Barry Flanagan

BARRY FLANAGAN Artist Bio

BARRY FLANAGAN

BIOGRAPHY

1941 Born in Prestatyn, North Wales, 11 January

1957 Studied at Birmingham College of Art and Crafts
-58

1963 Married Sue Lewis, student at Old Vic Theatre School
Lived in Cambridge, Gloucestershire, where, as resident of the county, given grant to go to St. Martin's School of Art, London

1964 Studied at St. Martin's School of Art, London. Modelled for life drawing classes
-66

1965 Daughter, Samantha, born

1966 Left St Martin's School of Art with Vocational Diploma in Sculpture (Hons)
Participated with Yoko Ono and Tony Cox in 'Destruction in Art Symposium', organised by Gustav Metzger and John Sharkey at Africa Centre, Covent Garden
First solo exhibition, Rowan Gallery, London

1967 Daughter, Tara, born
Given Menashe Kadishman's teaching day at Central School of Art and Crafts during his absence in Israel

1967 Taught at St. Martin's School of Art and at Central School of Art and Crafts, London
-71

1969 First bronze work, a portrait of Emlyn Lewis, cast by Abercrombie at Central School
of Art and Crafts foundry
First visit to New York for exhibition at Fishbach Gallery
'aaing j gni aa' purchased by Tate Gallery, London
Included in ‘Land Art’, Gerry Schum’s Video Gallery exhibition at Fernsehagaleriem, Berlin with the film, ‘A Hole in the Sea’

1970 First visit to Japan for 'Between Man and Matter' exhibition
First etchings produced at St. Martin's School of Art, London

1971 Contributed a film made with Alan Seckers to John and Barbara Latham's Artists
Placement Group presentation, 'INNO 70', at the Hayward Gallery, London

1972 Gulbenkian Foundation grant to work with dance group, Strider, in London;
choreographed two pieces

1973 Went to Pietrasanta to undertake commission from Stewart Mason; started carving again
at Balderi's Yard

1974 Brief tutoring with potter Ann Stokes

1975 Left London for Northamptonshire; produced group of ceramics and carved local stone
Resigned from Rowan Gallery

1976 Returned to London
Became associated with Waddington and Tooth Galleries, London

1977 Retrospective exhibition, Van Abbemuseum, Eindhoven, The Netherlands; toured in
different format to Arnolfini Gallery, Bristol and Serpentine Gallery, London
Produced first sheet metal pieces

1978 Imported three ton stock of stone selected by Sem Ghelardini from his yard in Pietrasanta
Made large metal piece at Brown and Tawse in East London; subsequently purchased by Ulster Museum, Belfast

1979 Began bronze casting in London at A & A Sculpture Casting
First 'Leaping Hare' cast, 7 November

1980 First exhibition of bronzes; solo exhibition at Galerie Durand-Dessert, Paris
First solo exhibition at Waddington Galleries, London
Commissioned by City of Ghent to produce outdoor sculpture in steel for Sint Pietersplein, Ghent, Belgium
Begins studies for life-size bronze horse "in tribute to the Horses of San Marco"
Sculpture 'Camdonian' commissioned by Camden Borough Council for Lincoln's Inn Fields, London

1981 Produced first carvings in Sem Ghelardini's atelier, Pietrasanta
Study visit to Washington D.C. to see Rodin exhibition at National Gallery of Art

1982 Photographed by Lord Snowdon for Vogue Magazine
Represented Britain at Venice Biennale; exhibition of stone and bronze sculptures 1973-1981 in the British Pavilion, organised by The British Council
Donated group of ceramic sculptures to public auction organised for Amnesty International, 25 November

1983 Interviewed by Melvyn Bragg for South Bank Show, London Weekend Television, 23
January
Helped select sculpture in Oxford Schools Project
Made weathervane for the building Alan Sutton designed to house Tate Gallery exhibition 'Making Sculpture'
Produced illustrated broadsheet presenting Seamus Heaney's translation of 'The Name of the Hare'
'Harebell on Portland Stone Piers' purchased by Virginia Museum of Fine Arts, Richmond

1984 Participated in Liverpool International Garden Festival
Marble sculptures installed at Watlington Park, Oxfordshire
Two bronze sculptures, 'Baby Elephant' and 'Hare on Bell', installed at Equitable Life Tower West, New York
'Nine Foot Hare' bronze sculpture installed in atrium of Victoria Plaza, London
'Baby Elephant' purchased by Art Institute of Chicago
'Horse and Cougar' installed in the grounds of Setagaya Museum, Tokyo

1985 Helped judge Bath Sculpture Competition

1986 Son, Alfred, born to Renate Widmann
Bronze sculpture 'The Boxing Ones' installed at Capability Green, Luton Hoo Estate, Bedfordshire

1987 Moved to Ibiza with Renate Widmann
Elected Associate of the Royal Academy of Arts, London
Bronze sculpture 'Kouros Horse' installed at Hasbro Bradley, Stockley Park, Uxbridge (now known as 'Field Day I')
'Large Boxing Hare on Anvil' purchased by Baltimore Museum of Art

1988 Daughter, Annabelle, born to Renate Widmann
'Bronze Horse' purchased by UBS, Broadgate
'Leaping Hare on a Crescent and Bell' installed at The Broadgate Centre, London

1989 Set up Copperfield Studio, London with Flan Flanagan and nephew Barry Edward
'Vizitor' commissioned for Les Halles, Paris
Participated in Self-Portrait, Channel 4 documentary, 27 August

1990 Two bronze 'Leaping Hare' sculptures commissioned by Kawakyu Company, Osaka, for
main entrance to hotel on Japanese coast
'The Sculler', a hare trophy based on Rodin's 'The Thinker' presented by artist to Jesus College Boat Club, Cambridge
Invited to create specific work - 'Stage Door Johnny' - for refurbishment of The Ivy restaurant, London

1991 'The Bowler' purchased by Centre Européen d'Actions Artistiques Contemporaines,
Strasbourg
Elected to the Royal Academy of Arts, London and received an OBE

1992 Group of hare sculptures placed outside Business Design Centre, Islington for 'Art '92'
Visited Llorens Artigas Foundation (for Ceramics), Gallifa, Spain
'Kouros Horse' donated to Town Council of Santa Eulalia, Ibiza
'The Cricketer' temporarily installed outside The British Council's new Head Offices, Manchester
'Untitled' 1990 purchased by Israel Museum, Jerusalem
'Hare on Pyramid' purchased by Museo de Arte Contemporaneo de Caracas

1993 'Small Nijinski Hare' purchased by National Museum of Wales, Cardiff

1993 Major retrospective exhibition organised by Fundación 'la Caixa', Madrid in collaboration
-94 with The British Council; touring to Musée des Beaux-Arts, Nantes

1995 'Large Mirror Nijinski' purchased by The British Council, Madrid

1995 Exhibition on Park Avenue, 54th to 59th Street, New York; organized by The Avenue
-96 Association and The British Council in cooperation with Waddington Galleries, London

1996 'Untitled' 1990 donated to Chelsea Arts Club, London
'Horse, Mirrored' donated to Hugh Lane Municipal Gallery, Dublin
'The Cricketer' 1989 donated to Jesus College, Cambridge
Exhibition in Grant Park, Chicago; organized by Richard Gray Gallery, Chicago, in cooperation with the City of Chicago Department of Cultural Affairs and the Chicago Park District

2000 Exhibition of works in the Tate Collection, Tate Gallery, Liverpool

2001 Represented in Field Day: Sculpture from Britain, organized by The Taipei Fine Arts
Museum and The British Council
Barry Flanagan, Seeing Round Corners opens at Waddington Galleries, London

2002 Major retrospective exhibition opens at Kunsthalle Recklinghausen, Germany; touring to
-03 Musée d’Art Moderne et d’Art Contemporain, Nice

2004 Barry Flanagan, Linear Sculptures in Bronze and Stone Carvings opens at Waddington
Galleries, London

2005 'mini-retrospective' opens at the Stedelijk Museum voor Actuele Kunst (S.M.A.K.) in Gent

2006 Large survey exhibition at the Irish Museum of Modern Art, Dublin opens in June along
with an installation of ten large scale sculptures on O'Connell Street and Parnell Square in
Dublin, organized by Dublin City Gallery The Hugh Lane
A copy of 'Drummer' 1996 is installed at Chatsworth House, Derbyshire
Featured in 'Rodin: The Sculptors' View' directed by Jake Auerbach

2007 'Left-Handed Drummer' installed at the south-east corner of Union Square, New York to
coincide with his solo exhibition at Paul Kasmin Gallery
Made an Honorary fellow of Jesus College, Cambridge

2009 ‘Large Mirror Nijinski’ 1992 installed outside the British Council offices, Spring Street,
London
‘Bronze Horse’ 1983 donated to Jesus College, Cambridge
Dies 31 August, Ibiza

SOLO EXHIBITIONS

1966 Rowan Gallery, London

1968 Galleria Dell'Ariete, Milan
Galerie Ricke, Kassel, Germany
Galleria Christian Stein, Turin
Rowan Gallery, London

1969 Barry Flanagan: Object Sculptures, Museum Haus Lange, Krefeld, Germany
Fischbach Gallery, New York

1970 Rowan Gallery, London

1971 Galleria del Leone, Venice
Rowan Gallery, London

1972 Rowan Gallery, London

1973 Rowan Gallery, London

1974 Museum of Modern Art, New York
Bluecoat Gallery, Liverpool
Galleria Dell'Ariete, Milan
Museum of Modern Art, Oxford
Rowan Gallery, London

1975 Hogarth Galleries, Sydney
Art and Project, Amsterdam

1976 Hester van Royen Gallery, London
Centro de Arte y Communicacion, Buenos Aires

1977 Art and Project, Amsterdam
Apeldoorn Museum, Holland
Hester van Royen Gallery, London

1977 Barry Flanagan: Sculpture 1966-1976, Van Abbemuseum, Eindhoven, The Netherlands
-79 touring to Arnolfini Gallery, Bristol; Serpentine Gallery, London

1979 Art and Project, Amsterdam

1980 Galerie Durand-Dessert, Paris
Barry Flanagan: Sculptures in stone 1973-1979, Waddington Galleries, London
New 57 Gallery, Edinburgh

1981 Waddington Galleries, London

1981 Mostyn Art Gallery, Llandudno, Wales; touring to Southampton City Art Gallery; Institute of
-82 Contemporary Arts, London (prints and drawings)

1982 Galerie Durand-Dessert, Paris

1982 XL Biennale di Venezia, British Pavilion; touring to Museum Haus Esters, Krefeld,
-83 Germany; Whitechapel Art Gallery, London

1983 Centre Georges Pompidou, Paris
Waddington Galleries, London
The Pace Gallery, New York
Centro d'Arte Contemporanea, Syracuse, Italy; touring to Certosa di San Giacomo, Capri (prints and drawings)

1984 Galerie Karsten Greve, Cologne
Waddington Graphics, London

1985 Richard Gray Gallery, Chicago
Waddington Galleries, London
Fuji Television Gallery, Tokyo

1986 Barry Flanagan: prints 1970-1983, The Tate Gallery, London

1987 Laing Art Gallery, Newcastle-upon-Tyne; touring to Museum of Contemporary Art,
-88 Belgrade; City Gallery, Zagreb; Museum of Modern Art, Ljubljana, Slovenia

1988 Galerie Durand-Dessert, Paris

1990 Waddington Galleries and The Economist Plaza, London
The Pace Gallery, New York

1991 Fuji Television Gallery, Tokyo

1992 Galerie Durand-Dessert, Paris
The Names of the Hare: Large bronzes by Barry Flanagan: 1983-1990, Yorkshire Sculpture Park, Wakefield
Galerie Eric van de Weghe, Brussels
Landau Fine Art, Montreal

1993 Fundación 'la Caixa', Madrid; touring to Musée des Beaux-Arts, Nantes (retrospective)
-94

1994 The Pace Gallery, New York
Galerie Hans Mayer, Dusseldorf
Waddington Galleries, London
Richard Gray Gallery, Chicago

1995 Royal Hibernian Academy, Gallagher Gallery, Dublin
Galerie Thaddaeus Ropac, Salzburg
University of Iowa Museum of Art, Iowa City

1995 Barry Flanagan on Park Avenue, 54th to 59th Street, New York; organised by The Avenue
-96 Association and The British Council in cooperation with Waddington Galleries, London

1996 Barry Flanagan: Sculpture in Grant Park, Chicago; organised by Richard Gray Gallery,
Chicago in cooperation with the City of Chicago Department of Cultural Affairs and the
Chicago Park District
Galerie Durand-Dessert, Paris
Galleria Karsten Greve, Milan

1997 Centre Cultural Tecla Sala, Barcelona
Galerie Hans Mayer, Dusseldorf
Barry Flanagan: Bronzes, Dibuixos i Gravats, Edicions T Galeria D'Art, Barcelona

1998 Richard Gray Gallery, Chicago
Galerie Thaddaeus Ropac, Salzburg
Galerie von Bartha, Basel
Barry Flanagan, Art et 'Pataphysique', Crestet Centre d'Art, Valréas, France
Waddington Galleries and The Economist Plaza, London

1999 Galerie Xavier Hufkens, Brussels

2000 Tate Gallery, Liverpool

2001 Waddington Galleries, London

2002 Galerie Thaddaeus Ropac, Salzburg
Kunstausstellung der Ruhrfestspiele Recklinghausen, Germany; touring to Musée d'Art Moderne et d'Art Contemporain, Nice

2003 Narborough Hall, Norfolk

2004 Galerie Lelong, Paris
Waddington Galleries, London
Paul Kasmin Gallery, New York

2004 Stedelijk Museum voor Actuele Kunst, Gent
-05

2006 Irish Museum of Modern Art, Dublin in collaboration with Dublin City Gallery The Hugh Lane along with an installation of ten large scale sculptures on O'Connell Street and Parnell Square, Dublin

2007 Paul Kasmin Gallery, New York
Wetterling Gallery, Stockholm
Kunstraum Deutsche Bank, Salzburg, organised by Galerie Thaddaeus Ropac, Salzburg

2008 Vero Beach Museum of Art, Vero Beach, Florida
Waddington Galleries, London

2009 Paul Kasmin (Park Avenue Armory), New York
Barry Flanagan: Hare Coursed, New Art Centre, Roche Court, Salisbury, Wiltshire

2010 Barry Flanagan: Works 1966-2008, Waddington Galleries, London

2011 Barry Flanagan Works from 1964 - 1982, Tate Britain


SELECTED GROUP EXHIBITIONS

1965 London Group, R.B.A .Galleries, London
Between Poetry and Painting, Institute of Contemporary Arts, London
Three Painters and Two Sculptors, R.B.S.A. Gallery, Birmingham

1966 Bangor Art Gallery (with John Latham)
Young Contemporaries, RBA Galleries, London
An exhibition of concrete/spatial poetry, Midland Group Gallery, Nottingham
Arlington: An International Exhibition of Concrete Poetry, Arlington Mill, Bibury, Gloucestershire
New Dimensions, Camden Arts Centre, London
Group H, Drian Gallery, London
Winter Exhibition, Rowan Gallery, London

1967 5e Biennale des Jeunes, Paris
Tokyo Biennale, Tokyo Metropolitan Art Gallery; touring
Ventures, Arts Council Gallery, Cambridge; touring to Art Gallery, Oldham; New Metropole Arts Centre, Folkestone; Museum of Modern Art, Oxford; City Art Gallery, Birmingham; Round Tower, Portsmouth
British Drawing Today, Brighton Arts Festival
29 Artists pay homage to Robert Fraser, Robert Fraser Gallery, London
Premiere Inventaire Internationale de la Poesie Elementaire, Galerie Denis Davy, Paris
Sculpture in a Civic Setting, Camden Arts Centre, London
19:45-21:55, September 9th 1967, Galerie Dorothea Loehr, Frankfurt-am-Main

1967 British Drawings: The New Generation, organised by the Museum of Modern Art, New
-69 York; State University College, Oswego, New York; Wells College, Aurora, New York;
Phillips Collection, Washington D.C.; Municipal University of Omaha, Nebraska;
Moorhead State College, Minnesota; State University of New York, Albany; University of
Manitoba, Winnipeg; Saint Cloud State College, Minnesota; Edinboro State College,
Pennsylvania; Kresge Art Center, Michigan State University, East Lansing; University of
Georgia Museum of Art, Athens; State University College, Brockport, New York

1968 Summer Exhibition, Rowan Gallery, London
Kunstmarkt, Galerie Ricke, Cologne

1968 British Artists: Six Painters, Six Sculptors, organised by the Museum of Modern Art, New
-69 York; State University of New York, Albany; Munson-Williams Proctor Institute, Utica;
Herron Museum of Art, Indianapolis; University of Texas Art Museum, Austin; Colorado
Springs Fine Arts Center; High Museum of Art, Atlanta; University of South Florida,
Tampa; Krannert Art Museum, University of Illinois, Champaign; Hopkins Center,
Dartmouth College, Hanover; Rose Art Museum, Brandeis University, Waltham,
Massachusetts

1969 Nine Young Artists: Theodoron Awards, Solomon R. Guggenheim Museum, New York
Land Art, Fernsehagaleriem, Berlin
Six At The Hayward, Hayward Gallery, London
Art in Process IV, Finch College Museum of Art, New York
John Moores Liverpool Exhibition 7, Walker Art Gallery, Liverpool
Op losse Schroeven, Stedelijk Museum, Amsterdam
When Attitudes Become Form, Kunsthalle, Bern; touring to Kaiser Wilhelm Museum, Krefeld, Germany; Institute of Contemporary Arts, London
One Month, Seth Siegelaub, New York
Camden Arts Centre

1970 British Sculpture out of the Sixties, Institute of Contemporary Arts, London
Contemporary British Art, Museum of Modern Art, Tokyo
Drawings and Projects of 16 British Sculptors, organised by CAYC, Bonino Gallery, Buenos Aires
British Art, Museum of Modern Art, New York; touring
Christo, Barry Flanagan, Centro de Arte y Communicacion, Buenos Aires
Tenth International Art Exhibition of Japan - Between Man and Matter (Tokyo Biennale), Tokyo Metropolitan Art Gallery; touring
Some Recent Art in Britain, Leeds City Art Gallery
Rope and String, Sidney Janis Gallery, New York
New Materials, Trinity College, Austin, Texas
Information, Museum of Modern Art, New York

1971 British Avant-Garde, New York Cultural Center, New York
Wall Show, Lisson Gallery, London
Art Spectrum London, Alexandra Palace, London
INNO 70, A.P.G. Show, Hayward Gallery, London
XI Sao Paulo Bienal. Road Show: Nova Enquete Inglese, Sao Paulo, Brazil

1971 Eight Individuals: Sculpture and drawings chosen by Bryan Robertson for the Arts Council
-72 Collection, Derby Museum and Art Gallery; touring to Southampton; Folkestone;
Billingham; Sheffield

1972 Burleighfield Printing House at the New Arts Centre, New Arts Centre, London
The New Art, Hayward Gallery, London
Drawing, Museum of Modern Art, Oxford
Contemporary Prints, Ulster Museum, Belfast
British Festival of Art, British Council exhibition, Henie-Onstad Foundation, Hovikodden, Norway
Arte de Sistemas, organised by CAYC, Buenos Aires as part of III Bienal de Art Coltejer, Medellin, Colombia
Styvestant City Sculpture, Laundress Green, Cambridge

1973 Graphics, Rowan Gallery, London
Gallery Artists, Rowan Gallery, London
Henry Moore to Gilbert & George - Modern Art from The Tate Gallery, Palais des Beaux-Arts, Brussels
11 englische Zeichner, British Council exhibition, Staatliche Kunsthalle, Baden-Baden; touring to Kunsthalle Bremen

1974 Tables, Garage Art Ltd., London
Within the Decade, Solomon R. Guggenheim Museum, New York
Critic's Choice, selected by Marina Vaizey, Arthur Tooth & Sons, London
Graveurs Anglais Contemporains, Musée d'Art et d'Histoire, Cabinet des Estampes, Geneva
British Sculptors - Attitudes to Drawing, Ceolfrith Gallery, Sunderland Arts Centre
Graphics, Rowan Gallery, London
Christmas Show, Compass Gallery, Glasgow
Bob Cobbing and Writers Forum Retrospective Exhibition, Ceolfrith Gallery, Sunderland Arts Centre
Sculpture Now: Dissolution or Redefinition?, Royal College of Art, London

1974 Developments, Arts Council exhibition; touring
-77

1975 CAS Art Fair, Mall Galleries, London
British Sculpture and Objects, Kinsman-Morrison Gallery, London
Britanniasta 75, Helsingin Taidehalli, Helsinki; touring to Alvar Aalto-Museo, Jyvaskyla; Tampereen Taidemuseo, Tampere
British Exhibition, Art 6 '75 Basel, Schweizer Mustermesse, Basel
Gallery Artists, Rowan Gallery, London
XII Bienal de Sao Paulo: Contemporary British drawings, Parque Ibirapuera, Sao Paulo, Brazil
Sculpture, Robert Self Gallery, Newcastle-upon-Tyne; touring to Billingham Art Gallery

1975 9e Biennale des Jeunes, Paris and Nice
-76

1976 Arte Inglese Oggi, Palazzo Reale, Milan
Graphics '76 Britian, University of Kentucky Art Gallery, Lexington; touring USA

1977 Hayward Annual, Hayward Gallery, London
Silver Jubilee Contemporary British Sculpture Exhibition, Battersea Park, London
Tolly Cobbold/Eastern Arts First National Exhibition, Fitzwilliam Museum, Cambridge
Reflected Images, Kettle's Yard, Cambridge

1978 Made by Sculptors, Stedelijk Museum, Amsterdam
Critic's Choice, selected by John McEwen, Institute of Contemporary Arts, London

1979 J.P.2 Art Actuel en Belgique et en Grande-Bretagne, Palais des Beaux-Arts, Brussels
Contemporary Sculpture: Selections from the Collection of the Museum of Modern Art, Museum of Modern Art, New York
Sculptors' Drawings, The Minories, Colchester
Said with Feeling, Castle Museum, Nottingham
The Native Land, Mostyn Art Gallery, Llandudno

1980 Pier and Ocean, Hayward Gallery, London; touring to Kröller-Müller Museum, Otterlo, The
Netherlands
ROSC '80, University College, Dublin
Kunst na '68...In Europa, Museum van Hedendaagse Kunst, Ghent, Belgium
Europe '80, E.L.A.C., Lyon
Après le Classicism, Musée d'Art et d'Industrie, St. Etienne, France
Occasional Pieces, Kettle's Yard, Cambridge

1981 Groups IV, Waddington Galleries, London
Tolly Cobbold/Eastern Arts Third National Exhibition, Fitzwilliam Museum, Cambridge; touring to Christchurch Mansions, Ipswich; Castle Museum, Norwich; Institute of Contemporary Arts, London; Mappin Art Gallery, Sheffield
Royal Academy Summer Exhibition, Royal Academy of Arts, London
Art and Sea, Institute of Contemporary Arts, London; touring to Arnolfini Gallery, Bristol
Poets' Choice, Kettle's Yard, Cambridge
Sculpture for the Blind, Tate Gallery, London
A Mansion of Many Chambers: Beauty and other works, Arts Council exhibition; touring to Cartwright Hall, Bradford; Oldham Art Gallery; Gardner Centre Gallery, Brighton; The Minories, Colchester; Mappin Art Gallery, Sheffield; City Art Gallery, Worcester
British Sculpture in the Twentieth Century, Part II: Symbol and Imagination 1951-80, Whitechapel Art Gallery, London

1982 Aspects of British Art Today, Metropolitan Museum of Art, Tokyo; touring to Tochigi
refectural Museum of Fine Arts, Utsunomiya; National Museum of Art, Osaka; Fukuoka Art
Museum; Hokkaido Museum of Modern Art, Sapporo
British Drawings and Watercolours, China Art Gallery, Peking; touring to Shenyang; Hong Kong
Documenta 7, Kassel, Germany
Hayward Annual, Hayward Gallery, London
Zeitgeist, Martin-Gropius-Bau, Berlin
Arte Povera, Antiform, Musée d'Art Contemporain, Bordeaux
The Sculpture Walk, Great Linford Annual 1982
British Drawing, Hayward Gallery, London
Sculpture, Waddington Galleries, London

1982 Inner Worlds, selected by Paul Overy, E.M. Flint Gallery, Walsall; touring to Worcester
City
-83 Art Gallery; Poole Art Centre; Mansfield Museum and Art Gallery; Harris Museum and Art
Gallery, Preston; Wolverhampton Art Gallery; Quay Art Centre, Newport, Isle of Wight;
Gardner Centre, Brighton; Derby Art Gallery

1983 53-83: Three Decades of Artists from Inner London Art Schools, Royal Academy of Arts,
London
Constellazione, Galleria Giorgio Persano, Turin
New Art, Tate Gallery, London
ARS '83, Helsinki, Finland
Groups VI, Waddington Galleries, London
Wave Hill 1983: Bronze, Wave Hill, Bronx, New York

1983 Peter Moores Liverpool Project 7: As of Now, Walker Art Gallery, Liverpool

-84 FRAC Rhône-Alpes, Acquisitions 1983, Maison des Expositions, Genas; touring to
Nouveau Musée, Villeurbanne; Centre d'Arts Plastiques, Villefranche-sur-Saône, France
Drawing in Air: an exhibition of sculptors' drawings 1882-1982, Ceolfrith Gallery, Sunderland Arts Centre; touring to Glynn Vivian Art Gallery and Museum, Swansea; City Art Gallery and Henry Moore Study Centre, Leeds

1984 Liverpool International Garden Festival, Liverpool
An International Survey of Recent Painting and Sculpture, Museum of Modern Art, New York
1965-1972 - when attitudes became form, Kettle's Yard, Cambridge; touring to Fruitmarket Gallery, Edinburgh
Qu'est ce qu'un FRAC? 100 oeuvres de 75 artistes, Fondation Nationale des Arts Graphiques et Plastiques, Paris
Deux Regions en France: l'art international d'aujourd'hui, Palais des Beaux-Arts, Charleroi, Belgium

1984 The British Art Show: Old Allegiances and New Directions 1979-1984, City of Birmingham
-85 Museum and Art Gallery; touring to Royal Scottish Academy, Edinburgh; Mappin Art
Gallery, Sheffield; Southampton Art Gallery

1985 Horses, Nicola Jacobs Gallery, London
Dialogue, Moderna Museet, Stockholm
Carnegie International, Carnegie Institute, Pittsburgh
Questions about Sculpture, Bolton Art Gallery
Three Decades of Contemporary Art: The Sixties, Annely Juda Fine Art/Juda Rowan Gallery, London
Beyond Appearances: Sculpture for the visually handicapped and sighted to share, Castle Museum, Nottingham; touring to Milton Keynes Exhibition Gallery; Wolverhampton Art Gallery; Camarthen Museum; Oriel Theatre, Clwyd; Cooper Gallery, Barnsley
Sculptural Alternatives, Tate Gallery, London
Theme Music, Pietrasanta Fine Arts, New York

1985 The British Show, Art Gallery of Western Australia, Perth; touring to Art Gallery of New
-86 South Wales, Sydney; Queensland Art Gallery, Brisbane; Royal Exhibition Hall,
Melbourne; National Art Gallery, Wellington, New Zealand
20 Oeuvres de la collection Rhône-Alpes, Centre d'Art Contemporain, Geneva
Sculptures du FRAC Rhône-Alpes, Musée Sainte-Croix, Poitiers; touring to Centre Culturel Theo Argence, Saint Priest; Musée Joseph Dechelette, Roanne
Royal Academy Summer Exhibition, Royal Academy of Arts, London
One City a Patron, Collins Gallery, Strathclyde University, Glasgow; touring to Dundee Art Gallery; Perth Museum and Art Gallery; Maclaurin Art Gallery, Ayr; City of Edinburgh Art Centre
Carnegie International, Carnegie Institute, Pittsburgh
Sculpture, Fondation Cartier Musée, Jouy-en-Josas, France

1986 Between Object and Image: Contemporary British Sculpture, Palacio de Velázquez,
Madrid; touring to Fundacio Caixa de Pensions, Barcelona; Museo de Bellos Artes, Bilbao
Naivety in Art, Setagaya Art Museum, Tokyo; touring to Tochigi Prefectural Museum of Fine Art
Royal Academy Summer Exhibition, Royal Academy of Arts, London
Falls the Shadow: Recent British and European Art - Hayward Annual 1986, Hayward Gallery, London
Robin Campbell: 1912-1985, Commemorative Exhibition, Smith's Galleries, London
Sonsbeek 86: International Sculpture Exhibition, Arnhem, The Netherlands
Some Famous Sons and Daughters, Rhyl Library Museum and Arts Centre, Rhyl, Clwyd, Wales
Europe/Amerika, Museum Ludwig, Cologne
Little and Large, Waddington Galleries, London
Sculpture and Works in Relief, John Berggruen Gallery, San Francisco
Du Petit, Bibliothèque Municipale, Givors, France
Uno Sguardo, un regard de Bruno Cora sur les oeuvres du FRAC Rhône-Alpes, CNAC, Grenoble, France

1986 11 European Sculptors, Europalia 1986, Ospedale degli Innocenti, Florence
-87 Contrariwise: Surrealism and Britain 1930-1986, Glynn Vivian Art Gallery, Swansea;
touring to Victoria Art Gallery, Bath; Polytechnic Gallery, Newcastle-upon-Tyne; Mostyn
Art Gallery, Llandudno, Wales

1987 British Art in the Twentieth Century: The Modern Movement, Royal Academy of Arts,
London; touring to Staatsgalerie, Stuttgart
Current Affairs: British Painting and Sculpture in the 1980s, Museum of Modern Art, Oxford; touring to Mucsarnok, Budapest; Narodni Galerie, Prague; Zacheta, Warsaw
Revelation for the Hands, Leeds City Art Gallery; touring to Mead Gallery, University of Warwick Arts Centre, Coventry
A Century of Modern Sculpture, Dallas Museum of Art
L'époque, la mode, la morale, la passion: Aspects d'art d'aujourd'hui 1977-1987, Centre Georges Pompidou, Paris
The Call of the Wild: Animal Themes in Contemporary Art, Museum of Art, Rhode Island School of Design, Providence, Rhode Island
Royal Academy Summer Exhibition, Royal Academy of Arts, London
Sculture di Passaggio '87, Villa Schiff-Giorgini, Montignoso, Italy
Century 87: Today's Art Face to Face with Amsterdam's Past, Beghijnhof Square, Amsterdam
The Vessel, Serpentine Gallery, London
Scultura 2e Edizione, Salone delle Terme, Acqui Terme, Italy
2D/3D - Art and Craft Designed for the Twentieth Century, Laing Art Gallery, Newcastle-upon-Tyne; touring to Northern Centre for Contemporary Art, Sunderland

1987 The Quiet Revolution: British Sculpture Since 1965, Museum of Contemporary Art,
-88 Chicago; touring to San Francisco Museum of Modern Art; Newport Harbor Art Museum,
Newport Beach, California; Hirshhorn Museum and Sculpture Garden, Washington DC;
Albright-Knox Art Gallery, Buffalo, New York
'The Self-Portrait: A Modern View', Artsite Gallery, Bath; touring to Durham Museum and Art Gallery; Ferens Art Gallery, Hull; Stoke-on-Trent City Museum and Art Gallery; Collins Gallery, Glasgow; Hatton Gallery, Newcastle-upon-Tyne; Glynn Vivian Art Gallery, Swansea; Graves Art Gallery, Sheffield; Fischer Fine Art, London; Mostyn Art Gallery, Llandudno, Wales
Fifty Years of Collecting, Solomon R. Guggenheim Museum, New York
Biennale de Gravure, Musée d'Art Moderne, Liège, Belgium
Standing Sculpture, Castello di Rivoli, Museo d'Arte Contemporanea, Turin
A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection, Dallas Museum of Art; touring to National Gallery of Art, Washington DC

1988 Royal Academy Summer Exhibition, Royal Academy of Arts, London
Starlit Waters: British Sculpture, An International Art 1968-1988, Tate Gallery, Liverpool
Sculpture in the Close, Jesus College, Cambridge
Out of Clay, City Art Gallery, Manchester
Scultura - Carving from Carrara, Massa and Pietrasanta, Yorkshire Sculpture Park, Wakefield
1988, The World of Art Today, Milwaukee Art Museum, Wisconsin
Sculpture, Waddington Galleries, London
Britannica: Trente Ans de Sculpture, Musée des Beaux-Arts, Le Havre; touring to Musée de l'Evêché, Evreux; Ecole d'Architecture de Normandie, Rouen; Museum Van Hedendaagse Kunst, Antwerp (here re-titled 'British Sculpture 1960-1988'); Centre Régional d'Art Contemporain, Toulouse

1988 Natures Mortes, Galerie Durand-Dessert, Paris
-89 Les Chants de Maldoror (Lautreamont), Galerie Durand-Dessert, Paris
Art Kites, Miyagi Museum of Art, Japan; touring to Mie Prefectural Art Museum; Museum of Modern Art, Shiga; Himeji Museum of Art; Museum of Modern Art, Gunma; Shizuoka Prefectural Museum of Art; Museum of Modern Art, Nagoya; Hiroshima Museum of Modern Art

1989 Public Art Works, Goldsmith's Gallery, London
Mote i Nord, Kunstnernes Hus, Oslo
Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Frejus, Southern France
Twentieth Century Works, Waddington Galleries, London
Royal Academy Summer Exhibition, Royal Academy of Arts, London
Sun, Moon & Stars, Trelissick Gallery, Cornwall
Sculpteurs Anglais du XXe Siècle, Artcurial, Paris

1989 Art Kites, Haus der Kunst, Munich; Grande Halle de la Villette, Paris; Kunstsammlung
-91 Nordrheinwestfalen, Dusseldorf; Central Art Museum, Moscow; Deichtorhalle Hamburg;
Gulbenkian Foundation, Lisbon; Musée des Beaux-Arts, Brussels; Nationalgalerie, Berlin

1990 Glasgow's Great British Art Exhibition, McLellan Galleries, Glasgow
Royal Academy Summer Exhibition, Royal Academy of Arts, London
Art Conceptuel Formes Conceptuelles, Galerie de Poche & Galerie 1900/2000, Paris

1990 For a Wider World: Sixty Works in the British Council Collection, British Council exhibition,
-91 Ukrainian National Museum, Kiev

1991 British Art from 1930, Waddington Galleries, London
Royal Academy Summer Exhibition, Royal Academy of Arts, London
The Pace Gallery, New York
Sculpture by the Spire/Salisbury Festival, Salisbury Cathedral Close and Courcoux & Courcoux Gallery, Salisbury
IIIème Biennale de Sculpture Montecarlo, in collaboration with Marisa del Re Gallery, Monaco
The 2nd Green Contemporary Art Sale, Smith's Galleries, London
The Discerning Eye, Mall Galleries, London

1991 From Art to Archaeology, South Bank Centre exhibition; touring to Towner Art Gallery,
-92 Eastbourne; Victoria Art Gallery, Bath; Tullie House, Carlisle; Mead Gallery, University of
Warwick Arts Centre, Coventry

1992 Art '92 Waddington Galleries stand and outside the Business Design Centre, Islington,
London
Roche Court Sculpture Garden, Wiltshire
Sculpture, Waddington Galleries, London
Musée de Cambrai, France; touring to Tourcoing; Calais; Dunkerque; Arras
A Carnival of Animals, Central Milton Keynes Shopping Centre
Millfield British 20th Century Sculpture exhibition, Millfield School, Street
Barry Flanagan and Marcel Floris, Museo de Arte Contemporáneo de Ibiza; touring to Sala de Cultura, Sa Nostra, Palma

1993 Gravity and Grace; the changing condition of sculpture, Hayward Gallery, London
IVème Biennale de Sculpture Montecarlo, in collaboration with Marisa del Re Gallery, Monaco
Out of Sight, Out of Mind, Lisson Gallery, London
Royal Academy Summer Exhibition, Royal Academy of Arts, London
Art in the City, Barbican Sculpture Trail, London

1993 Works from the Collection, Yorkshire Sculpture Park, Wakefield
-94

1994 Biennale Skulptuur '94, Amsterdam

1995 Wasser & Wein: Zwei Dinge des Lebens, Kunsthalle Krems, Austria
Here and Now, Serpentine Gallery, London
Of the Human Form, Waddington Galleries, London
Revolution: Art of the Sixties from Warhol to Beuys, Museum of Contemporary Art, Tokyo

1995 Feminin-Masculin, Centre Georges Pompidou, Paris
-96

1996 un siècle de sculpture anglaise, galerie nationale du Jeu de Paume, Paris
Summer Exhibition, Royal Academy of Arts, London
Sculpture in the Close, Jesus College, Cambridge
Made New, City Racing, London (curated by Andrew Wilson)

1997 Treasure Island, Calouste Gulbenkian Foundation, Lisbon
Barely Made, Norwich Gallery, Norwich School of Art and Design (curated by Jacqueline Poncelet)
1997 RHA Annual Exhibition, Royal Hibernian Academy, Dublin
Surrealism and After: The Gabrielle Keiller Collection, Scottish National Gallery of Modern Art, Edinburgh
KölnSkulptur 1, Skulpturenpark Köln, Gesellschaft der Freunde des Skulpturenparks Köln, Cologne

1998 Dix ans de commandes publiques, Centre Européen d'Actions Artistiques
Contemporaines, Strasbourg
New Displays: Epstein, Moore, Hepworth, Caro and Flanagan, Duveen Galleries, Tate Gallery, London
British Figurative Art: Part Two: Sculpture, Flowers East, London
Up to 2000, Southampton City Art Gallery
Colony Room Club 50th Anniversary Art Exhibition, A22 Projects, London

1998 Thinking Aloud, curated by Richard Wentworth, Kettle's Yard, Cambridge; touring to
-99 Cornerhouse, Manchester; Camden Arts Centre, London

1999 RHA Annual Exhibition, Royal Hibernian Academy, Dublin
Pierwalk Exhibition, Navy Pier, Chicago
Sculpture at Kells, Kells Priory, County Kilkenny, Ireland
Les Champs de la Sculpture 2000, Champs-Elysées, Paris; organized by Les Musées de la Ville de Paris
Das Tier in der Zeitgenössischen Kunst, Tierschutz verlag Zürich, Zurich
Intervention, Essl Museum, Vienna

2000 Artworkers, Newlyn Art Gallery; touring to Oriel Mostyn Gallery, Llandudno; Ferens Art
Gallery, Hull
Live in Your Head: Concept and Experiment in Britain 1965-75, Whitechapel Art Gallery,
London
Royal Academy Summer Exhibition, Royal Academy, London
UBU in UK, Mayor Gallery, London
Almost Warm and Fuzzy: Childhood and Contemporary Art, Des Moines Art Center, des Moines, Iowa; touring to Tacoma Art Museum, Tacoma; Scottsdale Museum of Contemporary Art, Scottsdale; P.S.1 Contemporary Art Center, Long Island City; Fundacio “la caixa”, Barcelona; Crocker Art Museum, Sacromento; Art Gallery at Hamilton, Ontario; Cleveland Center for Contemporary Art, Cleveland
Works in Space, Essl Museum, Vienna

2000 Nijinsky (1889–1950), Musée d’Orsay, Paris
-01

2001 FIELD DAY: Sculpture from Britain, organised in collaboration with The British Council,
Taipei Fine Arts Museum
Nothing, Northern Gallery for Contemporary Art, Sunderland; touring to Contemporary Art Centre, Vilnius, Lithuania; Rooseum, Centre for Contemporary Art, Malmö, Sweden
Summer Exhibition 2001, Royal Academy, London
The Whitechapel Centenary Exhibition, Whitechapel Art Gallery, London
Breaking the Mould: 20th Century British Sculpture from Tate, Norwich Castle Museum and Art Gallery, Norwich

2001 Almost Warm and Fuzzy: Childhood and Contemporary Art, organised by Des Moines Art
-02 Center, Iowa; touring to Tacoma Art Museum, Washington; Scottsdale Museum of
Contemporary Art, Arizona; P.S.1 Contemporary Art Center, Long Island City; Fundacio "la Caixa", Barcelona; Crocker Art Museum, Sacromento; Art Gallery at Hamilton, ontario; Cleveland Center for Contemporary Art, Ohio

2002 Animal Fantastique au Donjon de Vez, Donjon de Vez, Vez
The Rowan Collection: Contemporary British and Irish Art, Irish Museum of Modern Art, Dublin
Europa in Beeld, Myhte & Realiteit: Den Haag Sculptuur 2002, Lange Voorhout, The Hague, The Netherlands
United Kingdom United States, Waddington Galleries, London
Summer Exhibition 2002, Royal Academy, London

2002 Blast to Freeze: British Art in the 20th Century, Kunstmuseum Wolfsburg; touring to Les
-03 Abattoirs, Toulouse

2003 FROM OBJECT TO IDEA: 25 Years of British Sculpture from the Arts Council Collection,
Huddersfield Art Gallery
The Stage of Drawing: Gesture and Act: Selected from the Tate Collection, The Drawing
Center, New York; touring to Museum of Contemporary Art, Sydney
Summer Exhibition 2003, Royal Academy of Arts, London

2004 A Vision of Modern Art: In memory of Dorothy Walker: Irish Museum of Modern Art, Dublin
NATIVE LAND: North Wales Artists and Landscape, 1979-2004, Oriel Mostyn Gallery, Llandudno, Wales
Summer Exhibition 2004, Royal Academy of Arts, London
Turning Points, 20th Century British Sculpture, Tehran Museum of Contemporary Art, Iran
Native Land: North Wales Artists and Landscape 1979-2004, Oriel Mostyn Gallery, Llandudno
Expander, Royal Academy of Arts, London

2004 Art and the 60s: This Was Tomorrow, Tate Britain, London; touring to Gas Hall,
-05 Birmingham Museums and Art Gallery
Architecture and Arts 1900/2004: A Century of Creative Projects in Building, Design, Cinema, Painting, Sculpture, Palazzo Ducale, Genoa and throughout the city
Boom Boom Cluster: The David & Liza Brown Bequest, Southampton City Art Gallery, Southampton

2005 Henry Moore: Epoche und Echo: Englische Bildhauerei im 20. Jahrhundert / Aspects of
British Sculpture in the 20th Century, Kunsthalle Würth, Schwäbisch Hall
Summer Exhibition, Royal Academy of Arts, London
Fresh Air 2005, Quenington Old Rectory, Gloucestershire
40 Jahr Galerie Thomas, Nr 2, Galerie Thomas, Munich
Sculpture & Gardens, Clonlea Studios, Blackrock, in association with Solomon Gallery,
Dublin
1926 – 1970 Age of “Tokyo Metropolitan Art Gallery”, Museum of Contemporary Art
Tokyo, Tokyo
A Modernséd Talanya, Enigme de la Modernité, Collection du Musée National d'Art
Moderne, Centres G. Pompidou, Paris, Ludwig Múzeum - Musée d'art contemporain,
Budapest
Individual Fields, Lismore Castle Arts, County Waterford, Ireland

2005 Diario de Mallorca, Art Report 2005, Fundació “AS NOSTRA”, Palma de Mallorca
-06 La peau est-ce qu’il y a de plus profound, Musée des Beaux-Arts de Valenciennes,
Valenciennes

2006 International GdB, Galerie de Bellefeuille, Montreal
Between a Rock and a Hard Place: The stone in Art, Kenny Schachter Rove, London
How to Improve the World: 60 Years of British Art, Hayward Gallery, London
Sixty Years of Sculpture in the Arts Council Collection, Longside Gallery, Yorkshire
Sculpture Park

2007 BP British Art Displays 1500-2007, Tate Britain, London
Blickachsen 6: Sculpture in the Bad Homburg Kurpark in collaboration with Yorkshire Sculpture Park, Bad Homburg, Germany
HEAVYWEIGHTS: Sculpture from the UK, Gow Langsford Gallery, Auckland, New
Zealand
Sculpture in the Garden: a Celebration of the RBS Centenary, Harold Martin Botanic
Garden, Oadby, Leicester (organized by the University of Leicester)
Sculpture for Small Gardens, Solomon Gallery, Dublin
Beyond Limits, Sotheby's at Chatsworth, Derbyshire
Passion for Art: 35th Anniversary of Essl Collection, Essl Museum, Vienna

2007 All for Art! Our Great Private Collectors Share Their Works, Montreal Museum of Fine Arts,Montreal

2008 Skulptur!, Beck & Eggling, Dusseldorf
Summer Exhibition 2008, Royal Academy of Arts, London
The Secret Garden, The Solomon Gallery at Iveagh Gardens, Dublin
New Generation Revisited, New Art Centre, Roche Court, Salisbury

2008 Steve Brake 1944–2008: A Tribute, Denbigh Library Art Gallery, Denbigh
-09

2009 Clay, Bernard Jacobson Gallery, London
Summer Exhibition 2009, Royal Academy of Arts, London
The Third Dimension, Whitechapel Art Gallery, London
The British Pavilion at the Venice Biennale, Whitechapel Gallery, London

2010 The Artist’s House, New Art Centre, Roche Court, Salisbury
Seven British Artists in Milan, 1965-1975, Austin Desmond Fine Art, London
Summer Exhibition 2010, Royal Academy of Arts, London

2010 The Moderns, Irish Museum of Modern Art, Dublin
-11

2011 Modern British Sculpture, Royal Academy of Arts

PUBLIC COLLECTIONS

Art Institute of Chicago
Arts Council Collection, Hayward Gallery, London
Baltimore Museum of Art
Beverly Hills City Council
British Council, London, Manchester and London
C.E.A.A.C., Strasbourg
City of Douai, France
Chatsworth House Trust, Bakewell, Derbyshire
Contemporary Art Society, London
Essl Museum, Vienna
F.R.A.C. Rhône-Alpes, Lyon
Fuchu City, Tokyo
Government Art Collection, London
Hugh Lane Municipal Gallery, Dublin
Israel Museum, Jerusalem
Kaiser Wilhelm Museum, Krefeld, Germany
Kunsthaus, Zurich
Leeds City Art Gallery, South Yorkshire
Leicestershire Education Authority
Musée des Beaux-Arts, Calais
Museo de Arte Contemporaneo de Caracas, Venezuela
Museu de Arte Moderna, Rio de Janeiro
Museum of Modern Art, New York
Museum Voor Hedendaagse Kunst, Belgium
Nagaoka Museum, Tokyo
Nagoya Museum, Japan
National Gallery of Art, Washington DC
National Gallery of Canada, Ottawa
National Museums and Galleries of Wales, Cardiff
Osaka City Museum of Modern Art
Peterborough Development Corporation
Phoenix Community Garden, London
Rawlins Upper School and Community College, Quorn, Leicestershire
Rijksmuseum Kröller Müller, Otterlo, The Netherlands
San Francisco Museum of Modern Art, California
Setagaya Museum, Tokyo
Sintra Museum of Modern Art, Portugal - The Berardo Collection
Southampton City Art Gallery
Stedelijk Museum, Amsterdam
Tate, London
Tochigi Prefectural Museum of Fine Arts, Tochigi-ken, Japan
Tokyo Metropolitan Art Museum
Ulster Museum, Belfast
Van Abbemuseum, Eindhoven
Victoria and Albert Museum, London
Virginia Museum of Fine Arts, Richmond
The Walker Art Gallery, Liverpool

ARTIST'S EXHIBITION CATALOGUES

1969 Wember, Paul: 'Einführung zur Eröffnung der Ausstellung', Barry Flanagan: Object
Sculptures, Museum Haus Lange, Krefeld, Germany

1977 Lampert, Catherine: 'Notes on Barry Flanagan', Barry Flanagan: Sculpture 1966-1976,
Van Abbemuseum, Eindhoven, The Netherlands

1978 Lampert, Catherine: 'A further introduction to the work of Barry Flanagan', Barry Flanagan:
Sculpture 1965-78, Serpentine Gallery, London

1980 Lampert, Catherine: 'Stone Sculptures', Barry Flanagan: Sculptures in stone 1973-1979,
Waddington Galleries, London
Brown, David: 'Introduction', Barry Flanagan, New 57 Gallery, Edinburgh

1981 Lampert, Catherine: 'Prints and drawings by Barry Flanagan', Sixties and Seventies:
Prints and drawings by Barry Flanagan, Mostyn Art Gallery, Llandudno, Wales
Flanagan, Barry: 'Bronze Sculptures', Barry Flanagan: Sculptures in bronze 1980-1981, Waddington Galleries, London

1982 Hilton, Tim: 'Less a Slave of Other People's Thinking...', Barry Flanagan: Sculpture,
Venice
Biennale/The British Council, London
Compton, Michael: 'A Developing Practice', Barry Flanagan: Sculpture, Venice Biennale/The British Council, London
Gleadowe, Teresa: Barry Flanagan: stone and bronze sculptures (exhibition broadsheet), British Pavilion, XL Venice Biennale, The British Council, London

1983 Compton, Michael: 'A Developing Practice', Barry Flanagan: Recent Sculpture, The Pace
Gallery, New York
Blistène, Bernard: 'Gestes et opinions de Barry Flanagan', Barry Flanagan: Sculptures, Centre Georges Pompidou, Paris
Lampert, Catherine: 'Humanités modernes', Barry Flanagan: Sculptures, Centre Georges Pompidou, Paris
Paparoni, Demetrio: 'Barry Flanagan', Sixties and Seventies: Prints and drawings by Barry Flanagan, Centro d'Arte Contemporanea, Syracuse, Italy/The British Council, London

1984 Brown, David: Barry Flanagan: Etchings and Linocuts, Waddington Graphics, London

1985 Barry Flanagan, Waddington Galleries, London (no text)
Nakazawa, Shinichi: 'The Running of the Hare', Barry Flanagan, Fuji Television Gallery, Tokyo
Minemura, Toshiaki: 'The things that emerge from this side of the hand', Barry Flanagan, Fuji Television Gallery, Tokyo

1986 Knowles, Elizabeth: Barry Flanagan: Prints 1970-1983, The Tate Gallery, London

1987 Biggs, Lewis: Barry Flanagan: A Visual Invitation: Sculpture 1967-1987, Laing Art Gallery,
Newcastle-upon-Tyne/The British Council, London
Jankovic, Aleksandra: 'Between the Crust and the Idea', Barry Flanagan: A Visual
Invitation, Museum of Contemporary Art, Belgrade

1990 Barry Flanagan, Waddington Galleries, London
Barry Flanagan, The Pace Gallery, New York

1991 Renfrew, Colin: 'The Freedom of Flanagan', Barry Flanagan, Fuji Television Gallery,Tokyo
Nakazawa, Shinichi: 'The Running of the Hare', Barry Flanagan, Fuji Television Gallery, Tokyo

1992 Lilley, Clare: 'Barry Flanagan', The Names of the Hare: Large bronzes by Barry Flanagan:
1983-1990, Yorkshire Sculpture Park, Wakefield
Planells, Mariano: 'With Barry Flanagan', Barry Flanagan and Marcel Floris, Museo de Arte Contemporáneo de Ibiza
Landau, Robert: Barry Flanagan, Landau Fine Art, Montreal

1993 Juncosa, Enrique: ''The Eternal Present': The Sculpture of Barry Flanagan', Barry
Flanagan, Fundación 'la Caixa', Madrid and Musée des Beaux-Arts de Nantes
Thompson, Jon: 'Barry Flanagan: Artisan of Unreason', Barry Flanagan, Fundación 'la Caixa', Madrid and Musée des Beaux-Arts de Nantes

1994 Barry Flanagan: recent sculpture, The Pace Gallery, New York
Juncosa, Enrique: 'For the Meaning of Forms', Barry Flanagan, Waddington Galleries, London; re-published in 1995 for Royal Hibernian Academy, Gallagher Gallery, Dublin
Barry Flanagan: Recent Sculpture, Richard Gray Gallery, Chicago

1997 Juncosa, Enrique: 'Barry Flanagan's Doings and Sayings', Barry Flanagan: Bronzes,
Dibuixos i Gravats, Edicions T Galeria D'Art, Barcelona
Lampert, Catherine: 'Obra gràfica I dibuixos de Barry Flanagan', Barry Flanagan en dues dimensions: dibuixos i gravats, Tecla Sala, Barcelona

1998 Anderson, Simon: 'Barry Flanagan', Barry Flanagan - Sculpture, Richard Gray Gallery,
Chicago
Barry Flanagan, Waddington Galleries, London

2001 Barry Flanagan, Seeing Round Corners, Waddington Galleries, London

2002 Ullrich, Ferdinand and Hans-Jürgen Schwalm: Barry Flanagan Plastik und Zeichnung
Sculpture and Drawing, Ruhrfestspiele Recklinghausen
Schwalm, Hans- Jürgen, Barry Flanagan: Sculpture et dessin – Sculpture and Drawing,
Musée d’Art Moderne et d’Art Contemporain, Nice

2003 Barry Flanagan, Waddington Galleries, London

2004 Levy, Paul (introduction): Barry Flanagan, Linear Sculptures in Bronze and Stone
Carvings, Waddington Galleries, London

2005 Van Cauteren, Philippe and Thibaut Verhoeven, Barry Flanagan, Stedelijk Museum voor
Actuele Kunst, Gent

2006 Juncosa, Enrique (ed.) : Barry Flanagan Sculpture 1965-2005, Irish Museum of Modern
Art, Dublin

2007 Barry Flanagan, Wetterling Gallery, Stockholm
Barry Flanagan Sculptures 2001-2008, Waddington Galleries, London

2010 Barry Flanagan: Works 1966-2008, Waddington Galleries, London

SELECTED BIBLIOGRAPHY

1965 Baro, Gene: 'Britain's Young Sculptors', Arts Magazine, December, p.17

1966 Maddox, Conroy: 'Barry Flanagan', Arts Review, 6 August, p.371
Overy, Paul: 'Please do not touch', The Listener, 18 August
Blakeston, Oswell: What's On In London, 25 August
Gosling, Nigel: 'Baggy Sculptures', The Observer, August
Lucie-Smith, Edward: 'London Commentary', The Studio, September
Baro, Gene: 'Animal, Vegetable and Mineral', Art & Artists, September, p.63
Baro, Gene: 'British Sculpture, The Developing Scene', Studio International, October, p.175
Flanagan, Barry: 'Barry Flanagan Writes', I.C.A. Bulletin, November, p.9

1967 Finch, Christopher: 'British Sculpture Now', Art & Artists, May, p.22
'Barry Flanagan's Bag Sculpture', I.C.A. Bulletin, June, p.16
Flanagan, Barry: 'British Artists at the Biennale des Jeunes in Paris', Studio International, September, pp.98-99

1968 Gilardi, Piero: 'Da Londra', Flash Art, January/February, p.1
Blakeston, Oswell: What's On In London, 12 April
Bruce-Milne, Marjorie: 'Britons watch arts explosion', Christian Science Monitor, 15 April
Lynton, Norbert: 'London Galleries', The Guardian, 18 April
Overy, Paul: 'Inflation', The Listener, 18 April
Russell, John: 'All for Show', The Sunday Times, 21 April
Brett, Guy: 'Sculptural objects in variety', The Times, 22 April
Blakeston, Oswell: 'Barry Flanagan', Arts Review, April, no.13, p.193
Burr, James: 'London Galleries', Apollo, April
Fawcett, Anthony: 'Eyeliners: some leaves from Barry Flanagan's notebook', Art & Artists, April, pp.30-33
Gilardi, Piero: 'Microemotive Art', Museum Journal, no.4, pp.198-203
Harrison, Charles: 'Barry Flanagan's Sculpture', Studio International, May, pp.266-268
Moyse Arthur: 'Around the Galleries', Freedom-Anarchist Weekly, 11 May

1969 Harrison, Charles: 'Some recent sculpture in Britain', Studio International, January
Flanagan, Barry: 'From Notes 1967-68', Studio International, January, p.37
Spencer, Charles: 'New Materials, New Forms in Art', Woman's Journal, March
Flanagan, Barry: 'An Open Letter to K', Studio International, May, p.208
Flanagan, Barry: 'A Literary Work', Studio International, July/August, p.4
Celant, Germano: 'La Natura e inserta', Casabella, August/September, p.107
Celant, Germano: 'Arte Povera: Conceptual, Actual or Impossible?', Studio Vista, London/Gabriele Mazzotta, Milan
Harrison, Charles: 'Against Precedents', Studio International, September, p.92
Baro, Gene: 'Sculpture made visible', Studio International, October

1970 Packer, William: 'London Galleries', Art & Artists, January
Fawcett, Anthony: 'Doubts and Dilemmas', Art & Artists, April
Fuller, Peter: 'Barry Flanagan', Arts Review, 11 April, pp.217-231
Gosling, Nigel: The Observer, 12 April
Lynton, Norbert: 'Barry Flanagan', The Guardian, 18 April
Brett, Guy: 'Impish', The Times, 22 April
Fuller, Peter: 'In the Galleries', The Connoisseur, July, p.210
Flanagan, Barry: Studio International, July, p.29

1971 Gosling, Nigel: 'A trio of extremists', The Observer, 4 April
Vaizey, Marina: Arts Review, 10 April
Brett, Guy: 'Balloon Art', The Times, 13 April
Tisdall, Caroline: 'Barry Flanagan', The Guardian, 22 April
Wolfram, Eddie: 'Flanagan in the Greenwood', Ink, 8 May
Flanagan, Barry: Studio International, May, pp.217-219
Denvir, Bernard: Art International, Summer, p.91
Feaver, William: 'Art: Exhibitionism', London Magazine, August/September
Oakes, Philip: 'No old rope', The Sunday Times, 17 October
Schjeldahl, Peter: 'And now a 'Teddy' for the Artist', Sunday New York Times, 17 October

1972 Styvestant City Sculpture, Institute of Contemporary Art, London
Mason, Stewart: 'Innovation is vital to Art', Cambridge Evening News, 24 May
Flanagan, Barry: 'Vertical Judicial Grouping', Studio International, July/August, p.19
Rees, Jeremy: 'Public Sculpture', Studio International, July/August, pp.32-39
Burn, Guy: 'The New Art', Arts Review, 26 August
Brett, Guy: 'More than the monument in the Piazza', The Times, 12 September
Vaizey, Marina: 'The New Art', The Financial Times, 19 September
Percival, John: 'Proving experimental art can be fun', The Times, 4 October
Cork, Richard: 'Agile but Lightweight', The Evening Standard, 23 November
Cork, Richard: 'Large sofa small joke', The Evening Standard, 23 November
Lucie-Smith, Edward: 'Cult Figures', The Sunday Times, 26 November
Packer, William: 'Pictures on Exhibit', London News and Views, November
Feaver, William: 'London Letter: Summer', Art International, November
Fuchs, R.H: 'More on the New Art', Studio International, November, p.8
Fuller, Peter: Arts Review, 2 December
Tisdall, Caroline: 'Barry Flanagan', The Guardian, 2 December

1973 Fuller, Peter: 'In the Galleries', The Connoisseur, January, p.73
Hobhouse, Janet: 'U.K. Contemporary', Studio International, January
Russell, John: 'The pleasures of the pioneer', The Sunday Times, 15 July
Shepherd, Michael: 'Be Aware', The Sunday Telegraph, 15 July
Vaizey, Marina: 'Richiers and Flanagan', The Financial Times, 17 July
Anthony, Evan: 'Private View', The Spectator, 21 July
Fuller, Peter: Arts Review, 28 July
Gosling, Nigel: 'The Great Leaps Forward', The Observer, 29 July
Crichton, Fenella: 'London Letter', Art International, September, p.36
Fuller, Peter: 'Quiz to Critics', Arts Review, 15 December
Segal, Mark: 'Strike! M.O.M.A. under pressure', Studio International, December, p.220

1974 Schjeldahl, Peter: 'Just this side of non-existence', Sunday New York Times, 3 February
Crimp, Douglas: ARTnews, March, p.99
O'Neill, Mark: 'What's On', Granada Television, 1 March
Ingham, Margo: Arts Review, 22 March
Brooks, Rosetta: 'Barry Flanagan and Richard Long', Flash Art, April, pp.40-41
Gilbert-Rolfe, Jeremy: 'Reviews', Artforum, Vol.XII, no.80, April, pp.74-75
Talbot, Linda: 'Irony of the soft trees', Hampstead & Highgate Express, 23 August
Packer, William: 'Sculpture soft and hard', The Financial Times, 31 August
Gosling, Nigel: The Observer, 8 September
Overy, Paul: The Observer, 24 September
Hilton, Tim: 'Influenced by Poverty', The Observer, 20 October
Gosling, Nigel: 'Children of the Fields', The Observer, 10 November
Ashworth, Michael John: Arts Review, 15 November
Feaver, William: 'Barry Flanagan', Financial Times, 20 November
Overy, Paul: 'Sheep and Stones', The Times, 20 November
Shepherd, Michael: 'Moss gathers stones', The Sunday Telegraph, 24 November
Tisdall, Caroline: 'Barry Flanagan and Richard Long', The Guardian, 28 November
Fuller, Peter: Art & Artists, December, pp.38-39
Lampert, Catherine: 'Barry Flanagan Drawings 1966-1974', Studio International, December, pp.12-13
Burr, James: 'Around the Galleries', Apollo, December
Tate Gallery Biennial Report and Illustrated Catalogue of Acquisitions 1972-74, Tate Gallery Publications, London, pp.133-135

1975 Crichton, Fenella: 'London Letter', Art International, January, pp.41-42
Feaver, William: 'London', Art Spectrum, January
Anker, Valentina and Lucien Dallenbach: 'La Reflexion Speculaire dans la Peinture et la Litterature Recentes', Art International, February
Crichton, Fenella: 'London', Art International/Art Spectrum, 20 April
McGrath, Sandra: 'Life's rich tapestry', The Australian, 26 September
Pidgeon, W.E: 'Nuclear dialogue', The Sunday Telegraph (Sydney), 28 September
Reed, Vivien: 'Barry Flanagan', Art Press, September/October, p.19
Faerber, Ruth: 'Nature of materials', Australian Jewish Times, 2 October
Morris, Lynda: 'The Museum of Modern Art in Oxford', Studio International, November/December
Walker, John: Art Since Pop, Thames & Hudson, London

1976 Simpson, Colin: 'The Tate drops a costly brick', The Sunday Times, 15 February
'Sir Norman drops 120 bargain on the Tate', Daily Express, 16 February
Lucie-Smith, Edward: 'Do we need toys like this at the Tate?', The Evening Standard, 17 February
Evans, Michael: 'All in the name of art', Daily Express, 17 February
Levin, Bernard: 'Art may come and art may go but a brick is a brick forever', The Times, 18 February
Simmons, Rosemary: 'Constable portfolio', Arts Review, 5 March
'Brickbats', Arts Review, 5 March
Cork, Richard: 'Now what are those English up to?', The Evening Standard, 4 March
Feaver, William: 'Showing the flag', The Observer, 14 March

1977 Adams, Clive: 'Barry Flanagan', Arnolfini Review, July/August, p.5
Morris, Lynda: 'The case for the sack', The Sunday Times, 7 August
Belsey, James: 'Piles of sacks and sandbags', Evening Post, 11 August
Gosling, Nigel: 'Gentle confections', The Observer, 21 August
Stevenson, Alan: 'Barry Flanagan', The Guardian, 22 August
McEwen, John: 'Pinch-pots and skateboards', The Spectator, 24 December, p.33

1978 Hilton, Tim: 'Funny and Askew', The Observer, 10 December, p.17
Kent, Sarah: 'It's D.I.Y.', Time Out, 15-21 December
Blakeston, Oswell: Arts Review, 22 December, p.698
Tate Gallery Illustrated Catalogue of Acquisitions 1976-78, Tate Gallery Publications, London, pp.46-49

1979 Dimitrijevic, Nina: 'Barry Flanagan', Aspects, pp.8-9
The Tate Gallery Collections, British Painting, Modern Painting and Sculpture, Tate Gallery Publications, p.191
Arts Council Collection (1942-1978), Arts Council of Great Britain, London, p.94
Lampert, Catherine: 'Barry Flanagan', Artistes, December/January, pp.10-17

1980 Glaves-Smith, John: 'Barry Flanagan', Art Monthly, no.36, pp.17-18
McEwen, John: 'Flanagan et al', The Spectator, 19 April, pp.21-22
Feaver, William: 'Fine flourish of Flanaganisms', The Observer, 20 April
'Barry Flanagan', The Sunday Times, 20 April
Shepherd, Michael: 'Barry Flanagan', The Sunday Telegraph (New Looks), 27 April
Burr, James, Apollo, April, p.333
Crichton, Fenella & Beaumont, Mary Rose, Art and Artists, June
Bann, S: 'La genese d'un art anglais contemporain', Connaissance des Arts, August, no.342
Tate Gallery Illustrated Catalogue of Acquisitions 1978-80, Tate Gallery Publications, London, p.93

1981 Petherbridge, Deanna: Architectural Review, February, vol.169, no.1008, pp.93-103
'Hare Yesterday', The Sunday Times Magazine, 29 November
Mullaly, Terence: 'Miro: spirit of Spain', The Daily Telegraph, 7 December
Januszczak, Waldemar: 'Barry Flanagan', The Guardian, 10 December
'Waddington', City Limits, 11 December
'Barry Flanagan', The Times, 13 November
Russell Taylor, John: 'The sorry state of British sculpture', The Times, 15 December
'Waddington', City Limits, 18 December
'Barry Flanagan', Time Out, 18 December
Stewart, Michael: 'Barry Flanagan', Arts Review, 18 December
McEwen, John: 'Matters of Imagination', The Spectator, 19 December
Feaver, William: 'Slipping and sliding, lickety-spit', The Observer, 20 December
Vaizey, Marina: 'U.K. honours sculptor', The Sunday Times, 20 December
Feaver, William: 'Barry Flanagan', Vogue, December

1982 Rose, Andrea: 'Paschal Lambs and March Hares', London Magazine, March, vol.21,
no.12
Cooke, Lynne: 'Barry Flanagan at Mostyn Art Gallery, Llandudno', Artscribe, no.34, March, pp.65-66
Vaizey, Marina: 'England Takes the Honours', The Sunday Times, 13 June
Shepherd, Michael: 'The faces of Venice', The Daily Telegraph, 13 June
Russell Taylor, John: 'Venice Biennale - Fascination and affront in a world apart', The Times, 15 June
Russell Taylor, John, The Times, 15 June
Januszczak, Waldemar: 'Jeering faces keep crowding in', The Guardian, 16 June, p.9
Feaver, William: 'Bellyful of ballast', The Observer, 20 June
Taylor, Barbara Ann: 'Barry Flanagan', Harpers & Queen, June
Taylor, Barbara Ann: 'New Exhibitions: Barry Flanagan', Vogue, June
Glaves-Smith, John: 'Barry Flanagan: The Role Of Parody And Irony', Art Monthly, July/August, no.58
McEwen, John: 'Barry Flanagan', The Spectator, 7 August
Ahrens, Klaus: 'Ich identifiziere mich mit dem Hasen/I identify myself with the Hare', Stern-Magazine, no.41, 5-13 October
Flood, Richard: 'Barry Flanagan', Artforum, October
Francblin, Catherine: 'Barry Flanagan', Le Quotidien de Paris, no.903, 21 October
'Flanagan et le tangible', Connaissance des Arts, November
Kinmonth, Patrick: 'Flanagan's leap year', Vogue, November, pp.214-217
Sgubbi, Gianfranco: 'Padiglione Gran Bretagna: Barry Flanagan', Juliet, November/January, no.9, p.13
Millet, C: 'Zeitgeist: la beauté des ruins', Art Press, December, no.65, pp.22-23
Hohmeier, Jurgen: 'Biennale-Pramie fur Sitzenbleiber', Der Spiegel, no.24

1983 Burr, James: 'Making a Little go a Long Way', Apollo, January
Prevost, Jean Marc: 'Barry Flanagan; Galerie Durand-Dessert', Flash Art, January
Feaver, William: 'The Year of the Hares', The Observer, 9 January
Russell Taylor, John: 'Tearing passion to tatters', The Times, 11 January
'Barry Flanagan', The Guardian, 12 January
Lewin, Matthew: 'A sculptor's sudden leap to a new style', Hampstead & Highgate Express, 14 January
McEwen, John: 'Round and round', The Spectator, 15 January
Gooding, Mel: 'Barry Flanagan, Whitechapel', Arts Review, 21 January
Hackett, Dennis: 'Sculptor at Bay', The Times, 24 January
Henry, Clare: 'Sculptor raises a few hares!', Glasgow Herald, 25 January
Packer, William: 'In pursuit of nature', The Financial Times, 25 January
Januszczak, Waldemar: 'With not a hare out of place', The Guardian, 26 January
Cork, Richard: 'Flanagan and his magic hare force', The Standard, 27 January
Clarke, Michael: 'Free forms', Times Educational Supplement, 28 January
'Barry Flanagan: Whitechapel & Waddingtons', Time Out, 28 January
MacRitchie, Lynn: 'Flanagan: Whitechapel', City Limits, 28 January
Vaizey, Marina: 'City landscape and its inspiration', The Sunday Times, 30 January
Richards, Margaret: 'Joy and unease', The Tribune, 11 February
Padgham, Gay: 'Playful, ironic humour', The Morning Star, 15 February
Gibson, Michael: 'Sculptors Showing In Paris Galleries', International Herald Tribune, 26-27 March
Cooke, Lynne: 'Barry Flanagan at the Whitechapel and at Waddington', Art in America, March
Francblin, Catherine: 'Barry Flanagan: la sculpture en état d'apesanteur', Art Press, no.68, March
Collier, Caroline: 'Cultivating Sculpture', Arts Review, 22 July
Blistène, Bernard: 'Barry Flanagan', Axe Sud (Art Actuel), Winter, no.7, p.17

1984 Ayers, Robert: 'As of Now', Artscribe, February/April, no.45, pp.57-58
Silverstone, Jean: 'Barry Flanagan, Pace Gallery', Artforum International, March, p.93
Dunne, Aidan: 'Slimmed down, but still a visual treat', Sunday Press, 25 March
McCrum, Sean: 'As of Now: Pow', The Sunday Tribune, 25 March
Dimitrijevic, Nina: 'Sculpture after evolution', Flash Art, April/May, no.117, pp.22-31
Assunto, Rosario: 'Due frammenti di estetica', Tema Celeste, June, no.3, pp.12-16
Barrett, Cyril: 'ROSC '84', Art Monthly, October, no.80, pp.11-14
The British Council Collection: 1938-1984, British Council, London, pp.59-60

1985 Artner, Alan G: 'Wit and depth enliven Flanagan's sculpture', Chicago Tribune, 15
February
Januszczak, Waldemar: 'The hare that leaps out of summer', The Guardian, 5 June
Feaver, William: 'Alice doesn't live here', The Observer, 9 June
Packer, William: 'When art loses out to design', Financial Times, 11 June
Mullaly, Terence: 'Barry Flanagan', Daily Telegraph, 18 June
Kirshner, Judith Russi: 'Barry Flanagan, Richard Gray Gallery, Chicago', Artforum, Summer, p.113
'Barry Flanagan', Bijitsu Techo Magazine (Japan), December, vol.37, no.554, pp.136-145

1986 Pluchart, François: 'Sculptures à la Fondation Cartier', Artefactum, vol.2, no.12,
February/March, pp.48-49
Feaver, William: 'Quiet and Meaningless', The Observer, 13 April
Cork, Richard: 'Hayward Annual', The Listener, 17 April
Harrison, Charles: 'Sculpture, Design and Three-Dimensional Work', Artscribe International, June/July, pp.60-64
Miller, Sanda: 'On Barry Flanagan', Irish Arts Review, vol.3, no.2, pp.60-62, Summer
Borer, Alain: 'Flanagan, l'insaisissable', Artstudio, no.3, pp.72-83

1987 Cumming, Hugh: 'Contemporary British Artists', Art and Design, February, vol.3, no.1/2,
p.33
Lucie-Smith, Edward: Sculpture since 1945, Phaidon Press, Oxford, p.147
Blistène, Bernard: La Collection du Musée National d'Art Moderne, Centre Georges Pompidou, Paris, p.217

1988 Rottenberg, Anda: 'British Actualities', NIKE: New Art In Europe, vol.6, no.22, March/April
Beaumont, Mary Rose: 'Contemporary Classical Sculpture', Art & Design, vol.4, no.5/6, pp.43-47
Griffiths, John: 'Contemporary Classical Artists', Art & Design, vol.4, no.5/6, pp.53-60
Gledhill, Ruth: 'Sculpture stands on college ceremony', The Times, 27 June
Packer, William: 'Summer Sculpture', Financial Times, 19 July
Barker, Barry: 'Réflexions sur les dernières sculptures de Barry Flanagan', Artstudio, no.10, Autumn, pp.70-79
Sewell, Brian: 'Starlit Waters', Modern Painters, Autumn, vol.1, no.3, pp.66-67
Hindley, Ann: 'La disposition insulaire', Artstudio, Autumn, p.6
Legg, Alicia and Mary Beth Smalley: Painting & Sculpture in the Museum of Modern Art, Museum of Modern Art, New York, p.41
Curtis, Penelope: Modern British Sculpture from the Collection, Tate Gallery Publications, Liverpool, pp.132-133
Thomas, Mona: 'France: La Sculpture Anglaise', Beaux Arts Magazine, November, no.62, p.106
Gauthier, Christiane: 'Le Mensuel des Echos', Dynasteurs
Renfrew, Colin: 'The Languages of Sculpture', Sculpture in the Close, Jesus College, Cambridge
Fletcher, D. J. R: Fletcher King Investment Report 1988, front cover

1989 Lucie-Smith, Edward: 'Contemporary sculpture in a new dimension', The Independent, 7
January
'Verso l'Arte Povera', Tema Celeste, April/June, no.20, p.75
Dagen, Philippe: 'Un Eclectisme Voluptueux', Le Monde, 5 April
Dobbels, Daniel: 'La Croisade des Anglais', Libération, 19 April
Hughes, Andrew: 'Roche Court Sculpture Garden', Arts Review, 5 May, p.339
Marlow, Tim: 'Generation Games in Sculpture', Art & Design, vol.5, no.3/4, pp.63-65
Curtis, Penelope: Patronage & Practice: Sculpture on Merseyside, Tate Gallery Publications, Liverpool

1990 Lucie-Smith, Edward: Art in the Eighties, Phaidon Press, Oxford
Dorment, Richard: 'First catch your hare', The Daily Telegraph, 29 May
MacDonald, Robert: 'On Mad Cows and Hares', Time Out, 30 May, p.36
Wegner, Nicholas: 'Barry Flanagan', C.V. Journal of Art, vol.3, no.2, June-August, p.32
Duthy, Robin: 'A sculptor starts a hare', The Field, August, p.33
Alberge, Dalya and Iain Gale: 'The profit and pleasure principle', The Independent, 23 October
Mahoney, Robert: 'Barry Flanagan at the Pace Gallery', Arts Magazine, December, vol.65, no.4, pp.102-3
The 20th Anniversary, Fuji Television Gallery, 1970-1990 (catalogue), Fuji Television Gallery, Tokyo

1991 Hall, James: 'The Da

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