Paul Kasmin Gallery

Contrary to many expectations there is contemporary art that knocks your block off at first sight. James Nares' high definition video, Street, currently on view at the Metropolitan Museum of Art...

Leslie Camhi of Vogue reports on James Nares Street at the Metropolitan Museum of Art

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Martha Schwendener reviews STREET, on view at the Wadsworth Atheneum Museum of Art, June 2 - October 28, 2012.

“… I've found that inspiration has more to do with the root of its meaning as being "in the spirit of something.” It’s more a meditation than something that strikes one out of the blue. It’s related more closely to taking an action than waiting to be taken by one ...”

When Coach enlisted the talents of James Nares, it didn’t ask the artist to riff on the brand’s logo — it literally gave him a blank canvas. A double-layered Italian canvas, that is. Five of Nares’s dynamic single brush-stroke paintings provide the motif for a collection...

Lower Manhattan in the 1970s is part laboratory, part playground in this show of wildly experimental early films and photo-conceptual documents by James Nares. At the time these works were made, Mr. Nares hadn’t yet developed his signature...

Manhattan is an odd tabula rasa. In the press release for his latest exhibition, James Nares is quoted as saying that Lower Manhattan “nurtured the talent of a generation inspired by its vast emptiness.”

James Nares's unseen video work - "about things in motion and motion in things" - finally gets its due with a new show at the Paul Kasmin gallery.

James Nares did not immediately rocket to the top of the New York painting scene. The Englishman turned New Yorker had to go through many phases to get there. He practically had to shoot himself in the foot. (Literally and metaphorically - you know the English and their hunting)...

Not far into Rome 78, James Nares'sunlikely rendering of a sword-and-sandal costume drama on the minuscule format of Super-8 sound film, two soldiers clad in armor and togas lean against what one might generously imagine to be the walls of the Roman Senate, but is more likely a cheaply renovated East Village apartment...

Literally and otherwise, James Nares's movies cover a lot of ground. For instance, in his 1975 urban microtravelogue "Roof", the filmmaker, painter and guitarist's seemingly disembodied head drifts eerily through lower Manhattan...

In his 1977-78 solo performance Desirium Probe, James nares became a television transmitter. The piece was perfromed twice, in downtown New YorkL once at Joan Jonas's Mercer Street loft, in 1977, and once at the Kitchen, on Wooster Street, in early 1978...

Classic New York abstraction is sometimes identified with the big brush stroke. Since the 1980's, James Nares has been parsing that long-established idea. The New York artist's new paintings at the Michael Kohn Gallery show how deft he's become...

Where "neoplastic redux" alludes to the afterlife of an ideal, "Action Precision" charts the fate of a gesture. The nine-person group show at Lennon, Weinberg is at once critically tighter and formally more diverse than the somewhat spurrious Harris ensemble.

Paintings and Photographs, both superb, colorful examples of what Marinetti called "violent gushes of action": One would have thought that action art had exhausted itself by now, but no- James Nares shows that it's alive and well.

After artist James Nares suffered an aneurysm, he lost his ability to work for long periods at a time. Unable to go to his studio, he developed new ways of making art at home...

Looking at a James Nares painting is like watching an ocean wave approach the shore- the movement and energy is raw, powerful...

According to French Photographer, Henri Cartier-Bresson's definition of the "decisive moment," a great picture is the convergence, in one frame, of a spark of humanity and a perfect composition. A bike cruising by an intriguing staircase at just the right velocity. A fellow skipping over a puddle with both feet in the air...

That late-blooming summer perennial, the group exhibition of August, is in full flower all over town, with a number of gallery surveys devoted to celebration the past, foretelling the future and taking the pulse of today.

Using oversize brushes that he makes himself, Mr. Nares lays down a single gestural stroke of color on a blazing white canvas. Each giant stroke, resonant with color like deep mustard, bright blue or plummy cerise, makes a vibrant, wriggly bolt of energy across or down the surface, splattering drops and leaving trails of paint as it goes...

In his recent exhibition of works from 1999, James Nares again showcased his works as a gestural-abstractionist extraordinaire. Having moved away from his figure-eight work of the 1980's and the "Luminographs" of the early '90s...

James Nares produces a suave spin on that modernist archetype, the big brush stroke. Each Canvas by this New York painter bears a single, vivid storke made all at once with a giant brush.

In many ways, in both his art and his life, the artist James Nares exemplifies certain transformations indigenous to New York's turbulent art world. Born in London in 1953, Nares has lived in New York since 1974 ...