Robert Indiana: Hard Edge
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Robert Indiana, a major figure of post-war American art, draws his subject matter from the visual vernacular of highway road signs, factory die-cut stencils, and commercial logos both remembered from childhood and encountered after he left home for Chicago and New York City. A pioneer of the verbal-visual motif, a rigorous formalist, and a master colorist, Indiana’s carefully-conceived permutations of his iconic imagery in painting, print-making, and sculpture are both instantly recognizable and culturally resonant. Distilling several stylistic trajectories into a single concentrated image, Indiana deploys recognizable words, symbols, and emblems in ways that reveal their structural power and also express the artist’s social and spiritual concerns. For each composition, Indiana works through successive stages of image-making, beginning in drawing and painting and culminating in the translation of his flat, hard-edged compositions into vibrantly-colored, voluptuous sculpture. The smooth lines, calligraphic curves, and geometric rigor retains the work’s connection to Indiana’s artistic and cultural heritage of early American modernism, especially Charles Demuth and Marsden Hartley, while the dramatic scale and three-dimensional solidity transform Indiana’s pictorial candor into independent forms with architectural aspirations.
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Alma Allen
May 16 – June 22, 2024 509 West 27th Street, New YorkThe gallery’s third solo exhibition of work by Alma Allen (b. 1970) brings together new freestanding sculpture and wall reliefs. This body of work evolves various compositional and material directions explored in Allen’s recent site-specific solo exhibition Nunca Solo at Museo Anahuacalli in Mexico City, demonstrating the artist’s ongoing experimentation into the ability of matter to embody contemplations on free will, consciousness, and the nature of time. -
NARES TRACES
May 16 – June 22, 2024 297 Tenth Avenue, New YorkThe fifteenth solo exhibition at the gallery of work by multidisciplinary artist Jamie Nares (b. 1953) examines over 100 works on paper in a variety of media—namely oil, ink, and enamel—made after refocusing her artistic attention from film to painting in the early 1980s. Coolly perceptive, Nares’ works on paper share the same conceptual focus on movement, rhythm, and measurements of time that has driven the artist’s various bodies of work over the last fifty years. This exhibition points to paper as an essential instrument in Nares’ ongoing exploration of these themes.
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- Diana Al-Hadid
- Alma Allen
- Theodora Allen
- Sara Anstis
- Ali Banisadr
- Tina Barney
- Judith Bernstein
- JB Blunk
- Mattia Bonetti
- William N. Copley
- Cynthia Daignault
- Ian Davenport
- Max Ernst
- Liam Everett
- Leonor Fini
- Barry Flanagan
- Walton Ford
- Jane Freilicher
- vanessa german
- Daniel Gordon
- Alexander Harrison
- Elliott Hundley
- Lee Krasner
- Les Lalanne
- Matvey Levenstein
- Lyn Liu
- Robert Motherwell
- Jamie Nares
- Nengi Omuku
- Robert Polidori
- Elliott Puckette
- Alexis Ralaivao
- George Rickey
- James Rosenquist
- Mark Ryden
- Jan-Ole Schiemann
- Joel Shapiro
- Bosco Sodi
- Dorothea Tanning
- Naama Tsabar
- Bernar Venet