musée de Cambrai, France; touring to Tourcoing; Calais; Dunkerque; Arras
A Carnival of Animals, Central Milton Keynes Shopping Centre
Millfield British 20th Century Sculpture exhibition, Millfield School, Street
Barry Flanagan and Marcel Floris, Museo de Arte Contemporáneo de Ibiza; touring to Sala de Cultura, Sa Nostra, Palma
1993
Gravity and Grace; the changing condition of sculpture, Hayward Gallery, London
IVème Biennale de Sculpture Montecarlo, in collaboration with Marisa del Re Gallery, Monaco
Out of Sight, Out of Mind, Lisson Gallery, London
Royal Academy Summer Exhibition, Royal Academy of Arts, London
Art in the City, Barbican Sculpture Trail, London
1993-94
Works from the Collection, Yorkshire Sculpture Park, Wakefield
1994
Biennale Skulptuur '94, Amsterdam
1995
Wasser & Wein: Zwei Dinge des Lebens, Kunsthalle Krems, Austria
Here and Now, Serpentine Gallery, London
Of the Human Form, Waddington Galleries, London
Revolution: Art of the Sixties from Warhol to Beuys, Museum of Contemporary Art, Tokyo
1995-96
Feminin-Masculin, Centre Georges Pompidou, Paris
1996
un siècle de sculpture anglaise, galerie nationale du Jeu de Paume, Paris
Summer Exhibition, Royal Academy of Arts, London
Sculpture in the Close, Jesus College, Cambridge
Made New, City Racing, London (curated by Andrew Wilson)
1997
Treasure Island, Calouste Gulbenkian Foundation, Lisbon
Barely Made, Norwich Gallery, Norwich School of Art and Design (curated by Jacqueline Poncelet)
1997 RHA Annual Exhibition, Royal Hibernian Academy, Dublin
Surrealism and After: The Gabrielle Keiller Collection, Scottish National Gallery of Modern Art, Edinburgh
KölnSkulptur 1, Skulpturenpark Köln, Gesellschaft der Freunde des Skulpturenparks Köln, Cologne
1998
Dix ans de commandes publiques, Centre Européen d'Actions Artistiques Contemporaines, Strasbourg
New Displays: Epstein, Moore, Hepworth, Caro and Flanagan, Duveen Galleries, Tate Gallery, London
British Figurative Art: Part Two: Sculpture, Flowers East, London
Up to 2000, Southampton City Art Gallery
Colony Room Club 50th Anniversary Art Exhibition, A22 Projects, London
1998-99
Thinking Aloud, curated by Richard Wentworth, Kettle's Yard, Cambridge; touring to Cornerhouse, Manchester; Camden Arts Centre, London
1999
RHA Annual Exhibition, Royal Hibernian Academy, Dublin
Pierwalk Exhibition, Navy Pier, Chicago
Sculpture at Kells, Kells Priory, County Kilkenny, Ireland
Les Champs de la Sculpture 2000, Champs-Elysées, Paris; organized by Les Musées de la Ville de Paris
2000
Artworkers, Newlyn Art Gallery; touring to Oriel Mostyn Gallery, Llandudno; Ferens Art Gallery, Hull
Live in Your Head: Concept and Experiment in Britain 1965-75, Whitechapel Art Gallery, London
Royal Academy Summer Exhibition, Royal Academy, London
UBU in UK, Mayor Gallery, London
Almost Warm and Fuzzy: Childhood and Contemporary Art, Des Moines Art Center, des Moines, Iowa; touring to Tacoma Art Museum, Tacoma; Scottsdale Museum of Contemporary Art, Scottsdale; P.S.1 Contemporary Art Center, Long Island City; Fundacio "la caixa", Barcelona; Crocker Art Museum, Sacramento; Art Gallery at Hamilton, Ontario; Cleveland Center for Contemporary Art, Cleveland
2000-01
Nijinsky (1889–1950), Musée d'Orsay, Paris
2001
FIELD DAY: Sculpture from Britain, organized in collaboration with The British Council, Taipei Fine Arts Museum
Nothing, Northern Gallery for Contemporary Art, Sunderland; touring to Contemporary Art Centre, Vilnius, Lithuania; Rooseum, Centre for Contemporary Art, Malmö, Sweden
Summer Exhibition 2001, Royal Academy, London
The Whitechapel Centenary Exhibition, Whitechapel Art Gallery, London
Breaking the Mould: 20th Century British Sculpture from Tate, Norwich Castle Museum and Art Gallery, Norwich
2001-2002
Almost Warm and Fuzzy: Childhood and Contemporary Art, organized by Des Moines Art Center, Iowa; touring to Tacoma Art Museum, Washington; Scottsdale Museum of Contemporary Art, Arizona; P.S.1 Contemporary Art Center, Long Island City; Fundacio "la Caixa", Barcelona; Crocker Art Museum, Sacramento; Art Gallery at Hamilton, Ontario; Cleveland Center for Contemporary Art, Ohio
2002
Animal Fantastique au Donjon de Vez, Donjon de Vez, Vez
The Rowan Collection: Contemporary British and Irish Art, Irish Museum of Modern Art, Dublin
Europa in Beeld, Myhte & Realiteit: Den Haag Sculptuur 2002, Lange Voorhout, The Hague, The Netherlands
United Kingdom United States, Waddington Galleries, London
Summer Exhibition 2002, Royal Academy, London
2002-2003
Blast to Freeze: British Art in the 20th Century, Kunstmuseum Wolfsburg; touring to Les Abattoirs, Toulouse
2003
FROM OBJECT TO IDEA: 25 Years of British Sculpture from the Arts Council Collection, Huddersfield Art Gallery
The Stage of Drawing: Gesture and Act: Selected from the Tate Collection, The Drawing Center, New York; touring to Museum of Contemporary Art, Sydney
Summer Exhibition 2003, Royal Academy, London
2004
A Vision of Modern Art: In memory of Dorothy Walker: Irish Museum of Modern Art, Dublin
NATIVE LAND: North Wales Artists and Landscape, 1979-2004, Oriel Mostyn Gallery, Llandudno, Wales
Summer Exhibition 2004, Royal Academy of Arts, London
Turning Points, 20th Century British Sculpture, Tehran Museum of Contemporary Art, Iran
Native Land: North Wales Artists and Landscape 1979-2004, Oriel Mostyn Gallery, Llandudno
Expander, Royal Academy of Arts, London
2004-2005
Art and the 60s: This Was Tomorrow, Tate Britain, London; touring to Gas Hall, Birmingham Museums and Art Gallery
Architecture and Arts 1900/2004: A Century of Creative Projects in Building, Design, Cinema, Painting, Sculpture, Palazzo Ducale, Genoa and thoughtout the city
2005
Henry Moore: Epoche und Echo: Englische Bildhauerei im 20. Jahrhundert / Aspects of British Sculpture in the 20th Century, Kunsthalle Würth, Schwäbisch Hall
Summer Exhibition, Royal Academy of Arts, London
Fresh Air 2005, Quenington Old Rectory, Gloucestershire
40 Jahr Galerie Thomas, Nr 2, Galerie Thomas, Munich
Sculpture & Gardens, Clonlea Studios, Blackrock, in association with Solomon Gallery, Dublin
1926 – 1970 Age of "Tokyo Metropolitan Art Gallery", Museum of Contemporary Art Tokyo, Tokyo
2005-2006
Diario de Mallorca, Art Report 2005, Fundació "AS NOSTRA", Palma de Mallorca
La peau est-ce qu'il y a de plus profound, Musée des Beaux-Arts de Valenciennes, Valenciennes
2006
International GdB, Galerie de Bellefeuille, Montreal
Between a Rock and a Hard Place: The stone in Art, Kenny Schachter Rove, London
How to Improve the World (tbc), Hayward Gallery, London (forthcoming)
PUBLIC COLLECTIONS
Art Institute of Chicago
Arts Council Collection, Hayward Gallery, London
Baltimore Museum of Art
Beverly Hills City Council
British Council, London, Manchester and Madrid
C.E.A.A.C., Strasbourg
City of Douai, France
Contemporary Art Society, London
F.R.A.C. Rhône-Alpes, Lyon
Fuchu City, Tokyo
Government Art Collection, London
Hugh Lane Municipal Gallery, Dublin
Israel Museum, Jerusalem
Kaiser Wilhelm Museum, Krefeld, Germany
Kunsthaus, Zurich
Leeds City Art Gallery, South Yorkshire
Leicestershire Education Authority
Musée des Beaux-Arts, Calais
Museo de Arte Contemporaneo de Caracas, Venezuela
Museu de Arte Moderna, Rio de Janeiro
Museum of Modern Art, New York
Museum Voor Hedendaagse Kunst, Belgium
Nagaoka Museum, Tokyo
Nagoya Museum, Japan
National Gallery of Art, Washington DC
National Gallery of Canada, Ottawa
National Museums and Galleries of Wales, Cardiff
Osaka City Museum of Modern Art
Peterborough Development Corporation
Phoenix Community Garden, London
Rawlins Upper School and Community College, Quorn, Leicestershire
Rijksmuseum Kröller Müller, Otterlo, The Netherlands
San Francisco Museum of Modern Art, California
Setagaya Museum, Tokyo
Sintra Museum of Modern Art, Portugal - The Berardo Collection
Southampton City Art Gallery
Stedelijk Museum, Amsterdam
Tate, London
Tochigi Prefectural Museum of Fine Arts, Tochigi-ken, Japan
Tokyo Metropolitan Art Museum
Ulster Museum, Belfast
Van Abbemuseum, Eindhoven
Victoria and Albert Museum, London
Virginia Museum of Fine Arts, Richmond
The Walker Art Gallery, Liverpool
SELECTED BIBLIOGRAPHY
1965
Baro, Gene: 'Britain's Young Sculptors', Arts Magazine, December, p.17
1966
Maddox, Conroy: 'Barry Flanagan', Arts Review, 6 August, p.371
Overy, Paul: 'Please do not touch', The Listener, 18 August
Blakeston, Oswell: What's On In London, 25 August
Gosling, Nigel: 'Baggy Sculptures', The Observer, August
Lucie-Smith, Edward: 'London Commentary', The Studio, September
Baro, Gene: 'Animal, Vegetable and Mineral', Art & Artists, September, p.63
Baro, Gene: 'British Sculpture, The Developing Scene', Studio International, October, p.175
Flanagan, Barry: 'Barry Flanagan Writes', I.C.A. Bulletin, November, p.9
1967
Finch, Christopher: 'British Sculpture Now', Art & Artists, May, p.22
'Barry Flanagan's Bag Sculpture', I.C.A. Bulletin, June, p.16
Flanagan, Barry: 'British Artists at the Biennale des Jeunes in Paris', Studio International, September, pp.98-99
1968
Gilardi, Piero: 'Da Londra', Flash Art, January/February, p.1
Blakeston, Oswell: What's On In London, 12 April
Bruce-Milne, Marjorie: 'Britons watch arts explosion', Christian Science Monitor, 15 April
Lynton, Norbert: 'London Galleries', The Guardian, 18 April
Overy, Paul: 'Inflation', The Listener, 18 April
Russell, John: 'All for Show', The Sunday Times, 21 April
Brett, Guy: 'Sculptural objects in variety', The Times, 22 April
Blakeston, Oswell: 'Barry Flanagan', Arts Review, April, no.13, p.193
Burr, James: 'London Galleries', Apollo, April
Fawcett, Anthony: 'Eyeliners: some leaves from Barry Flanagan's notebook', Art & Artists, April, pp.30-33
Gilardi, Piero: 'Microemotive Art', Museum Journal, no.4, pp.198-203
Harrison, Charles: 'Barry Flanagan's Sculpture', Studio International, May, pp.266-268
Moyse Arthur: 'Around the Galleries', Freedom-Anarchist Weekly, 11 May
1969
Harrison, Charles: 'Some recent sculpture in Britain', Studio International, January
Flanagan, Barry: 'From Notes 1967-68', Studio International, January, p.37
Spencer, Charles: 'New Materials, New Forms in Art', Woman's Journal, March
Flanagan, Barry: 'An Open Letter to K', Studio International, May, p.208
Flanagan, Barry: 'A Literary Work', Studio International, July/August, p.4
Celant, Germano: 'La Natura e inserta', Casabella, August/September, p.107
Celant, Germano: 'Arte Povera: Conceptual, Actual or Impossible?', Studio Vista, London/Gabriele Mazzotta, Milan
Harrison, Charles: 'Against Precedents', Studio International, September, p.92
Baro, Gene: 'Sculpture made visible', Studio International, October
1970
Packer, William: 'London Galleries', Art & Artists, January
Fawcett, Anthony: 'Doubts and Dilemmas', Art & Artists, April
Fuller, Peter: 'Barry Flanagan', Arts Review, 11 April, pp.217-231
Gosling, Nigel: The Observer, 12 April
Lynton, Norbert: 'Barry Flanagan', The Guardian, 18 April
Brett, Guy: 'Impish', The Times, 22 April
Fuller, Peter: 'In the Galleries', The Connoisseur, July, p.210
Flanagan, Barry: Studio International, July, p.29
1971
Gosling, Nigel: 'A trio of extremists', The Observer, 4 April
Vaizey, Marina: Arts Review, 10 April
Brett, Guy: 'Balloon Art', The Times, 13 April
Tisdall, Caroline: 'Barry Flanagan', The Guardian, 22 April
Wolfram, Eddie: 'Flanagan in the Greenwood', Ink, 8 May
Flanagan, Barry: Studio International, May, pp.217-219
Denvir, Bernard: Art International, Summer, p.91
Feaver, William: 'Art: Exhibitionism', London Magazine, August/September
Oakes, Philip: 'No old rope', The Sunday Times, 17 October
Schjeldahl, Peter: 'And now a 'Teddy' for the Artist', Sunday New York Times, 17 October
1972
Mason, Stewart: 'Innovation is vital to Art', Cambridge Evening News, 24 May
Flanagan, Barry: 'Vertical Judicial Grouping', Studio International, July/August, p.19
Rees, Jeremy: 'Public Sculpture', Studio International, July/August, pp.32-39
Burn, Guy: 'The New Art', Arts Review, 26 August
Brett, Guy: 'More than the monument in the Piazza', The Times, 12 September
Vaizey, Marina: 'The New Art', The Financial Times, 19 September
Percival, John: 'Proving experimental art can be fun', The Times, 4 October
Cork, Richard: 'Agile but Lightweight', The Evening Standard, 23 November
Cork, Richard: 'Large sofa small joke', The Evening Standard, 23 November
Lucie-Smith, Edward: 'Cult Figures', The Sunday Times, 26 November
Packer, William: 'Pictures on Exhibit', London News and Views, November
Feaver, William: 'London Letter: Summer', Art International, November
Fuchs, R.H: 'More on the New Art', Studio International, November, p.8
Fuller, Peter: Arts Review, 2 December
Tisdall, Caroline: 'Barry Flanagan', The Guardian, 2 December
1973
Fuller, Peter: 'In the Galleries', The Connoisseur, January, p.73
Hobhouse, Janet: 'U.K. Contemporary', Studio International, January
Russell, John: 'The pleasures of the pioneer', The Sunday Times, 15 July
Shepherd, Michael: 'Be Aware', The Sunday Telegraph, 15 July
Vaizey, Marina: 'Richiers and Flanagan', The Financial Times, 17 July
Anthony, Evan: 'Private View', The Spectator, 21 July
Fuller, Peter: Arts Review, 28 July
Gosling, Nigel: 'The Great Leaps Forward', The Observer, 29 July
Crichton, Fenella: 'London Letter', Art International, September, p.36
Fuller, Peter: 'Quiz to Critics', Arts Review, 15 December
Segal, Mark: 'Strike! M.O.M.A. under pressure', Studio International, December, p.220
1974
Schjeldahl, Peter: 'Just this side of non-existence', Sunday New York Times, 3 February
Crimp, Douglas: ARTnews, March, p.99
O'Neill, Mark: 'What's On', Granada Television, 1 March
Ingham, Margo: Arts Review, 22 March
Brooks, Rosetta: 'Barry Flanagan and Richard Long', Flash Art, April, pp.40-41
Gilbert-Rolfe, Jeremy: 'Reviews', Artforum, Vol.XII, no.80, April, pp.74-75
Talbot, Linda: 'Irony of the soft trees', Hampstead & Highgate Express, 23 August
Packer, William: 'Sculpture soft and hard', The Financial Times, 31 August
Gosling, Nigel: The Observer, 8 September
Overy, Paul: The Observer, 24 September
Hilton, Tim: 'Influenced by Poverty', The Observer, 20 October
Gosling, Nigel: 'Children of the Fields', The Observer, 10 November
Ashworth, Michael John: Arts Review, 15 November
Feaver, William: 'Barry Flanagan', Financial Times, 20 November
Overy, Paul: 'Sheep and Stones', The Times, 20 November
Shepherd, Michael: 'Moss gathers stones', The Sunday Telegraph, 24 November
Tisdall, Caroline: 'Barry Flanagan and Richard Long', The Guardian, 28 November
Fuller, Peter: Art & Artists, December, pp.38-39
Lampert, Catherine: 'Barry Flanagan Drawings 1966-1974', Studio International, December, pp.12-13
Burr, James: 'Around the Galleries', Apollo, December
Tate Gallery Biennial Report and Illustrated Catalogue of Acquisitions 1972-74, Tate Gallery Publications, London, pp.133-135
1975
Crichton, Fenella: 'London Letter', Art International, January, pp.41-42
Feaver, William: 'London', Art Spectrum, January
Anker, Valentina and Lucien Dallenbach: 'La Reflexion Speculaire dans la Peinture et la Litterature Recentes', Art International, February
Crichton, Fenella: 'London', Art International/Art Spectrum, 20 April
McGrath, Sandra: 'Life's rich tapestry', The Australian, 26 September
Pidgeon, W.E: 'Nuclear dialogue', The Sunday Telegraph (Sydney), 28 September
Reed, Vivien: 'Barry Flanagan', Art Press, September/October, p.19
Faerber, Ruth: 'Nature of materials', Australian Jewish Times, 2 October
Morris, Lynda: 'The Museum of Modern Art in Oxford', Studio International, November/December
Walker, John: Art Since Pop, Thames & Hudson, London
1976
Simpson, Colin: 'The Tate drops a costly brick', The Sunday Times, 15 February
'Sir Norman drops 120 bargain on the Tate', Daily Express, 16 February
Lucie-Smith, Edward: 'Do we need toys like this at the Tate?', The Evening Standard, 17 February
Evans, Michael: 'All in the name of art', Daily Express, 17 February
Levin, Bernard: 'Art may come and art may go but a brick is a brick forever', The Times, 18 February
Simmons, Rosemary: 'Constable portfolio', Arts Review, 5 March
'Brickbats', Arts Review, 5 March
Cork, Richard: 'Now what are those English up to?', The Evening Standard, 4 March
Feaver, William: 'Showing the flag', The Observer, 14 March
1977
Adams, Clive: 'Barry Flanagan', Arnolfini Review, July/August, p.5
Morris, Lynda: 'The case for the sack', The Sunday Times, 7 August
Belsey, James: 'Piles of sacks and sandbags', Evening Post, 11 August
Gosling, Nigel: 'Gentle confections', The Observer, 21 August
Stevenson, Alan: 'Barry Flanagan', The Guardian, 22 August
McEwen, John: 'Pinch-pots and skateboards', The Spectator, 24 December, p.33
1978
Hilton, Tim: 'Funny and Askew', The Observer, 10 December, p.17
Kent, Sarah: 'It's D.I.Y.', Time Out, 15-21 December
Blakeston, Oswell: Arts Review, 22 December, p.698
Tate Gallery Illustrated Catalogue of Acquisitions 1976-78, Tate Gallery Publications, London, pp.46-49
1979
Dimitrijevic, Nina: 'Barry Flanagan', Aspects, pp.8-9
The Tate Gallery Collections, British Painting, Modern Painting and Sculpture, Tate Gallery Publications, p.191
Arts Council Collection (1942-1978), Arts Council of Great Britain, London, p.94
Lampert, Catherine: 'Barry Flanagan', Artistes, December/January, pp.10-17
1980
Glaves-Smith, John: 'Barry Flanagan', Art Monthly, no.36, pp.17-18
McEwen, John: 'Flanagan et al', The Spectator, 19 April, pp.21-22
Feaver, William: 'Fine flourish of Flanaganisms', The Observer, 20 April
'Barry Flanagan', The Sunday Times, 20 April
Shepherd, Michael: 'Barry Flanagan', The Sunday Telegraph (New Looks), 27 April
Burr, James, Apollo, April, p.333
Crichton, Fenella & Beaumont, Mary Rose, Art and Artists, June
Bann, S: 'La genese d'un art anglais contemporain', Connaissance des Arts, August, no.342
Tate Gallery Illustrated Catalogue of Acquisitions 1978-80, Tate Gallery Publications, London, p.93
1981
Petherbridge, Deanna: Architectural Review, February, vol.169, no.1008, pp.93-103
'Hare Yesterday', The Sunday Times Magazine, 29 November
Mullaly, Terence: 'Miro: spirit of Spain', The Daily Telegraph, 7 December
Januszczak, Waldemar: 'Barry Flanagan', The Guardian, 10 December
'Waddington', City Limits, 11 December
'Barry Flanagan', The Times, 13 November
Russell Taylor, John: 'The sorry state of British sculpture', The Times, 15 December
'Waddington', City Limits, 18 December
'Barry Flanagan', Time Out, 18 December
Stewart, Michael: 'Barry Flanagan', Arts Review, 18 December
McEwen, John: 'Matters of Imagination', The Spectator, 19 December
Feaver, William: 'Slipping and sliding, lickety-spit', The Observer, 20 December
Vaizey, Marina: 'U.K. honours sculptor', The Sunday Times, 20 December
Feaver, William: 'Barry Flanagan', Vogue, December
1982
Rose, Andrea: 'Paschal Lambs and March Hares', London Magazine, March, vol.21, no.12
Cooke, Lynne: 'Barry Flanagan at Mostyn Art Gallery, Llandudno', Artscribe, no.34, March, pp.65-66
Vaizey, Marina: 'England Takes the Honours', The Sunday Times, 13 June
Shepherd, Michael: 'The faces of Venice', The Daily Telegraph, 13 June
Russell Taylor, John: 'Venice Biennale - Fascination and affront in a world apart', The Times, 15 June
Russell Taylor, John, The Times, 15 June
Januszczak, Waldemar: 'Jeering faces keep crowding in', The Guardian, 16 June, p.9
Feaver, William: 'Bellyful of ballast', The Observer, 20 June
Taylor, Barbara Ann: 'Barry Flanagan', Harpers & Queen, June
Taylor, Barbara Ann: 'New Exhibitions: Barry Flanagan', Vogue, June
Glaves-Smith, John: 'Barry Flanagan: The Role Of Parody And Irony', Art Monthly, July/August, no.58
McEwen, John: 'Barry Flanagan', The Spectator, 7 August
Ahrens, Klaus: 'Ich identifiziere mich mit dem Hasen/I identify myself with the Hare', Stern-Magazine, no.41, 5-13 October
Flood, Richard: 'Barry Flanagan', Artforum, October
Francblin, Catherine: 'Barry Flanagan', Le Quotidien de Paris, no.903, 21 October
'Flanagan et le tangible', Connaissance des Arts, November
Kinmonth, Patrick: 'Flanagan's leap year', Vogue, November, pp.214-217
Sgubbi, Gianfranco: 'Padiglione Gran Bretagna: Barry Flanagan', Juliet, November/January, no.9, p.13
Millet, C: 'Zeitgeist: la beauté des ruins', Art Press, December, no.65, pp.22-23
Hohmeier, Jurgen: 'Biennale-Pramie fur Sitzenbleiber', Der Spiegel, no.24
1983
Burr, James: 'Making a Little go a Long Way', Apollo, January
Prevost, Jean Marc: 'Barry Flanagan; Galerie Durand-Dessert', Flash Art, January
Feaver, William: 'The Year of the Hares', The Observer, 9 January
Russell Taylor, John: 'Tearing passion to tatters', The Times, 11 January
'Barry Flanagan', The Guardian, 12 January
Lewin, Matthew: 'A sculptor's sudden leap to a new style', Hampstead & Highgate Express, 14 January
McEwen, John: 'Round and round', The Spectator, 15 January
Gooding, Mel: 'Barry Flanagan, Whitechapel', Arts Review, 21 January
Hackett, Dennis: 'Sculptor at Bay', The Times, 24 January
Henry, Clare: 'Sculptor raises a few hares!', Glasgow Herald, 25 January
Packer, William: 'In pursuit of nature', The Financial Times, 25 January
Januszczak, Waldemar: 'With not a hare out of place', The Guardian, 26 January
Cork, Richard: 'Flanagan and his magic hare force', The Standard, 27 January
Clarke, Michael: 'Free forms', Times Educational Supplement, 28 January
'Barry Flanagan: Whitechapel & Waddingtons', Time Out, 28 January
MacRitchie, Lynn: 'Flanagan: Whitechapel', City Limits, 28 January
Vaizey, Marina: 'City landscape and its inspiration', The Sunday Times, 30 January
Richards, Margaret: 'Joy and unease', The Tribune, 11 February
Padgham, Gay: 'Playful, ironic humour', The Morning Star, 15 February
Gibson, Michael: 'Sculptors Showing In Paris Galleries', International Herald Tribune, 26-27 March
Cooke, Lynne: 'Barry Flanagan at the Whitechapel and at Waddington', Art in America, March
Francblin, Catherine: 'Barry Flanagan: la sculpture en état d'apesanteur', Art Press, no.68, March
Collier, Caroline: 'Cultivating Sculpture', Arts Review, 22 July
Blistène, Bernard: 'Barry Flanagan', Axe Sud (Art Actuel), Winter, no.7, p.17
1984
Ayers, Robert: 'As of Now', Artscribe, February/April, no.45, pp.57-58
Silverstone, Jean: 'Barry Flanagan, Pace Gallery', Artforum International, March, p.93
Dunne, Aidan: 'Slimmed down, but still a visual treat', Sunday Press, 25 March
McCrum, Sean: 'As of Now: Pow', The Sunday Tribune, 25 March
Dimitrijevic, Nina: 'Sculpture after evolution', Flash Art, April/May, no.117, pp.22-31
Assunto, Rosario: 'Due frammenti di estetica', Tema Celeste, June, no.3, pp.12-16
Barrett, Cyril: 'ROSC '84', Art Monthly, October, no.80, pp.11-14
The British Council Collection: 1938-1984, British Council, London, pp.59-60
1985
Artner, Alan G: 'Wit and depth enliven Flanagan's sculpture', Chicago Tribune, 15 February
Januszczak, Waldemar: 'The hare that leaps out of summer', The Guardian, 5 June
Feaver, William: 'Alice doesn't live here', The Observer, 9 June
Packer, William: 'When art loses out to design', Financial Times, 11 June
Mullaly, Terence: 'Barry Flanagan', Daily Telegraph, 18 June
Kirshner, Judith Russi: 'Barry Flanagan, Richard Gray Gallery, Chicago', Artforum, Summer, p.113
'Barry Flanagan', Bijitsu Techo Magazine (Japan), December, vol.37, no.554, pp.136-145
1986
Pluchart, François: 'Sculptures à la Fondation Cartier', Artefactum, vol.2, no.12, February/March, pp.48-49
Feaver, William: 'Quiet and Meaningless', The Observer, 13 April
Cork, Richard: 'Hayward Annual', The Listener, 17 April
Harrison, Charles: 'Sculpture, Design and Three-Dimensional Work', Artscribe International, June/July, pp.60-64
Miller, Sanda: 'On Barry Flanagan', Irish Arts Review, vol.3, no.2, pp.60-62, Summer
Borer, Alain: 'Flanagan, l'insaisissable', Artstudio, no.3, pp.72-83
1987
Cumming, Hugh: 'Contemporary British Artists', Art and Design, February, vol.3, no.1/2, p.33
Lucie-Smith, Edward: Sculpture since 1945, Phaidon Press, Oxford, p.147
Blistène, Bernard: La Collection du Musée National d'Art Moderne, Centre Georges Pompidou, Paris, p.217
1988
Rottenberg, Anda: 'British Actualities', NIKE: New Art In Europe, vol.6, no.22, March/April
Beaumont, Mary Rose: 'Contemporary Classical Sculpture', Art & Design, vol.4, no.5/6, pp.43-47
Griffiths, John: 'Contemporary Classical Artists', Art & Design, vol.4, no.5/6, pp.53-60
Gledhill, Ruth: 'Sculpture stands on college ceremony', The Times, 27 June
Packer, William: 'Summer Sculpture', Financial Times, 19 July
Barker, Barry: 'Réflexions sur les dernières sculptures de Barry Flanagan', Artstudio, no.10, Autumn, pp.70-79
Sewell, Brian: 'Starlit Waters', Modern Painters, Autumn, vol.1, no.3, pp.66-67
Hindley, Ann: 'La disposition insulaire', Artstudio, Autumn, p.6
Legg, Alicia and Mary Beth Smalley: Painting & Sculpture in the Museum of Modern Art, Museum of Modern Art, New York, p.41
Curtis, Penelope: Modern British Sculpture from the Collection, Tate Gallery Publications, Liverpool, pp.132-133
Thomas, Mona: 'France: La Sculpture Anglaise', Beaux Arts Magazine, November, no.62, p.106
Gauthier, Christiane: 'Le Mensuel des Echos', Dynasteurs
Renfrew, Colin: 'The Languages of Sculpture', Sculpture in the Close, Jesus College, Cambridge
Fletcher, D. J. R: Fletcher King Investment Report 1988, front cover
1989
Lucie-Smith, Edward: 'Contemporary sculpture in a new dimension', The Independent, 7 January
'Verso l'Arte Povera', Tema Celeste, April/June, no.20, p.75
Dagen, Philippe: 'Un Eclectisme Voluptueux', Le Monde, 5 April
Dobbels, Daniel: 'La Croisade des Anglais', Libération, 19 April
Hughes, Andrew: 'Roche Court Sculpture Garden', Arts Review, 5 May, p.339
Marlow, Tim: 'Generation Games in Sculpture', Art & Design, vol.5, no.3/4, pp.63-65
Curtis, Penelope: Patronage & Practice: Sculpture on Merseyside, Tate Gallery Publications, Liverpool
1990
Lucie-Smith, Edward: Art in the Eighties, Phaidon Press, Oxford
Dorment, Richard: 'First catch your hare', The Daily Telegraph, 29 May
MacDonald, Robert: 'On Mad Cows and Hares', Time Out, 30 May, p.36
Wegner, Nicholas: 'Barry Flanagan', C.V. Journal of Art, vol.3, no.2, June-August, p.32
Duthy, Robin: 'A sculptor starts a hare', The Field, August, p.33
Alberge, Dalya and Iain Gale: 'The profit and pleasure principle', The Independent, 23 October
Mahoney, Robert: 'Barry Flanagan at the Pace Gallery', Arts Magazine, December, vol.65, no.4, pp.102-3
The 20th Anniversary, Fuji Television Gallery, 1970-1990 (catalogue), Fuji Television Gallery, Tokyo
1991
Hall, James: 'The Day Of The Hare', The Independent Magazine, 30 March, pp.52-53
Holloway, Memory: 'New York; Long Distance Runners', Art International, no.14, Spring/Summer, p.65
O'Hear, Anthony: 'Figurative Sculpture After Henry Moore', Modern Painters, Summer, vol.4, no.2, pp.26-30
Verspohl, Fran Joachim: 'The hare sleeps with open eyes', Burns, Beuys and Beyond, (Supplement to Artwork no.50), June/July
Phelps, Edward: 'Sculpture by the Spire', Arts Review, 20 September, vol.XLIII, no.19, p.467
Overy, Paul: 'Lions & Unicorns: The Britishness of Postwar British Sculpture', Art in America, September, vol.79, no.9, p.108
Alberge, Dalya: 'Chain of thought', The Independent, 8 October
Third Monte Carlo Sculpture Biennial (catalogue), in collaboration with Marisa del Re, New York, illus., p.43
1991-92
De Borchgrave, Helen: review of 'From Art to Archaeology', Arts Review, Christmas edition, p.650
1992
Borrelli, Francesca: 'Arte: L'Irresistibile ascesa della Scultura Inglese; Sculture che sigillano il secolo', Wimbledon (Italian), Anno III, no.22, February pp.68-74
Gorvy, Brett: 'Prophets without Honour', The Antique Collector, vol.63, no.4, April, pp.38-43
Duthy, Robin: 'Modern Sculpture, A British Approach', Countryweek, 23 April, pp.12-13
Tipper, Andy: 'Digging the Archaeology', What's On, 25 April - 8 May
'Barry Flanagan' Vogue Hommes, May
Pradel, Jean-Louis: 'L'Evènement de la Semaine: Les lièvres de Barry Flanagan', L'Evènement du Jeudi, 4-10 June
'Barry Flanagan', Elle, 8 June
'Art: Barry Flanagan', Telerama, 10 June
'Art Galerie: Flanagan', Libération, 11 June
V.B.: 'Gros Dada: Flanagan', Museart, June 1992
Carteron, Philippe: 'Célébration du lièvre: Parodies et paradoxes du sculpteur Barry Flanagan', Le Nouvel Observateur, 18 June
Hall, James: 'Art: Flanagan at Yorkshire Sculpture Park', Esquire, July/August, vol.2, no.6, p.16
Bevan, Roger: 'International News: Barry Flanagan at Yorkshire Sculpture Park', Galeries Magazine, Aug/Sept, no.50, pp.70,72
Dagbert, Anne: 'Barry Flanagan: Galerie Liliane & Michel Durand-Dessert', Art Press, September, no.172, p.68
'Avance de exposiciones de arte 92/93', Panorama: Fundacion "la Caixa", p.2, November
Mon Hughes, Glyn: 'Manchester remade', Intercity, November, pp.40-43
Sculpture (catalogue), Waddington Galleries, London
A Carnival of Animals (exhibition sheet), Central Milton Keynes Shopping Centre
The British Council: Catalogue of works of art, Manchester, The British Council
1993
McEwen, John: 'Take one stiff hare and a dog-biscuit factory', The Sunday Telegraph, 13 June
Monreal, Luis: 'Un independiente entre la provocación y la ironia' and 'Exposición de Barry Flanagan', Panorama: Fundación "La Caixa", August-September, p.7
Hernandez, Esteban: 'Flanagan y sus Ironicas Liebres', El Mundo (Cultura), 23 September, p.41
Jiménez, Pablo: 'Barry Flanagan: El volumen de la ironia', ABC de las artes, 24 September
Calvo Serraller, Francisco: 'Flanagan, el humor como corrosión moderna', El Pais (La Cultura/Artes), 24 September, p.31
'Esculturas de Flanagan, 1965-1992', El Punto de las Artes, 24 September
Danvila, Jose Ramon: 'Barry Flanagan, un ejemplo de individualismo', El Punto de las Artes, 24 September
'Esculturas de Flanagan: El artista heterodoxo', Expansion, 24 September, p.36
'Barry Flanagan, en Fundación la Caixa', Cinco Dias, 28 September, p.34
'Barry Flanagan expone en Madrid', La Vanguardia, 30 September, p.30
Luna, Concha: 'En El Punto de la Noticia', El Punto de las Artes, 1-7 October, p.28
'Barry Flanagan o el regreso de la escultura', Expansion, 2 October, p.10
F. S.: 'Una 'liebre' de Barry Flanagan no puede entrar en su exposición', El Pais (La Cultura), 3 October
Fernandez-Cid, Miguel: 'Flanagan Completo', Diario 16 (guia de Madrid/arte), 8 October, p.74
Galdon, Francisco Vicent: 'Barry Flanagan, esculturas, cerámicas y dibujos', Guadalajara 2000 (Cultura/La Semana), 15 October, p.30
Jarque, Fietta: 'Barry Flanagan: "Soy el cazador y la liebre", El Pais (Artes), 25 October
Muñoz, Jorge: 'El Humor No Tiene Cotizaciones De Risa', Inversion (Inversiones Alternativas), no.35, October, pp.58-63
'Musée des Beaux-Arts de Nantes: Centenaire et Pourtant Tout Nouveau', Elle, 29 November
García-Pando, Carmen González: 'Barry Flanagan: Una visión global', Reseña, November, pp.48,244
C. B.: 'El Artista: Barry Flanagan, Arte y Humor', Critica, November, p.67
Cousseau, Henry-Claude: 'Barry Flanagan, oeuvres de 1966 à 1992', Nantes Poche, 1-7 December
'Barry Flanagan: Musée des Beaux-Arts de Nantes', Nantes Poche, 1-7 December, (front cover illustration)
'Les lièvres de Flanagan', Presse-Ocean, 4-5 December
H.-A.C.: 'Un Musée Centenaire', Presse-Ocean, 4-5 December
'Musée des Beaux-Arts de Nantes: Centenaire et si Jeune', Paris Match, 9 December
Foucher, Eliane: 'Expos; Musée des Beaux-Arts: Prestige des sculptures de Barry Flanagan', Nantes Poche, 15-21 December
Lebovici, Elisabeth: 'Flanagan soulève un lièvre', Libération, 16 December
'Nantes: Barry Flanagan', Le Monde, 16 December
'Cinq ans de partenariat: Musée des Beaux-Arts et CIO autour de Flanagan', Ouest-France, 21 December
Dagen, Philippe: 'La fable de la sculpture', Le Monde, 28 December
Ernould-Gandouet, Marielle: 'Nantes, Barry Flanagan', L'Oeil, December
Francblin, Catherine: 'Barry Flanagan: Always the Unexpected', Art Press, no.186, International Edition, December, pp.E16-E19
'Barry Flanagan, sculpteur', La Courrier de Métiers d'Art, no.128, December
Barra, Franck: 'Musée des Beaux-Arts: A cent ans, il court toujours', Nantes Passion, December
Schmitt, Evelyne: 'La pose du lapin', Centre Européen d'Actions Artistiques Contemporaines, Strasbourg
Kanetti, Vivet: 'l'Rurope artistique: les chances de Paris', Art Press, December, pp.20
1994
Ottinger, Didier: 'Les chimères de Barry Flanagan', Beaux-Arts Magazine (France), no.119, January, pp.44-49
'Cent ans pour le Musée des Beaux-Arts de Nantes', Armor Magazine, January
Bourgeaux, Cécile: 'Barry Flanagan', Actualités commerce, no.59, 1er trimestre
Nuridsan, Michel: 'Portrait; Flanagan, père Ubu de la sculpture', Le Figaro, 11 January
'Le Musée des Beaux-Arts', Bonne Soirée, 12 January
'Barry Flanagan', Le Nouvel Observateur, 13 January
Giquel, Pierre: 'Barry Flanagan au Musée des Beaux-Arts de Nantes: La sculpture loin des lois', Ouest-France, 17 January
'Barry Flanagan: inclassable', Ouest-France, 17 January
B. de R.: 'La cote du "Figaro": Barry Flanagan en vente publique', Le Figaro, 28 January
M.-C.B: 'L'Année du Lièvre', Presse-Océan, 28 January
'Nantes: Barry Flanagan: Works 1966 to 1992', Flash Art, no.174, January-February
'Nantes: Musée des Beaux-Arts', La Revue du Louvre, February
Cena, Olivier: 'Lapins farceurs', Telérama, 9 February, p.52
'Barry Flanagan: Oeuvres de 1966 à 1992', Cin & Scen, February
'Avec les ateliers "dessin peinture": Des jeunes ont découvert Barry Flanagan', Ouest-France, 1 March
RA Magazine, no.44, Autumn, p.84
'Art: Barry Flanagan', Time Out, 19-26 October
McEwen, John: 'Barry Flanagan; Waddington Galleries', The Sunday Telegraph (Critics' Choice: Art), 30 October
'Barry Flanagan; Waddington's', London Magazine, October, p.130
McEwen, John: 'Pilot on a summer-blue sea', The Sunday Telegraph, 13 November
Schmerler, Sarah: 'Chicago: Barry Flanagan at Richard Gray', Art and Auction, vol.XVII, no.4, November, p.92
1995
Holmes, Eamonn: 'Raising a Hare!', Irish Press, 13 February
Ferguson, Ciara: 'Yeats and Flanagan' (review), The Sunday Independent, 19 February
Dunne, Aidan: 'Starting a hare among art snobs', The Tribune Magazine, 19 February
Pietsch, Hans: 'Alles ernste liegt dem hasen fern', Art (Germany), no.4, April, pp.16-23
Bickers, Patricia: 'La sculpture britannique: generations et tradition', Art Press, May, pp.31
Kent, Sarah: 'British Sculpture: A thumbnail sketch', Here and Now (exhibition brochure), Serpentine Gallery, London
Debailleux, Henri-Francois: 'Flanagan la tortue court le lièvre' (interview), Libération, 2-3 September, p.30
O'Mahony, John: 'Ears lookin' at you', New York Post, 20 September, p.35
Hilton, Tim: 'Everybody needs somebody', The Independent on Sunday, 3 December, p.28
Hofmann, Werner (ed.): Wasser & Wein: Zwei Dinge des Lebens, Kunsthalle Krems, Austria
Kent, Sarah: 'British Sculpture: A thumbnail sketch', Here and Now (exhibition brochure), Serpentine Gallery, London
Of the Human Form, Waddington Galleries, London
Kamon, Yasuo (fore.): Revolution: Art of the Sixties from Warhol to Beuys, Museum of Contemporary Art, Tokyo
Barré, François (foreword): Féminimasculin: Le sexe de l'art, Centre Georges Pompidou, Paris
1996
Bevan, Roger: 'British beef goes to France', The Art Newspaper, May
Foerstner, Abigail: 'grass menagerie', Chicago Tribune, May 12
Lambirth, Andrew: 'Sculpture in the Courtyard', RA Magazine, no.51, Summer, p.36
Gibson, Michael: 'British Sculpture Tracks a Century', The International Herald Tribune, 22-23 June
Feaver, William: 'Impudence is bliss', The Observer, 23 June
Cork, Richard: 'A brilliant century taken out of context', The Times, 25 June
Searle, Adrian: 'No stone unturned', The Guardian, 25 June
Hindry, Ann: 'English Sculpture: Playing the Imagination', Art Press, no.214, June, pp.20-28 (text in English and French)
'All passion spent', The Economist (Paris), 13-19 July
'Bowling hare takes the field', Cambridge Evening News, 26 August
Lynton, Norbert: 'British Sculpture in Paris', Modern Painters, Autumn, pp.56-61
Bickers, Patricia: 'Crème Anglaise', Art Monthly, no.199, September, pp.3-5
Cooke, Lynne: 'Paris: Sculpture anglaise', The Burlington Magazine, September, pp.622-644
'Sculpture exhibition', Bury Free Press, Thetford & Brandon News, 11 October
Lucie-Smith, Edward: 'Critic's Diary', Art Review, October, pp.15
Coomer, Martin: 'Made New: City Racing', Time Out, 6-13 November
Capelo, Francisco (intro.): The Berardo Collection, Sintra Museum of Modern Art, Portugal
Abadie, Daniel and Alan Bowness (intro.): un siècle de sculpture anglaise, galerie nationale du Jeu de Paume, Paris
Un Siècle de Sculpture Anglaise, Beaux Arts Magazine, Paris (special edition)
Renfrew, Colin (intro.): Sculpture in the Close, Jesus College, Cambridge
The 20th-Century Art Book, Phaidon Press, London
Bonn, Sally: L'Art en Angleterre 1945-1995, Nouvelles Editions Françaises, Paris
1997
'A brush with genius: Richard Wilson on Barry Flanagan's Hole in the Sea', The Guardian, 11 March, p.11
Mulder, Jorge and Rui Sanches (intro.): Treasure Island (catalogue), Calouste
Gulbenkian Foundation, Lisbon, pp.198-199
Collings, Matthew: Blimey!, 21 Publishing, Cambridge
Cowling, Elizabeth: Surrealism and After: The Gabrielle Keiller Collection (catalogue), Scottish National Gallery of Modern Art, Edinburgh
von Graevenitz, Antje (intro.): KölnSkulptur 1 (catalogue), Skulpturenpark Köln,
Gesellschaft der Freunde des Skulpturenparks Köln, Cologne (includes Enrique Juncosa, 'Barry Flanagan', pp.58-62)
Marshall, Catherine (ed.): Breaking the Mould - British Art of the 1980s and 1990s: The Weltkunst Collection, Lund Humphries, London and the Irish Museum of Modern Art, Dublin (includes essays by Richard Cork and Penelope Curtis)
1998
'Histoire de voir' (artist's statement), Vogue (Paris), no.783, December/January, p.39
L.B.: 'Sex, animals and rock & roll', The Art Newspaper, September
Buck, Louisa: 'Artists' Colony', The Times Magazine, 12 September, pp.32-37
Levy, Paul: 'Picasso's Feat of Clay' (includes review of Waddington exhibition), The Wall Street Journal, 9 October
Haldane, John: 'Barry Flanagan and Hamish Fulton', The Burlington Magazine, vol.CXL, no.1149, December, pp.839-840
Etchells, David: 'Subtlety of artistic thought', The Cambridge Evening News, 17 December, p.31
Atlan, Ambre: 'Flanagan: The Bowler', Centre Européen d'Actions Artistiques Contemporaines (booklet), Strasbourg
Lynton, Norbert: British Figurative Art: Part Two: Sculpture (catalogue), Flowers East, London
Groom, Nick (essay): Richard Wentworth's Thinking Aloud (catalogue), Hayward Gallery Publishing, London
1999
Packer, William: 'A personal sifting of curiosities', The Financial Times, 13 April, p.18
'Expo: Flanagans hazen', Tijd Cultuur, 16 June
'La Liberté Cocasse du Lièvre', MAD - Le Soir, 23 June
C.L.: 'Lièvres de Flanagan', La Libre Culture, 30 June
'Hufkens', Arts Antiques Auctions, 1 July, p.93
'Barry Flanagan', Park Mail Pocket, 1 July, p.57
'Sculpteur animalier', L'Echo, 2 July
'Summertime voor trendy Kunstkopers: Het jaar van de haas', Standaard, 7 July
'Concurrentie', Utrechts Nieuwsblad, 7 July
Lambrecht, Luk: 'Haasje-over', De Morgen, 9 July
Gilsoul, Guy: 'L'homme au lievre', Le Vif/L'Express, 16 July, p.78
Gillemon, Danièle: 'Des râbles en bronze qui valent de l'or', Mad, Le Soir, 4 August, p.35
2000
van Meeuwen, Arjan: 'Het Goede Populair', Lucas X, no.1
Booij, Bernadette: 'Centraal Museum is blij met Utrechts afdankertje', Volkskrant
Phillpot, Clive, Andrea Tarsia, Michael Archer and Rosetta Brooks: Live in Your Head: Concept and Experiment in Britain 1965-75 (catalogue), Whitechapel Art Gallery, London
Lubbock, Tom: 'It was the thought that counted', The Independent, 8 February, p13
Dorment, Richard: 'Idealists with big ideas', The Telegraph, 9 February, p23
Wilson, Andrew: 'Everything and Nothing', Art Monthly, no.234, March, pp.1-5
Karrenberg, Dr. Peter.: 'Het uitzicht bevalt niet', Financieel Dagblad, 18 March
van de Poel, Philip: 'Beeldenstorm teistert Utrecht', Volkskrant, 20 March
Hendriks, Tommie: 'Wezensvreemde aankleding van de Neude', Utrechts Nieuwsblad, Brieven, April
Russell Taylor, John: 'Around the galleries: Ubu in UK', The Times, 9 August
Feldman, Melissa E. and Maurice Berger (essays): Artworkers (catalogue), Oriel Mostyn Gallery, Llandudno, and Newlyn Art Gallery, Penzance
Stork, Helena and Bert Jansen: Beeld in Beeld / The Images of Sculpture, United Services Group, The Netherlands
Elliott, Ann and Tim Marlow: Sculpture at Goodwood: British Contemporary Sculpture, Goodwood, West Sussex
Kahane, M. and E. Näslund: Nijinsky (catalogue), Musée d'Orsay, Paris, Édition de la Réunion des musées nationaux
2001
Gussin, Graham and Ele Carpenter: Nothing (catalogue) Northern Gallery for Contemporary Art, Sunderland
Lampert, Catherine and Andrea Tarsia: The Whitechapel Art Gallery Centenary Review, Whitechapel Art Gallery, London
Rose, Andrea: Field Day – Sculpture from Britain, Taipei Fine Arts, Taipei
Summer Exhibition 2001: List of Works, Royal Academy, London
'Utrechters keizen beeld op de Neude', Utrechts Nieuwsblad, 12 July
van Voorthuijsen, Anka: 'Haas, balk, of vrouw met groot hoofd', Utrechts Nieuwsblad, 13 July
Huisman, Charlotte: 'Nieuw beeld kost 9 ton', Utrechts Nieuwsblad, 31 October
Boevink, Wim: 'Een haas, een vrouw, of aluminium balken', TROUW, 15 November
van Voorthuijsen, Anka: 'Stadspeiling beeldende kunst 'gemiste kans', Utrechts Nieuwsblad, 7 November
Figee, Thea: 'Een symbol van de onthaasting', Utrechts Nieuwsblad, 17 November
Hoekveen, Karin: 'Wensen van inwoners genegeerd', Stadsblad, 21 November
Hendriks, Tommie: 'Hazenbedrog', Utrechts Nieuwsblad, Brieven,3 December
Van de Poel, Philip: 'Denkende haas gaat Utrechts Neude sieren' De Volkskrant, 17 December
Schriemer, Renske: 'Utrecht kiest massaal voor haas', Metro, 17 December
van Voorthuijsen, Anka: 'Stadspeiling beeld Neude groot succes', Utrechts Nieuwsblad, 17 December
'Beeld De Haas komt na stadspeiling op de Neude', Utrechts Nieuwsblad, 17 December
'Peinzende haas van Flanagan wint in Utrecht', TROUW, 17 December
Versteeg, Annemieke: 'Haas wint stadspeiling' Stadsblad, 19 December
'Utrecht kiest voor haas op Neude', Ons Utrecht, 19 December
'Utrecht krijgt haas op Neude', Algemeen Dagblad, 17 December
ampert, Catherine and Andrea Tarsia: The Whitechapel Art Gallery Centenary Review, Whitechapel Art Gallery, London
Gussin, Graham and Ele Carpenter: Nothing, August and Northern Gallery for Contemporary Art, Sunderland
Thornton, Nicholas (introduction): Breaking the Mould: 20th Century British Sculpture from Tate (catalogue), Norwich Castle Museum and Art Gallery, Norwich
Tosatto, Guy (preface): Carre d'art: Musee d'art contemporain de Nimes: Guid
Download this as a PDF (187 K)