DEBORAH KASS
Artist Bio
DEBORAH KASS
EDUCATION
1974 BFA, Painting, Carnegie-Mellon University, Pittsburgh, PA
1972 Whitney Museum Independent Studies Program, New York, NY
1968-70 Art Students League, New York, NY
ONE PERSON EXHIBITIONS
2010
“MORE feel good paintings for feel bad times” Paul Kasmin Gallery, New York, NY
2007
“feel good paintings for feel bad times” Paul Kasmin Gallery, New York, NY
Paul Kasmin Gallery, Armory Show, New York, NY
2001
“Deborah Kass: The Warhol Project“ Weatherspoon Art Gallery, University of North Carolina at Greensboro, Greensboro, NC
2000
“Deborah Kass: The Warhol Project” University Art Museum, University of California at Santa Barbara, Santa Barbara, CA
“Deborah Kass: The Warhol Project” Blaffer Gallery, University of Houston, Houston, TX
1999
“Deborah Kass: The Warhol Project” Newcombe Art Gallery, Tulane University, New Orleans, LA, (traveling, catalogue)
1998
Arthur Roger Gallery, New Orleans, LA
1996
“My Andy: a retrospective” Kemper Museum of Contemporary Art and Design, Kansas City, MO, (catalogue)
1995
“My Andy: a retrospective” Jose Freire Fine Art, New York, NY,
“My Andy: a retrospective” Arthur Roger Gallery, New Orleans, LA
1994
Barbara Krakow Gallery, Boston, MA
1993
“Chairman Ma” Jose Freire Fine Art, New York, NY
“Chairman Ma” Arthur Roger Gallery, New Orleans, LA
1992
“The Jewish Jackie Series and My Elvis” fiction/nonfiction, New York, NY
“The Jewish Jackie Series” Simon Watson, New York, NY
1990
Simon Watson Gallery, New York, NY
1988
Scott Hanson Gallery, New York, NY (catalogue)
1986
Baskerville and Watson Gallery, New York, NY
1984
Baskerville and Watson Gallery, New York, NY
1982
Zolla/Lieberman Gallery, Chicago, IL
1972
Barnhardt Gallery, University of Kentucky, Lexington, KY
SELECTED GROUP EXHIBITIONS
2011
“The Pittsburgh Biennial” The Andy Warhol Museum, Pittsburgh, PA curated by Eric Shiner
“Identity Crisis: Authenticity, Attribution and Appropriation” The Heckscher Museum of Art, Huntington, NY
“The Deconstructive Impulse” Neuberger Museum of Art, Purchase, NY
“Seeing Gertrude Stein: Five Stories” The Contemporary Jewish Museum, San Francisco, CA and the National Portrait Gallery, Smithsonian Institution, Washington, DC
2010
“Shifting the Gaze: Painting and Feminism” The Jewish Museum, New York, NY curated by Daniel Belasco
“HIDE/SEEK: Desire, Difference, and the Invention of the Modern American Portrait” National Portrait Gallery, Smithsonian Institution, Washington, DC curated by Jonathan Katz
“At the Edge” Portsmouth Museum of Fine Art, Portsmouth, NH
“Thanks for Being With Us: Contemporary Art from the Douglas Nielsen Collection” The Tucson Museum of Art, Tucson, AZ
“Shrewd: The Smart and Sassy Survey of American Women Artists” The Sheldon Museum of Art, Lincoln, NE
“Think Pink” Gavlak Gallery, Palm Beach, FL, curated by Beth Rudin DeWoody
“Look Again” Marlborough Chelsea, New York, NY
2009
“Beg Borrow and Steal” Rubell Family Collection, Miami, FL
“Just What Are They Saying” Jonathan Ferrara Gallery, New Orleans, LA, curated by Beth Rudin DeWoody
“The Female Gaze” Cheim & Read, New York, NY
“Lover” On Stellar Rays, New York, NY, curated by Kate Gilmore
“sh[OUT]” Glasgow Museums Gallery of Modern Art, Glasgow, Scotland (catalogue)
“Note to Self” Schroeder Romero, New York, NY
“Great Women Artists: Selections from the Permanent Collection” Neuberger Museum of Art, Purchase, NY, curated by Thom Collins
2008
“Art, Image, and Warhol Connections” The Jewish Museum, New York, NY
“Just Different!” Cobra Museum of Modern Art, Amstelveen, Netherlands, curated by Frank Wagner
“Thirtieth Anniversary Exhibition” Arthur Roger Gallery, New Orleans, LA
“Twisted into Recognition: Clichés of Jews and Others” Spertus Museum, Chicago, IL
“typisch!” Jewish Museum Berlin, Berlin, Germany
2007
“What F Word?” Cynthia Broan Gallery, New York, NY, curated by Carol Cole Levin
“Culture and Continuity: The Jewish Journey” The Jewish Museum, New York, NY
2006
“The Eighth Square” The Ludwig Museum, Cologne, Germany, curated by Kasper Konig and Frank Wagner
2005
“American Art: 1960-Present, Selections From the Permanent Collection” Weatherspoon Art Museum, Greensboro, NC
“Appropriate Appropriation” Gray Kapernekas Gallery, New York, NY
“Artists Pick” Larissa Goldston Gallery, New York, NY
“Co-Conspirators: Artists and Collectors, The James Cottrell and Joe Lovett Collection” Chelsea Museum, New York, NY and Samuel Dorksy Museum, New Paltz, NY, curated by Sue Scott
“Trade” White Columns, New York, NY, curated by Matthew Higgs
“Upstarts and Matriarchs: Jewish Women Artists and the Transformation of American Art” Mizel Center for Arts and Culture, Denver, CO
“Very Early Pictures” Arcadia University Art Gallery, Glenside, PA, traveling to Luckman Gallery, California State University, Los Angeles, CA
2004
“Open House: Working in Brooklyn” Brooklyn Museum of Art, Brooklyn, NY, curated by Charlotta Kotik and Tumelo Mosaka
“Likeness: Artists’ Portraits of Artists by Other Artisits” (2004-2006), co-organized by CCA Wattis Institute for Contemporary Arts, San Francisco, and iCI (Independent Curators International), New York, and circulated by iCI, curated by Mathew Higgs. Traveled to: California College of Arts, Wattis Institute, San Francisco, CA; McColl Center for Visual Art, Charlotte, NC; Institute for Contemporary Art, Boston, MA; Dalhousie University Art Gallery, Halifax, Nova Scotia, Canada; University Art Museum, California State University at Long Beach, Long Beach, CA; Illingworth Kerr Gallery, Alberta College of Art & Design, Calgary, Alberta, Canada; Contemporary Art Center of Virginia, Virginia Beach, VA (catalogue)
“Disturbing the Peace” Danese Gallery, New York, NY
“Muse” Leslie Tonkonow Gallery, New York, NY
“Co-Conspirators: Artists and Collectors, The James Cottrell and Joe Lovett Collection” Orlando Museum of Art, Orlando, FL, curated by Sue Scott
2003
“Influence, Anxiety and Gratitude” MIT List Visual Arts Center, Cambridge, MA, curated by Bill Arning
“Crimes and Misdemeanors: Politics in U.S. Art of the 1980’s” Cincinnati Contemporary Art Center, Cincinnati, OH, curated by Thom Collins
“The Recurrent Haunting Ghost, Reflections of Marcel Duchamp in Modern and Contemporay Art” Francis M. Naumann Fine Art, New York, NY
2002
“Queer Visualities” Stony Brook University Art Gallery, Stony Brook, NY, curated by Carl Pope
2001
“A Family Album: Brooklyn Collectsù” Brooklyn Museum, Brooklyn, NY
“Voice, Image, Gesture: Selections from The Jewish Museum’s Collection 1945-2000” The Jewish Museum, New York, NY
“Contemporary Art and Celebrity Culture” Betty Rymer Gallery, School of the Art Institute of Chicago, Chicago, IL
“Recasting the Past: Beneath the Hollywood Tinsel” Main Art Gallery, Cal State University, Fullerton, CA
2000
“Revealing and Concealing: Portraits and Cultural Identity” Skirball Museum, Los Angeles, CA, (catalogue)
“Deja vu: Reworking the Past” Katonah Museum, Katonah, NY, curated by Barbara Bloemink
1999
“Fifteen” curated by Walter Robinson for New York Foundation for the Arts, Deutsche Bank, NY, NY
“The Perpetual Well: Contemporary Art from the Collection of the Jewish Museum” The Jewish Museum, New York, NY. Traveled to: Harn Museum Of Art, University of Florida Gainesville, FL; Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska, Lincoln, NE; Parrish Museum, South Hampton, NY; Huntington Museum of Art, Huntington, WV, (catalogue)
“Culture and Continuity: The Jewish Journey” The Jewish Museum, New York, NY
“A.R.T. Press Portfolio” David Adamson Gallery, Washington, D.C.
1998
“In Your Face” The Warhol Museum, Pittsburgh, PA
“Conversation: Patricia Cronin and Deborah Kass” Art Transfer Resouce, New York, NY
“5729-5756: Contemporary Artists Welcome the New Year, The Jewish Museum List Graphic Commisssion” The Jewish Museum, New York, NY
“Art on Paper” The Weatherspoon Gallery of Art, Greenboro, NC
1997
“The Prophecy of Pop” New Orleans Contemporary Art Center, New Orleans, LA, curated by John Goode
“Identity Crisis: Self Portraiture at the End of the Century” Milwaukee Art Museum, Milwaukee, WI, curated by Dean Sobel, traveling to Aspen Museum, Aspen, CO (catalogue)
1996
“Too Jewish?: Challenging Traditional Identities” The Jewish Museum, New York, NY, curated by Norman Kleeblatt. Traveled to: The Jewish Museum, Philadelphia, PA; The Contemporary, Baltimore, MD; The Jewish Museum, San Francisco, CA; UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, CA, (catalogue)
“NowHere: Incandescent” curated by Laura Cottingham, Louisiana Museum of Art, Humlebaek, DENMARK (catalogue)
“Real Fake” Neuberger Museum of Art, SUNY Purchase, Purchase, NY
“Gender, Fucked” Center on Contemporary Art, Seattle, WA
Seoul International Art Fair, Seoul, Korea, curated by Thelma Golden
1995
“In a Different Light” University Art Gallery, University of California at Berkeley, Berkley CA, curated by Nayland Blake and Lawrence Rinder (catalogue)
“On Beauty” Regina Gallery, Moscow, curated by Dan Cameron
“Face Forward: Self-Portraiture in Contemporary Art” John Michael Kohler Arts Center, Sheboygan, WI, curated by Maureen Sherlock
“Pervert” University of California at Irvine, Irvine, CA, curated by Catherine Lord (catalogue)
“Imperfect” Herter Art Gallery, University of Massachusetts at Amherst, Amherst, MA, curated by Jerry Kearns. Traveled to Tyler School of Art, Temple University, Philadelphia, PA (catalogue)
“Semblances” Museum of Modern Art, New York, NY
1994
“2 X IMMORTAL: Elvis + Marilyn” McDaris Exhibition Group, Memphis, TN,
curated by Wendy McDaris. Traveled to: Institute of Contemporary Arts, Boston, MA; Contemporary Arts Museum, Houston, TX; Mint Museum of Art, Charlotte, NC; The Cleveland Museum of Art, Cleveland, OH; The Philbrook Museum of Art, Tulsa, OK; Columbus Museum of Art, OH; Tennessee St. Museum, Nashville, TN; San Jose Museum of Art, San Jose, CA; Honolulu Academy of Arts, Honolulu, HA (catalogue)
“Democratic Vistas: 50 Years of American Art from Regional Collections” State University of New York at Albany, Albany, NY (catalogue)
“Stonewall 25: Imaginings of the Gay Past, Celebrating the Gay Present” White Columns, New York, NY, curated by Bill Arning
“Pride in Our Diveristy” Colonial House Hotel, New York, NY, curated by Ronny Cohen
“Absence, Activism & The Body Politic” Fischbach Gallery, New York, NY, curated by Joseph R. Wolin
“Exhibition and Sale for ICI’s 20th Anniversary” Sonnabend Gallery, New York, NY, curated by Dan Cameron
“Working Around Warhol” Pittsburgh Center for the Arts, Pittsburgh, PA, curated by Murray Horne
“Bad Girls West” Wight Art Gallery, University of California, Los Angeles, CA, curated by Marcia Tanner and Marcia Tucker (catalogue)
1993
“Ciphers of Identity” University of Maryland, Baltimore / Baltimore County Fine Arts Gallery, Cantonville, MD, curated by Maurice Berger. Traveled to: Ronald Feldman Gallery, New York, NY; Contemporary Arts Center, New Orleans, LA; Woodruff Arts Center, Atlanta, GA; University of California at Irvine, Irvine, CA; Kemper Museum of Art and Design, Kansas City, MO (catalogue)
“Regarding Masculinity” Arthur Roger Gallery, New Orleans, LA
“Collecting for the 21st Century: Recent Acquisitions and Promised Gifts” Jewish Museum, New York, NY
“I Love You More Than My Own Death, A Melodrama In Parts By Pedro Almodovar” Zitelle Guidecca, The Venice Biennial - Slittamenti, Venice, ITALY, curated by Christian Leigh
“Cutting Bait” Randolph Street Gallery, Chicago, IL
“I Am The Enunciator” Thread Waxing Space, New York, NY, curated by Christian Leigh
1992
“The New American Flag” Max Protech Gallery, New York, NY
“Shapeshifters” Amy Lipton Gallery, New York, NY
“Fear of Painting” Arthur Roger Gallery, New York, NY, curated by Dan Cameron
“In Your Face: Politics of the Body and Personal Knowledge” A.C. Project Room, New York, NY
“Painting Culture” University of California, Irvine, Irvine, CA
“Selections” Arthur Roger Gallery, New Orleans, LA
1991
“Painting Culture” fiction/nonfiction”, NY
“Rope” Galeria Fernando Alcolea, Barcelona, SPAIN, curated by Christian Leigh
“Out Art” Saint Lawrence University, Saint Lawrence, NY, curated by Nan Goldin
“Someone or Somebody” Myers / Bloom Gallery, Santa Monica, CA
“Something Pithier and More Psychological” Simon Watson Gallery, NY, NY
“Just What Is It That Makes Today’s Homes So Different, So Appealing?” Hyde Museum, Glenns Falls, NY, curated by Dan Cameron (catalogue)
1990
“The Last Laugh: Irony, Humor, Self-Mockery and Derision” Massimo Audiello Gallery, New York, NY, curated by Collins and Milazzo
“Fragments, Parts and Wholes: The Body in Culture” White Columns, New York, NY, curated by Saul Ostrow
1989
“Young New York” Bellarte, Helsinki, FINLAND (traveled: Turku, FINLAND)
“The Mirror in Which Two Are Seen as One” Jersey City Museum, Jersey City, NJ, curated by Andrea Belag
“Painting Between the Paradigms-Part One: Between Awareness and Desire” Galerie Rahmel, Cologne, GERMANY, curated by Saul Ostrow
“Erotophobia: A Forum on Contemporary Sexuality” Simon Watson Gallery, New York, NY
1988
“Meaningful Geometry” Postmasters Gallery, New York, NY
“Five Corners of Abstraction” Jacob Javits Center, New York, NY, curated by Bill Arning
“Combination Prints” New Jersey Center for the Visual Arts, Summit, NJ
“Gallery Selections” Scott Hanson Gallery, New York, NY
1987
“Dreams of the Alchemist” Carl Solway Gallery, Cincinnati, OH
“Romantic Science” One Penn Plaza, New York, NY, curated by StephenWestfall
“Suzanne Joelson, Claudia Hart, Deborah Kass, Pat Steir” Four Walls, Hoboken, NJ
“Major Acquisitions, Small Appliances” Solo Gallery, New York, NY, curated by D. Cameron
1986
“A Radical Plurality” Ben Shahn Galleries, William Patterson College, Wayne, NJ
“Two-Person Exhibition” Turnbull Lutjeans Kogan Gallery, Costa Mesa, CA
1985
“Six Painters” Zilka Gallery, Wesleyan University, Middletown, CT, curated by Jean Feinberg
1984
“The New Expressive Landscape” Sordoni Gallery, Wilkes College, Wilkes-Barre, PA
“Fantastic Landscape” Exit Art, New York, NY
“Two-Person Exhibition” Turnbull Lutjeans Kogan Gallery, Costa Mesa, CA
1982
“Two-Person Exhibition” Baskerville and Watson Gallery, New York, NY
“Red” Stefanotti Gallery, New York, NY
“Landscape / Cityscape” Josef Gallery, New York, NY, curated by Carole Ann Klonarides
“Nature As Image and Metaphor” Greene Space, New York, NY (under the auspices of the Women’s Caucus for Art)
“Critical Perspectives” P.S.1 Museum, Long Island City, NY, curated by Ronny Cohen
1981
“Black Paint / Dark Thoughts” Pratt Manhattan Center, New York, NY, curated by Ellen Schwartz
“Drawings at the Mudd Club” The Mudd Club, New York, NY, curated by Kenny Scharf and Keith Harring
“Drawing Show” Stefanotti Gallery, New York, NY
1980
“First Person singular: Recent Self Portraiture” Pratt Manhattan Center, New York, NY Pratt Institute, Brooklyn, NY, curated by Ellen Schwartz and Paul Schimmel
1979
“Artists by Artists” Whitney Museum of American Art, New York, NY
AWARDS AND GRANTS
1996 Art Matters Inc. Grant
1992 Art Matters Inc. Grant
1991 New York State Foundation for the Arts, Fellowship in Painting
1987 National Endowment for the Arts, Painting
SELECTED PUBLIC COLLECTIONS
Museum of Fine Arts, Boston, MA
Chemical Bank, New York, NY
Cincinnati Art Museum, Cincinnati, OH
First Bank of Minneapolis, Minneapolis, MN
Fort Wayne Museum of Art, Fort Wayne, IN
Glickenhaus Company, New York, NY
The Solomon R. Guggenheim Museum, New York, NY
The Jewish Museum, New York, NY
La Jolla Museum of Contemporary Art, La Jolla, CA
McCrory Corporation, New York, NY
Mobil Oil Corporation, New York, NY
Museum of Contemporary Art, San Diego
The Museum of Modern Art, New York, NY
New Museum, New York, NY
New Orleans Museum of Art, New Orleans, LA
The Norton Family Foundation, Santa Monica, CA
Pacific Bell, Los Angeles, CA
The Progressive Corporation, Cleveland, OH
Prudential Bache, New York, NY
The Prudential Life Insurance Company of America, NJ
Salomen Brothers, New York, NY
The Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ
The Weatherspoon Art Museum, University of NC at Greensboro, Greenboro, NC
The Whitney Museum of American Art, New York, NY
SELECTED BIBLIOGRAPHY
2010
Arnold, Liz, “Scene Stealer,” Luxe Interiors + Design, Vol 8, Issue 1, p. 239 (ill. C)
Cox, Johanna, “ ‘Look Again’ at Marlborough Chelsea,” Elle, January 26
Heartney, Eleanor, “Look Again,” exhibition catalogue, Marlborough Chelsea, New York, NY, p. 14 (ill. C)
Homes, A. M., “Elizabeth Streb,” BOMB, No. 112 Summer, p. 88 (ill. B/W)
Kertess, Klaus, “Art & Artifacts,” Hamptons Cottages and Gardens, July 1, p. 56 (ill. C)
unattributed, “Marlborough Gallery Presents Group Exhibition ‘Look Again,’” artdaily.org, January 12 (ill. B/W)
2009
“Beg Borrow and Steal,” exhibition catalogue, Rubell Family Collection, Miami, FL, p. 128-129 (ill. C)
Brookhardt, D. Eric, “Modern Language Association,” The Gambit, Vol. 30, No. 3, January
sh[OUT], exhibition catalogue, Glasgow Museums Gallery of Modern Art, Glasgow, Scotland, p. 26 (ill. C)
2008
Abrams, Nathan, ed., Jews and Sex, Five Leaves Publications, Nottingham, England, p. 127-128 (ill. B/W)
Batalion, Judy, “Seeing Shlock: Jewish Humour and Visual Art,” Jewish Quarterly, No. 211, Autumn (cover, ill. C)
Blair, Callen, “Figure Painting,” portfolio.com, January 2
Boris, Staci, “The New Authentics: Artists of the Post-Jewish Generation,” Spertus Museum, Spertus Press, Chicago, IL, p 21
Cohen, Jayne, Jewish Holiday Cooking: A Food Lover’s Treasury of Classic and Improvisations, John Wiley & Sons, Hoboken, NJ, p. 4
Leffingwell, Edward, “Review of Exhibitions,” Art in America, January (ill. C)
Shandler, Jeffrey, “What is American Jewish Culture?” The Columbia History of Jews & Judaism in America, ed. Marc Lee Raphael, Columbia University Press, New York, p. 356
Wagner, Frank, Just Different! exhibition catalogue, Cobra Museum of Modern Art, Amstelveen, Netherlands, p. 15 (cover, ill. B/W)
typisch! Stereotypes of Jews and Others, exhibition catalogue, Jewish Museum Berlin, Berlin, Germany, p. 98, 99 (ill. C)
unattributed, “Fairground,” Vanity Fair, October, (ill. C)
2007
Baigell, Matthew, Jewish Art in America: An Introduction, Rowman & Littlefield, Lanham, MD, p. 171, 224, 225 (ill. B/W)
Colman, David, “Sunday Style, Possessed,” The New York Times, February 18
Cotter, Holland, “That Sanitation Truck Parked on the Pier? It’s Part of the Show,” The New York Times, February 23
Duponchelle, Valerie, “New York fait son grand Armory Show,” Le Figaro, February 23
Finch, Charlie, “Another Opening, Another Show,” artnet.com, September 10
Finch, Charlie, “The Return of Midcareer,” artnet.com, September 3
Galloway, David, “Reviews, The Eighth Square,” Artnews, March (ill. B/W)
Johnson, Paddy, “Art Fag City at The L Magazine: Fall Preview,” artfagcity.com, September 12
Kass, Deborah, “THE SEVENTIES,” The Brooklyn Rail, September
Klein, Sheri, Art & Laughter, I. B. Tauris, London, England, p. 8, 24, 70-2
Levin, Carol Cole, What F Word? exhibition catalogue, Cynthia Broan Gallery, New York, NY (ill. C)
Macchione, Mikko, “Artful in the Vieux Carre,” Louisiana Homes and Gardens, September (ill. C)
Maine, Stephen, “Poles of the Feminist Spectrum,” The New York Sun, October 4
McCaffety, Kerri, “Artistic Development,” Louisiana Homes and Gardens, July (ill. C)
McClermont, Doug, “Last Chance,” saatchi-gallery.co.uk, October 8
Mirzoeff, Nicholas, “Seinfeld: BFI TV Classic,” British Film Institute, London, p. 88
Mueller, Stephen, “The Word May Be the Thing,” Gay City News, September 20 (ill. C)
Orenstein, Gloria Feman, “Torah Study, Feminism and Spiritual Quest in the Work of Five American Jewish Women Artists,” Nashim, A Journal of Jewish Women’s Studies & Gender Issues, The Schechter Institute of Jewish Studies, Jerusalem, The Hadassah-Brandeis Institute, and The Indiana University Press, no. 14, Fall, p. 98
Patel, Samir, ed., Kori Newkirk 1997-2007, exhibition catalogue, Fellows of Contemporary Art and The Studio Museum in Harlem, p. 29
Pollack, Barbara, “Reviews, Deborah Kass,” Artnews, November (ill. C)
unattributed, “Art Listings,” Time Out New York, September 13, September 27
unattributed, “Deborah Kass, Feel Good Paintings for Feel Bad Times,” The Art Newspaper, September
unattributed, “Galleries, Deborah Kass,” The New Yorker, October 1
unattributed, “Galleries, Short List,” The New Yorker, September 3 &10, September 24
unattributed, “Go Solo,” Art + Auction, February
unattributed, “In the Trade,” The Art Newspaper, January
unattributed, “The Armory Show,” ArtNexus.com, February 9 (ill. C)
2006
Amato, Micaela Amateau, and Joyce Henri Robinson, Couples Discourse, exhibition catalogue, Palmer Museum of Art, Pennsylvania State University, University Park, PA, p. 8, 16-7, 64-5 (ill. C)
Bloom, Lisa, Jewish Identities in American Feminist Art, Routledge, New York, NY, cover, p. 3, 6, 12, 110-114 (ill. C)
Buhr, Elke, “Könige und Königinnen,” Frankfurter Rundschau, August 25
Danicke, Sandra, “Androgyne Kunst,” Frankfurter Rundschau, August 26 (ill. B/W)
Douglas, Sarah, “Staying Power,” Art + Auction, November (ill. C)
Eichler, Dominic, “The Eighth Square,” Frieze, November/December (ill. B/W)
Finch, Charlie, “A Visit With Deb and Pattie,” artnet.com, January 16 (ill. C)
Groß, Roland, “Nackt unter einem Schottenrock,” Ruhr Nachrichten, August 23 (ill. B/W)
Holzhey, Magdalena, “Ein Plädoyer für Toleranz,” Kunstbulletin, October (ill. B/W)
Jendrzej, Manuela, “Das achte Feld,” Glanzstück, Fall (ill. B/W)
Katz, Vincent, ed., Vanitas 2: Anarchisms, McNaughton & Gunn, Saline, MI, p. 164 (ill. C)
Knezevic, Diana, “Sexuelle Revolution am Kölner Dom,” L.mag, September/October (ill. B/W)
Kuhn, Nicola, “Das große Wechselspiel,” Tagesspiegel, August 20
Meister, Helga, “Plastik-David mit güldenem Schamhaar,” Westdeutsche Zeitung, August 23
Mirzoeff, Nick, “ ‘That’s All Folks’: Contemporary Art and Popular Culture,” A Companion to Contemporary Art Since 1945, Ed. Amelia Jones, Blackwell Publishing, Oxford, England, p. 501
McCaffety, Kerri, The Chandelier through the Centuries, Savoy House, Vissi d’Arte Books, New Orleans, LA, p. 150 (ill. C)
Peitz, Dirk, “Was guckst du so doof?” Süddeutsche Zeitung, August 18
Roth, Sandra, “Maskerade der Geschlechter,” Art, August
Schock, Axel, “Rollenwechsel,” Hinnerk, September (ill. B/W)
Schroeder, Annette, “Seiltanz auf der Geschlechtergrenze,” Bonner Rundschau, Kölnische Rundschau, August 19
Smith, Roberta, “The Name of This Show Is Not: Gay Art Now,” The New York Times, July 7
Stiftel, Ralf, “In fremden Kleidern,” Soester Anzeiger, Westfälischer Anzeiger, Lüdenscheider Nachrichten, September 23
Stremmel, Kerstin, “La vie en rose?” Neue Züricher Zeitung, October 17
Tomkins, Calvin, “Department of Precocity; Artists in their Youth,” The New Yorker, February 27
unattributed, “Sexualität ganz anders,” On Time, October (ill. B/W)
Wagner, Frank, Kasper Konig, Julia Freidrich, eds., The Eighth Square, Gender, Life, and Desire in the Arts since 1960, exhibition catalogue, Museum Ludwig, Hatje Cantz Verlag, Germany, p. 20, 21,101-106, 274 (ill. C)
Weber, Eckhard, “Links gestrickt,” Du & Ich, October (ill. B/W)
2005
Barnard, Elissa, “Portraits of Artists by Other Artists,” The Chronicle Herald, Halifax, Nova Scotia, Canada, Saturday, July 16, (ill. C)
Bergeron, Chris, “The Tables Are Turned: ‘Portraits of Artists by Other Artists’ at Boston’s ICA,” Transcript, March 31
Cotter, Holland, “Trade,” The New York Times, February 25
Goodbody, Bridget L., “Opportunity Knocks,” Art Review, September/October
Millis, Christopher, “The Quick and the Dead,” The Providence Phoenix, January 28
Pagel, David, “A Lens and a Mirror,” Los Angeles Times, September 7
Pepe, Sheila, “Women Challenge a Male Domain,” Gay City News, July 7 (ill. C)
Scruggs, Greg, “Hot Artist-on-Artist Action at the ICA,” The Harvard Independent, March 10
Temin, Christine, “Here’s Looking at You,” The Boston Globe, January 23
unattributed, “Quick Escapes, Boston,” The New York Times, January 14, (ill. B/W)
2004
Cochran, Rebecca Dimling, “Pop Star,” Art Review, December/January (ill. C)
Gross, Jamie, “Artalk,” Artnews, April, (ill. C)
Halberstam, Judith, “Hidden Worlds: Photography and Subcultural Lives,” Art Becomes You! Parody, Pastiche and the Politics of Art, eds. Henry Rogers and Aaron Williamson, Article Press, UCE Birmingham Institute of Art and Design, Birmingham, England, p.88-92 (ill. C)
Higgs, Matthew, Likeness: Portraits of Artists by Other Artists, exhibition catalogue, CAA Wattis Institute for Contemporary Art and Independent Curators International, San Francisco, CA, p.16, 54, 67 (ill. C)
Honigman, Ana Finel, “Inspired,” artnet.com, (ill. C)
Mulligan, “Small Museums Celebrate Diverse Cultures,” Psychiatric News, February
Solomon, Julie, “At 100, Still Asking ‘Why Should It Be Easy?’” The New York Times, Arts Section, January 21 (ill. C, p.1)
Westerbeke, Julia, “The Muse at Leslie Tonkonow,” Time Out New York, February 5-12, (ill. C)
Wilkin, Karen, “Open House: Working in Brooklyn,” The Wall Street Journal, August 4, (ill. B/W)
Williams, Karla, “American Art: Lesbian, Post-Stonewall,” The Queer Encyclopedia of the Visual Arts, ed. Claude J. Summers, Cleis Press, San Francisco, CA, p. 33
Yablonksky, Linda, “Borough Sprawl,” Time Out New York, April 29 (ill. C)
2003
Boyarin, Daniel, Daniel Itzkovitz, Ann Pellegrini, eds., Queer Theory and the Jewish Question, Columbia University Press, New York, NY, cover, (ill. C)
McQuaid, Cate, “Something Borrowed,” The Boston Globe, May 30, (ill. C)
Roman, Juan Carlos, “Riding on the Dragon’s Back,” Sue Williams: Art for the Institution and the Home, exhibition catalogue, Secession and Institut Valencia d’Art Modern, Walther König, Köln, p. 46
Saltz, Jerry, Seeing Out Loud, The Figures Press, Great Barrington, MA, p. 260
Slotes, Oriz, Fixing the World: Jewish American Painters in the 20th Century, Brandeis University Press, Lebanon, NH, p. 128-129 (ill. C)
Yablonsky, Linda, “To Thine Own Selves Be True,” Artnews, November, (ill.C)
2002
Apel, Dora, Memory Effects: The Holocaust and the Art of Secondary Witnessing, Rutgers University Press, New Brunswick, NJ, p. 223 n. 29
Braff, Phyllis, “Looking at Those Images Again and Again,” The New York Times, November 24, (ill. B/W)
Leavy, Jane, Sandy Koufax, A Lefty’s Legacy, Harper Collins, New York, NY, p.175
Wolf, Stacy, A Problem Like Maria: Gender and Sexuality in the American Musical, The University of Michigan Press, Ann Arbor, MI, p. 181
2001
Dols, Teddi, “My Elvis, De Humoristtische Herhalingen van Deborah Kass,” Lover, June (Amsterdam, Netherlands)
Schneider, Rebecca, “Hello Dolly Well Hello Dolly: The Theatre and It’s Double,”
Psychoanalysis and Performance, eds. Adrian Kear and Patrick Campbell, Routledge, p. 101 (ill. B/W)
Goeser, Caroline, “ Deborah Kass The Warhol Project,” ArtLies, Number 29 (ill. B/W)
D’Souza, Aruna, ed., Self and History, A Tribute to Linda Nochlin, Thames and Hudson, London, England, cover hard/soft (ill. C)
Johnson, Ken, “Wry Skepticism,” The New York Times, July 27
Welchman, John, Art After Appropriation: Essays on Art in the 1990’s, Routledge, London, England, p.48
“hot property,” parallax 19, Issue 19, University of Leeds, Leeds, England (cover, ill. B/W)
2000
Berkovitch, Ellen, “A Landmark for Lesbian Art,” Pasatiempo, August 11-17
Braff, Phylliss, “Spiritual Traditions as a Perpetual Well of Inspiration for Art,” The New York Times, October 15, (ill. C)
Clifford, Katie, “What Makes A Great Painting Great?” Artnews, September
Cottingham, Laura, Seeing Through the Seventies: Essays on Feminism and Art, G + B Arts International, London, England, p. 108
Cronin, Patricia, “A Conversation on Lesbian Subjectivity and Painting,” M/E/A/N/I/N/G/ An Anthology of Artists’ Writings, Theory, and Criticism, eds. Susan Bee and Mira Schor, Duke University Press, Durham, NC, p.79-86
Corinne, Tee A., “Sighting Lesbian Artists,” The Lesbian Review of Books, Vol.VI, No. 4, Summer
Hammond, Harmony, “Deborah Kass,” Lesbian Art in America: A Contemporary History, Rizzoli, New York, NY, p. 121, 124-126, (ill. B/W, C)
Johnson, Patricia C., “Art Review,” Houston Chronicle, November 7, (ill. C)
Marcus, Greil, Double Trouble: Bill Clinton and Elvis Presley in the Land of No Alternatives, Picador USA, New York, NY, p. 180
Pollock, Barbara, “Babe Power,” Art Monthly, April
Saltz, Jerry, “Swish Myth,” The Village Voice, May 16
Slivka, Rose C. S., “From the Studio,” The East Hampton Star, September 28
Weiss, Marion Wolberg, “Art Commentary,” Dan’s Paper, October 13, (ill. B/W)
Will, Barbara, Gertrude Stein, Modernism, and the Problem of ‘Genius’, Edinburgh University Press, Edinburgh, Scotland, p. 165 n.
Willcox, Kathleen, “Deja Vu Exhibit is a ‘Must See’,” Lewisboro Ledger, February 10
Wilson, William, “Deborah Kass Packs Along Personal Politics As She Ventures Into Andy Warhol Territory,” Los Angeles Times, August 4
unattributed, “Best Bet Art,” The Santa Barbara Independent, July 27
Zimmerman, Bonnie, Encyclopedia of Lesbian Histories and Cultures: Volume 1 (Special Reference), Garland Publishing, New York, NY, p. 65
1999
Berger, Maurice, “Seeing Myself Seeing Myself,” Deborah Kass, The Warhol Project, exhibition catalogue, Newcombe Art Gallery, Tulane University, New Orleans, LA
Gilman, Sander, Making the Body Beautiful, A Cultural History of Aesthetic Surgery, Princeton University Press, Princeton, NJ, p. 203-4, (ill. B/W)
Hessel, Carolyn Starman, Blessed Is The Daughter, Shengold Books, Rockville, MD, p. 109-111 (ill. C)
Hill, Diane, “The ‘Real Realm’: Value and Values in Recent Feminist Art,” Interpreting Visual Culture: Explorations in the Hermeneutics of the Visual, eds. Ian Heywood and Barry Sandywell, Routledge, New York, NY, p. 146
Kaplan, Caren, “Beyond the Pale: Rearticulating Jewish Whiteness,” Talking Visions, Multicultural Feminism in a Transnational Age, ed. Ella Shohat, New Museum of Contemporary Art, New York, NY and the MIT Press, Cambridge, MA, p.46 (ill. B/W)
Marcus, Greil, “Pop Gun,” World Art, issue 19
Marshall, Keith, “Andy Warhol and Beyond,” The Times-Picayune, March 19
Nochlin, Linda, “Deborah Kass: Portrait of the Artist as Appropriator,” Deborah Kass, The Warhol Project, exhibition catalogue, Newcombe Art Gallery, Tulane University, New Orleans, LA
Plante, Michael, ed., “Screened Identities, Multiple Repitions and Missed Kisses,” Deborah Kass, The Warhol Project, exhibition catalogue, Newcombe Art Gallery, Tulane University, New Orleans, LA
Rosenblum, Robert, “Cards of Identity,” Deborah Kass, The Warhol Project, exhibition catalogue, Newcombe Art Gallery, Tulane University, New Orleans, LA
Saslow, James M, Pictures and Passions, A History of Homosexuality in the Visual Arts, Viking, New York, NY, p. 297-8, (illus, B/W)
Smith, Liz, “Jon is On, By Jovi,” Newsday, February 19
Staniszewski, Mary Anne, “First Person Plural: The Paintings of Deborah Kass,” Deborah Kass, The Warhol Project, exhibition catalogue, Newcombe Art Gallery, Tulane University, New Orleans, LA
Watson, Simon. “Simon Says: Collect,” artnet.com, December 1
1998
Antler, Joyce, ed., Talking Back, Images of Jewish Women in American
Popular Culture, Brandeis University Press, Hanover, NH, p. 171
Bright, Deborah, ed., The Passionate Camera, Photography and Bodies of Desire, Routledge, New York, NY, p. 297, 304 (ill. B/W)
Cameron, Dan, Dancing at the Louvre: Faith Ringold’s French Collection and Other Story Quilts, New Museum of Contemporary Art, New York, NY, p.9
Cotter, Holland, “Patricia Cronin and Deborah Kass,” The New York Times,
April 17
Durie, Deborah, review (untitled), Woman’s Art Journal, v. 19 no. 2, Autumn/Winter
Gilman, Sander L, “R. B. Kitaj’s ‘Good Bad’ Diasporism and the Body in American Jewish Postmodern Art,” Love + Marriage = Death, Stanford University Press, Stanford, CA, p. 180, 182
Gould, Claudia and Valerie Smith, 5000 Artists Return to Artists Space: 25 Years, Artists Space, New York, NY, p.115
Kaplan, Caren, “Beyond the Pale: Rearticulating U.S. Jewish Whiteness,” Talking Visions, Multiculural Feminism in a Transnational Age, ed. Ella Shohat, New Museum of Contemporary Art, New York, NY and The MIT Press, Cambridge MA, p.469 (ill. B/W)
Raz, Hilda, The Prairie Schooner Anthology of Contemporary Jewish American Writing, University of Nebraska Press, Lincoln, NE, p.5 (ill. B/W)
Schlager, Neil, ed., Gay and Lesbian Almanac, St. James Press, Detroit, MI, p. 500, 521 (ill. B/W)
Thomas, Mary, “Fine Arts: Wonder Wall,” Post-Gazette Magazine, October 16
unattributed, “Working Proof,” On Paper, March/April, p.42 (ill. B/W)
1997
Antler, Joyce, The Journey Home: Jewish Women and the American Century, Free Press, New York, NY p.325
Becker, Robin, “I’m Telling,” The Prairie Schooner, University of Nebraska Press, Volume 71, Number 1, Spring, p. 216 (cover, ill. C)
Blessing, Jennifer, “‘Eros, C’est la Vie’: Fetishism as Cultural Discourse (Surrealism, Fashion, and Photography),” Art/Fashion; Biennale di Firenze, Skira Editore, Milan, p. 90 (ill. B/W)
Davey, Andy, “Davey Does Deborah,” Campaign, June, Sidney, Australia, (ill. C, B/W)
Feinstein, Joseph N, “What is ‘Too Jewish?’” Heritage Southwest Jewish Press, February 7, (ill. B/W)
Gilman, Sander L, “The Body In Jewish Art,” New Art Examiner, April, p. 20
Horodner, Stuart, and Sanders, Mark, “Warhol is...” Dazed & Confused, March, (ill. C)
Hyman, Paula, and Deborah Dash Moore, eds., Jewish Women in America: A Historical Encyclopedia, Routledge, New York, NY
Johnson, John A, “Demystifying Art,” The Brunswick Times Record, July 17 (ill. C)
Johnson, Reed, “Culture Clash, Split Identities of Jews in America,” Daily News, March 3, (ill. B/W)
Knight, Christopher, “Too Jewish? Good Query,” Los Angeles Times, February 4, (ill. B/W)
Krygier, Irit, “Two Jewish Two Views,” The Voice LA’s Jewish Weekly, March 15, (ill. B/W)
Lubar, Robert S, “Unmasking Pablo’s Gertrude: Queer Desire and the Subject of Portraiture,” Art Bulletin, March
Mason, Christopher, “Artful Mix,” Elle Decor, Oct/Nov (ill. C)
Miles, Christopher, “How Jewish is ‘Too Jewish?’” Detour, February, (ill. B/W)
Nadler, Carol, “Two Scholars Say ‘Welcome To Our Sissy Heritage,’” Forward, June 27, (ill. B/W)
Pollack, Barbara, “Once Bitten, Always Buyers,” Artnews, Summer, p.62 (ill. C)
Schor, Mira, Wet, On Painting, Feminism, and Art Culture, Duke University Press, Durham, NC, p. 227, n. 27
staff, “ ‘Too Jewish? Challenging Traditional Identities’ To Open at UCLA’s Armand Hammer Museum of Art and Culture Center,” San Diego Jewish Times, February 20, (ill. B/W)
Ussher, Jane M, Fantasies of Femininity: Reframing the Boundaries of Sex, Rutgers University Press, New Brunswick, NJ, p. 122
Walsh, Daniella, “An Opinionated Look at American Jewishness,” The Orange County Register, February 16, (ill. B/W)
1996
Barocas, Randi, “A Jewish Warhol,” The Kansas City Jewish Chronicle, June 28, (ill. B/W)
Baynard, Ed, “My Barbra, Excerpts From A Conversation With Deborah Kass,” The Village Voice, April 2
Ben-David, Calev, “Artistic Identity Crisis,” The Jerusalem Report, May 2
Bloom, Amy, “A Face in the Crowd,” Vogue, December
Bonetti, David, “Challenging Cultural Identities,” San Francisco Examiner, September 25, (ill. B/W)
Camhi, Leslie, “Jewish Wry,” The Village Voice, April 2, (ill. B/W)
Cembalest, Robin, “Keeping Up With The Whitney: ‘Too Jewish?’ Tries Too Hard,” Forward, March 22
Dellamora, Richard, “Absent Bodies/ Absent Subjects: The Political Unconcious Of Postmodernism,” Outlooks, Lesbian and Gay Sexualities and Visual Cultures, eds. Peter Horne and Regina Lewis, Routledge, London, England, p. 48
Elgrably, Jordan, “In Your Faith,” The Los Angeles Times, May 13, (ill. B/W)
Fricke, Harald, “NowHere,” Artforum, November
Garber, Marjorie, ed., Field Work: Sites in Literary and Cultural Studies (Culture Work: A Book from The Center for Literary and Cultural Studies at Harvard), Routledge, London, England, p.32
James, Jamie, Pop Art Colour Library, Phaidon Press Ltd., London, England, p. 126-127 (ill. B/W, C)
Kaufman, Jason Edward, “Too Jewish?” The Art Newspaper, March
Kimmelman, Michael, “Too Jewish? Jewish Artists Ponder,” The New York Times, March 8, (ill. B/W)
Kleeblatt, Norman L, “ ‘Passing’ Into Multiculturalism,” Too Jewish?: Challenging Traditional Identities, exhibition catalogue, Rutgers University Press, New Brunswick, NJ, p.10, 21,139 (ill. B/W, C)
Lewis, Joel, “The New Jewish Art (Is It?)” Moment, April, (ill. C)
Lieberman, Janice, “Contemporary Images of Women in Contemporary Women’s Art: Concurrent Trends in Art and Psyche,” Journal of the American Psychoanalytic Association, December, (ill. B/W)
Linker, Jane, “Art of the Matter,” The Jewish Week, May 24
McPhee, Martha, “Mae West, Our Little Chickadee,” The New York Magazine, November 24, (ill. C)
Mendelsohn, John, “America The Beautiful?” The Jewish Week, March, (ill. B/W)
Myers, Terry R, “NowHere,” World Art, April
Nochlin, Linda, “Forward: The Couturier and the Hasid,” Too Jewish?: Challenging Traditional Identities, exhibition catalogue, Rutgers University Press, New Brunswick, NJ, p. xix
Ockman, Carol, “Too Jewish? Challenging Traditional Identities,” Artforum, September, (ill. B/W)
Reguer, Sara, “Women in The Bible and Jewish History; Jewish Self-Image,” Jewish Press, April 12
Rich, Frank, “The ‘Too Jewish’ Question,” The New York Times (op-ed), March 16
Self, Dana, “Deborah Kass, My Andy: a retrospective,” exhibition brochure, The Kemper Museum of Contemporary Art, Kansas City, MO (ill. B/W, C)
Smyth, Cherry, Damn Fine Art By New Lesbian Artists, Cassell Press, London, England, p. 46, 56-8 (ill. B/W, C)
Span, Paula, “Too Jewish?” The Washington Post, March 17, (ill. B/W)
Thorson, Alice, “’My Andy’: How Ingenious,” The Kansas City Star, July 12, (ill. B/W)
Vine, Richard, “Report from Denmark Part 1: Louisiana Techno-Rave,” Art in America, October
Zinnes, Harriet, “Too Jewish?” Caprice, January
1995
Blake, Nayland, Lawrence Rinder, Amy Scholder, eds., In A Different Light; Visual Culture, Sexual Identity, Queer Practice, exhibition catalogue, City Lights Books, San Francisco, CA, p. 32, 104 (ill. B/W)
Bonetti, David, “Looking at Art ‘In a Different Light,’” The San Francisco Examiner, January 11, (ill. B/W)
Bonetti, David, “San Francisco Show and Tell,” Out Magazine, April
Cembalest, Robin, “Warhol Meets Streisand, Deborah Kass Makes Pop Art Ethnic,” Forward, March 17, (ill. B/W)
Cotter, Holland, “Deborah Kass, ‘My Andy: a retrospective’ at Jose Freire,” The New York Times, March 24
Duncan, Michael, “Report from Berkeley: Queering the Discourse,” Art in America, July
Gilbert-Rolphe, Jeremy, Norman Bryson, eds., Beyond Piety: Critical Essays on the Visual Arts, 1986-1993, Cambridge University Press, Cambridge, England, p.153
Gimmelson, Deborah, “Art and Commerce,” New York Observer, March 6
Greco, Stephen, “Painting, Sculpture and Videotaping the Town,” Interview, March, (ill. C)
Helfand, Glen, “Hungry Eye,” San Francisco Weekly, February 1
Kleeblatt, Norman, “Multivalent Voices,” Art in America, December, (ill. C)
Kearns, Jerry, “Imperfect,” exhibition catalogue, University of Massachusetts, Amherst, MA, and Tyler School of Art, Philadelphia, PA, p. 18-19 (ill. B/W)
Knight, Christopher, “Shining a ‘Different Light’ on Both Artist and Viewer,” Los Angeles Times, February 4 (ill. C)
Levin, Kim, “Art Choices,” The Village Voice, March 21, (ill. B/W)
Lord, Catherine, “Queering The Dead,” Pervert, exhibition catalogue, Delta Graphics, University of California at Irvine, Irvine, CA (ill. B/W)
Smith Roberta, “Void, Self, Drag, Utopia (And 5 Other Gay Themes),” The New York Times, March 26
Staniszewski, Mary Anne, Believing Is Seeing: Creating The Culture Of Art, Penguin Books, New York, NY, p.137 (illus, B/W)
unattributed, “Art Andymonium,” The New Yorker, March 27
Waldman, Allison, J, The Barbra Streisand Scrapbook, Citadel Press, New York, NY, p. 209 (ill. C.)
Walsh, Daniella B, “Pervert at UC Irvine,” Artweek, June, (ill. B/W)
Walsh, Daniella B, “Gays, Lesbians, Put on a Bold Show,” Orange County Register, April 28, (ill. B/W)
Yablonsky, Linda, “Color Her Barbara,” Out Magazine, April, (ill. C)
Zaya, Octavio, “Deborah Kass: The Jewish Jackies and My Elvis; A Project for AtlAnticA,” AtlAnticA, Winter 94/95 (ill. C)
1994
Avigikos, Jan, “Ciphers of Identity’ at Ronald Feldman,” Artforum, March
Cotter, Holland, “Gay Pride (and Anguish) Around the Galleries,” New York Times, June 24
Cotter, Holland, “Art After Stonewall, 12 Artists Interviewed,” Art in America, June (ill. C)
Cottingham, Laura, The Power of Feminist Art, Harry N. Abrams Publishers, New York, NY, p. 279, 282
DePaoli, Geri, Elvis + Marilyn: 2 X Immortal, exhibition catalogue, Rizzoli
Publications, New York, NY, p. 40 (ill. C)
Johnson, Ken, “Fiction, Non-fiction and Postmodern Ideology,” Democratic Vistas: 150 Years of American Art From Regional Collections, exhibition catalogue, State University of New York at Albany, Albany, NY, p. 48-50 (ill. B/W)
Goldberg, Vicki, “A Pair of Saints Who Refuse to Stay Dead,” The New York Times, December 18
Smith, Roberta, “Review of ‘Exhibition and Sale for ICI’s 20th Anniversary,’” The New York Times, June 3
Wise, Michael, “Double Yentls, Chanel Kippahs and P.C. Torahs,” Forward, July 1, (ill. B/W)
1993
Berger, Maurice, “Displacements, Part One; Theory,” Ciphers of Identity, exhibition catalogue, Fine Arts Gallery, University of Maryland, Cantonsville, MD, p. 22-3 (ill. B/W)
Chernow, Barbara A. and George A. Vallasi, eds., “American Art,” The Columbia Encyclopedia, Fifth Edition, Columbia University Press, Houghton Mifflin Company, p. 92
Cotter, Holland, “Deborah Kass at fiction/nonfiction,” The New York Times, January 15
Cronin, Patricia, “A Conversation on Lesbian Subjectivity and Painting (with Deborah Kass),” M/E/A/N/I/N/G, November (#14)
Grisham, Esther, “Cutting Bait,” Art Papers, July/August, front/back cover (ill. C)
Homes, A.M., “Deborah Kass at fiction/nonfiction,” Artforum, March, (ill. B/W)
Kass, Deborah, “Color Me Barbara,” 10 Percent, Winter, (ill. C)
Langer, Cassandra, Feminist Art Criticism, An Annotated Bibliography, Macmillann Publishing, New York, NY, front piece (ill. B/W)
Lipson, Karin, “A Museum Reborn,” New York Newsday, June 11, (ill. B/W)
Madgalena, Kathairein, “Art for Art’s Sake’ Blasts Open New Orleans’ Social and Art Season,” The New Voice, October 8
Morrison, Mandy, “Fresh Paint,” Chicago Reader, June 11, (ill. B/W)
Smith, Liz, “Love Survives Press,” New York Newsday, January 3
Smith, Roberta, “Jewish Museum Re-Opens,” The New York Times, June 11
Waddington, Chris, “A Women’s Work is...” Lagniappe, October 1, (ill. C)
1992
Braff, Phyllis, “Broad Survey Opens Gallery,” The New York Times, October 11, (ill. B/W)
Cameron, Dan, “Don’t Look Now,” Frieze, January, (ill. C)
Cameron, Dan, “The Changing Tide,” Art + Auction, January, (ill. B/W)
Cameron, Dan, “The Outlaw Academy,” Art + Auction, May
Cunningham, Michael, “After AIDS - Gay Art Aims At a New Reality,” The New York Times, April 26
Curtis, Cathy, “Women’s Work: Rich, Shocking,” The Los Angeles Times, October 16
Dubin, Zan, “Painting Themselves Out of a Corner,” The Los Angeles Times, October 10
Glueck, Grace, “SoHo’s Election Year Concept: A New Flag,” The New York Observer, Nov 16
Hess, Elizabeth, “Spiritual America,” The Village Voice, May 19
Hirsch, David, “Pop and Personal,” New York Native, December 28
Liu, Catherine, “Diary of the Pop Body: Dandy Darlings and New Pop Strategies,” Flash Art International, October (ill. C)
Mifflin, Margot, “Feminism’s New Face,” Artnews, November
Meyers, Terry R, “Fear Strikes Out: ‘Fear of Painting,’” QW, October 4
Seigel, Judy, ed., Mutiny and the Mainstream: Talk That Changed Art, 1975-1990, Midmarch Arts Press, New York, NY, p. 325 n.
Smith, Roberta, “Aesthetic Back Talk: Women Artists Engage the Enemy,” The Houston Chronicle, (ill. B/W)
Smith, Roberta, “An Angry Young Woman Draws a Bead on Men,” The New York Times, May 24 (ill. B/W)
Smith, Roberta, “From New York Painting: Work That Takes Time,” New York Times, May 21
Smith, Roberta, “Women Artists Engage the Enemy,” The New York Times, August 16, (ill. C)
unattributed, “Color Her Barbara,” The New Yorker, December 28
1991
Cottingham, Laura, “Feminism and Painting,” Balcon No.7, (ill. C)
Evans, Stephen, “Painting Culture at fiction/nonfiction,” NYQ, November 10
Hess, Elizabeth, “Death to the Masters,” The Village Voice, October 22
Kimmelman, Michael, “Painting Culture at fiction/nonfiction,” The New York
Times, November 1
Myles, Eileen, “Deborah Kass at Simon Watson,” Art in America, January, (ill. C)
1990
Cottingham, Laura, “Subject Matters, Too,” essay for exhibition “Deborah Kass”
Westfall, Stephen, “Subject Matters,” Contemporanea, November, (ill. C)
1989
Mooreman, Margaret, “Print Review,” Artnews, January, (ill. C)
1988
Gilbert-Rolft, Jeremy, “Beyond Absence,” Arts Magazine, October
Mahoney, Robert, “Deborah Kass at Scott Hanson,” Arts Magazine, September
Mahoney, Robert, “Deborah Kass at Scott Hanson,” New York Press, November
Morgan, Robert C., “Group Show Review,” Flash Art, May/June
1987
Brenson, Michael, “Richard Bosman,” The New York Times, October 16
Cameron, Dan, “The Season That Almost Wasn’t,” Arts Magazine, January
Nadelman, Cynthia, “Prints,” Artnews, October, (ill. C)
Olander, William, “2 Painters - Charles Clough and Mimi Thompson,” essay for exhibition
Saltz, Jerry, Beyond Boundaries: New York, New Art, Alfred Van der Mark Editions, New York, NY, p. 86-7 (ill. C)
1986
Cameron, Dan, “Second Nature: New Paintings by Deborah Kass,” Arts Magazine, April, (ill. C)
Cohen, Ronny, “Deborah Kass at Baskerville + Watson,” Artforum International, Summer (ill. C)
Westfall, Stephen, “Deborah Kass at Baskerville + Watson,” Art in America, July (ill. C)
unattributed, “New American Mix,” House Beautiful, February, (ill. C)
1985
Masheck, Joseph, “Observations on Harking Back,” New Observations, #28 (ill. B/W)
Muchnic, Suzanne, “Review,” The Los Angeles Times, May 17, (ill. B/W)
1984
Brenson, Michael, “Deborah Kass at Baskerville + Watson,” The New York Times, January 20, (ill. B/W)
Dunn, Fontaine, “Deborah Kass at Baskerville + Watson,” Arts Magazine, January, (ill. C)
Geer, Susan, “Deborah Kass at Turnball, Lutjeans, and Kogan,” Images and Issues, July/August
Henry, Gerrit, “Deborah Kass at Baskerville + Watson,” Artnews, February, (ill. B/W)
Howe, Katherine, “Deborah Kass at Baskerville + Watson,” Images and Issues, May/June, (ill. B/W)
Liebman, Lisa, “Deborah Kass at Baskerville + Watson,” Artforum International, April, (ill. B/W)
Wilson, William, “Deborah Kass at Turnball, Lutjeans, and Kogan,” The Los Angeles Times, February 3, (ill. B/W)
1983
Nadelman, Cynthia, “Deborah Kass at Baskerville + Watson,” Artnews, September, (ill. C)
1982
Cohen, Ronny, “Survey of What, How and Why Artists are Drawing So Much Today,” Drawing, July/August (ill. B/W)
Henry, Gerrit, “Deborah Kass at Baskerville + Watson,” Artnews, February
Smith, Roberta, “Energism at Stefanatie,” The Village Voice, May 25
1981
Perrault, John, “Review,” SoHo Weekly News, November 24
1980
Staniszewski, Mary Anne, “First Person singular: Recent Self-Portraiture at Pratt Institute,” Artnews, May, (ill. C)
SPECIAL PROJECTS
2004
“Deborah Kass: After Andy,” segment for Gallery HD for Voom High Definition TV
2002
“Enough About Me,” Momenta Art, Brooklyn, NY, curator
2000
“America’s Most Wanted” online project for The Robert Shiffler Foundation, Dayton,
OH, curated by Barry Rosenberg
1997
Astraea Foundation First Annual Fund Raising Print, New York, NY
1996
The Jewish Museum Annual Vera List Print Edition, New York, NY
1994
“Off the Streets and Into the Studio: Cultural Politics Theory and Practice,” College
Art Association Conference, New York, NY, organizer and moderator
1992
“Painting Culture,” UC Irvine Gallery, Irvine CA, curator
1991
“Representation and Value: What Role Will the Languages of Feminism Play in the
Artworld ofthe Nineties?” in collaboration with The Drawing Center, presented at The
Great Hall at Cooper Union, New York, NY, organizer
TEACHING, LECTURES AND PANELS
2005-present
Yale University, Visiting Critic and Graduate Drawing Seminar, M.F.A. Painting Department New Haven, CT
2007
“Painting in New York, Then and Now,” National Academy Museum, New York, NY, Panelist
“Double X Art,” organized by Ad Hoc Vox, Brooklyn Fireproof, Brooklyn, NY, panelist
2006
Yale University, Critic M.F.A. Painting Department, New Haven, CT
2003
New York University, New York, NY, Visiting Artist, Graduate Program
“The Legacy of Andy Warhol,” Brooklyn Academy of Music, Brooklyn, NY, Panelist
“Women in the Art World,” National Academy of Design, New York, NY, Panelist
2001
Weatherspoon Art Museum, University of North Carolina at Greensboro, Greensboro, NC, “Artist Symposium with Deborah Kass,”
2000
Rhode Island School of Design, Providence, RI, Visiting Artist, Graduate Program, photography
The Katonah Museum, Katonah, NY, “Looking Backwards While Moving Forward,” panelist
1999
The Newcomb Art Gallery, Tulane University, New Orleans, LA, “The Warhol Project,” lecture
The Rhode Island School of Design Museum, Providence, RI, “My Andy,” lecture
Philadelphia Museum of Art, “Q&A (Queer & Artist),” panelist
Contemporary Art Center, New Orleans, LA, “The 1999 Louisiana Open,” juror and lecture
The Armory, NY, NY, “Simon Says Armory Show Tour,” lecture
SUNY New Paltz, New Paltz, NY, “Dead Warhol: Andy Warhol’s Posthumous Reputation”, panelist
School of the Museum of Fine Arts, Boston, MA, Fifth Year Travelling Scholarship, juror
1998
New Museum, NY, NY, panelist
New York University, lecture
School of the Art Institute of Chicago, “Facing the Dogs,” lecture series
1997
Skowhegan School of Painting and Sculpture, Skowhegan, ME, resident artist
Sotheby’s, “Andy Warhol’s Influence On Contemporary Art,” panelist
New York University, New York, NY, graduate seminar, fall semester
Tyler School of Art of Temple University, Philadelphia, PA, lecture and critiques
Contemporary Museum, Baltimore, MD, “Jewish Jackies, Jewish Barbies, Jewish Princesses: Exploding The Myths,” Dialogue with Rabbi Avis D. Miller
1996
The Whitney Museum of American Art, New York, NY, “Seminars with Artists,” lecture
Institute of Fine Art at New York University, New York, NY, “Artists at the Institute,” lecture
The Jewish Museum, New York, NY, “Too Ethnic: Identity and Its Relationship to the Visual Arts,” panelist
1995
State University of New York at Purchase, Purchase, NY, graduate seminar lecture
Cincinnati Art Museum, Cincinnati, OH, Rhoda Mayerson Lectures on Contemporary Art
Museum of Fine Arts, Boston, MA, lecture
Columbia University, New York, NY, graduate seminar lecture
Barnard College, New York, NY, lecture
New York University, New York, NY, lecture
Franklin and Marshall College, Lancaster, PA, lecture
University of Massachusetts at Amherst, Amherst, MA, graduate and senior critique, lecture
Penn State University, University Park, PA, “The Contemporary Scholarship on Lesbian and Gay Lives Lecture Series,” lecture
Maryland Institute College of Art, Baltimore, MD, junior and senior critique, lecture
1994
State University of New York at Purchase, Purchase, NY, visiting artist, fall semester
Rhode Island School of Design, Providence, RI, final senior critique
Maryland Institute of Art, Baltimore, MD, junior critique
Tyler School of Art of Temple University, Philadelphia, PA, “Changing the Context: Artists Who Curate,” panelist
1993
School of the Art Institute of Chicago, Chicago, IL, Visiting Artist with seniors and graduates, spring semester
School of the Museum of Fine Arts, Boston, MA, “Four Painters Program” with seniors and graduates, fall semester
University of New Orleans, New Orleans, LA, senior critique and lecture
Kansas City Art Institute, Kansas City, MO, senior critique and lecture
The Whitney Museum of American Art, New York, NY, “Artists on Abstract Art” The Geometric Tradition,” panelist
The New School for Social Research, New York, NY, “Voices of Women Artists: Continuity and Change,” panelist
1992
California Institute of the Arts, Valencia, CA, lecture
Otis Art Institute of Parsons School of Design, Los Angeles, CA, lecture
Artists Talk on Art, New York, NY, “Sugar Daddy: The Genetics of Oedipus,” panelist
Thread Waxing Space, New York, NY, “Supermodern Art,” panelist
State University of New York at Purchase, Purchase, NY, “Artists Intentions,” panelist
Thread Waxing Space, New York, NY, “Look Who’s Talking: Questions of Standards, Values and Criteria,” panelist
University of Minnesota, Minneapolis, MN, “Excluded Voices: Challenging Homophobia and Sexism,” panelist
1991
Rhode Island School of Design, Providence, RI, senior and graduates, winter, spring and fall semesters
1990
Rhode Island School of Design, Providence, RI, “Distinguished Visiting Artist” with senior and graduates, spring semester
Syracuse University, Syracuse, NY, lecture
1989
Rhode Island School of Design, Providence, RI, senior and graduates critique
Bard College, Annandale-on-Hudson, NY, graduate critique
1988
Sarah Lawrence College, Bronxville, NY, lecture
1987
Rhode Island School of Design, Providence, RI, senior critique
College of Mount St. Vincent, Riverdale, NY, senior critique
1986
Maryland Institute of Art, Royal Graduate Department, Baltimore, MD, visiting artist and graduate critique
1985
Rhode Island School of Design, Providence, RI, senior critique
University of California at Irvine, Irvine, CA, lecture
1980
University of Kentucky, Lexington, KY, lecture
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