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Roxy Paine explores nature, folklore and geometry in his latest exhibition

Olivia Martin

May 5 2017

Embers glow and flicker amid the hyperrealistic charred polyester resin and fibreglass trees, the light intentionally dim. It’s as if you have stumbled upon a suspended moment in time; a forest is hazy in the distance. Within seconds, artist Roxy Paine captivates with his new work Desolation Row on view as part of his two-venue exhibition at New York’s Paul Kasmin Gallery.

A semi-hybrid between Paine’s tree-like Dendroid series and his dioramas, Desolation Row condenses a half-mile viewpoint of a burned down forest into seven feet. ‘I’ve always been interested in our relationship to nature — how it affects us and how we obsessively alter nature and seek to control it,’ Paine says. ‘To me it’s a very melancholy piece. It’s dealing with the aftermath. Is this fire manmade? Is it because of how we have altered the planet? Is it just a natural fire?’

 



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