Minimalism and Its Afterimage
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Kasmin is pleased to present Minimalism and Its Afterimage, curated by Jim Jacobs and Mark Rosenthal, featuring important works by Larry Bell, Liz Deschenes, Dan Flavin, Frank Gerritz, Marcia Hafif, Peter Halley, Ralph Humphrey, Donald Judd, Ellsworth Kelly, Jonathan Lasker, Sol LeWitt, Richard Long, Robert Mangold, John McCracken, Howardena Pindell, Robert Ryman, Fred Sandback, Jan Schoonhoven, Sturtevant, and Christopher Wilmarth. On view at the gallery’s 509 West 27th Street location from June 8 through August 11, 2023, the exhibition explores the legacy of Minimalism as it reverberates through various practices in the decades since its inception. Bringing together work produced in a variety of media and spanning seven decades, Minimalism and Its Afterimage demonstrates the ascendancy imparted by Minimalism’s major contributions to the art historical canon.
A catalogue featuring texts by Jim Jacobs and Mark Rosenthal is forthcoming from Kasmin Books.
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"In this evolution, Minimalism was refreshed by a broad panoply of frameworks that were new to it, starting with material from quotidian life."—Mark Rosenthal
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Works
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Explore
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Alma Allen
May 16 – June 22, 2024 509 West 27th Street, New YorkThe gallery’s third solo exhibition of work by Alma Allen (b. 1970) brings together new freestanding sculpture and wall reliefs. This body of work evolves various compositional and material directions explored in Allen’s recent site-specific solo exhibition Nunca Solo at Museo Anahuacalli in Mexico City, demonstrating the artist’s ongoing experimentation into the ability of matter to embody contemplations on free will, consciousness, and the nature of time. -
NARES TRACES
May 16 – June 22, 2024 297 Tenth Avenue, New YorkThe fifteenth solo exhibition at the gallery of work by multidisciplinary artist Jamie Nares (b. 1953) examines over 100 works on paper in a variety of media—namely oil, ink, and enamel—made after refocusing her artistic attention from film to painting in the early 1980s. Coolly perceptive, Nares’ works on paper share the same conceptual focus on movement, rhythm, and measurements of time that has driven the artist’s various bodies of work over the last fifty years. This exhibition points to paper as an essential instrument in Nares’ ongoing exploration of these themes.
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